Concord/One-Mindedness

Webster’s Dictionary defines Concord as : [Con]Agreeing + [cord]Heart .

1 a : a state of agreement : Harmony

b : a simultaneous occurrence of two or more musical tones that produces an

impression of agreeableness or resolution , on a listener .

It also defines dissemblance as : more at dissimulate .

1 to hide under a false appearance

2 to put on a false appearance: conceal facts, intentions, or feelings under some pretense.

In The Theology of Arithmetic , in the section on The Ennead ,

the author says ,

Surely then , because The Enneaddoes not allowThe Concord/One-Mindedness



of Number to be dispersed beyond Itself ,



But Leads/Draws-Them-Together to The Same and makes Them Play in Concert ,



Hence It is called Single-minded and Limitation ,



and It is also called Sunfrom ItsGathering-together/Salting.



Then Itwasalso calledLack of Strife because of TheRequital and Recompense



of The Numbers from Itup to THE MONAD ;

’

just as it was explained in the Diagram about Righteousness[P97].



Then 9 is also said to contain The Terms of the Symphonies :4, 3, 2 ,

’’’’ :

which make The Sesquitertian Ratio of 4:3 ,

’’

The Sesquialter Ratio of 3 : 2 ,

’’

and The Double Ratio of 4 : 2 .

’’

And finally , THE ENNEADis The First Number to be in



The Sesquioctave Ratio of 9: 8

’’

Now , through the guidance of our Beloved Leader , Dr. Pierre Grimes , we are asked to consider the relationship of the numerical sequence of 2 , 3 , 4 , that is found here in Book One of Plato’s Republic . This series is also an Arithmetical Proportion as described by Nicomachus of Gerasa in hisINTRODUCTION TO ARITHMETIC; Book II Chapter 21.5 or as a one-to-one relationship because “the same term is One and Unchanging if compared to those on either side of it” or what I call a Socratic/Dialectical relationship . For consider :

XI Socrates/Narrator : “And on hearing this , he gave a great guffaw and laughed sardonically and said ,

Thrasymachos : O Heracles , here we have the well-known dissemblance () of Socrates , and I knew it and predicted that when it came to replying you would refuse and dissemble () and do anything rather than answer any question that anyone asked you .”

Socrates : That is because you are wise , Thrasymachos , and so you knew very well that if you asked a man how many are Twelve , and in putting the question , warned him : Do not be telling me , O man , that Twelve is Two-times Six , or Three-times Four or Six-times Two or Four-times Three ; for I will not accept any such foolery as that , as an answer from you . I suspect , that it was obvious to you , that no one could give an answer, to a question framed in that manner .”

2 X 6 3 X 4

12

6 X 2 4 X 3

In other words : The Truth is unacceptable for Thrasymachos .

For earlier Thrasymachos told Socrates : “And do not tell me that It (Justice) is “that which ought to be” , or “the beneficial” or “the profitable” or “the gainful” or “the advantageous” , but express clearly and precisely whatever you say .

The Beneficial (2) The Profitable (3)



JUSTICE

That which necessarily is (1)



The Gainful (4) The Advantageous (5)



Now , who is trying to dissipate all answers and at the same time trying to hinder them from being collected-together ? And , who on the other hand , is trying to prevent the answers that are on the mark from being dissipated and to collect-them-together ?

Furthermore , are these not five aspects of that which is Providential ? Would not the absence of any aspect/part of The Whole keep it from gaining Concord ? For is not Justice something that must necessarily(1 : ) exist ? If there were no Justice , would not existence itself cease to exist ? How could anything exist if it were not necessarily so ? What would impel it to be , if not Necessity ? And once It came to be , how could anything function in its own Proper , Artful , Kosmic way without Justice Itself to serve as its Model ?

What if the Beneficial (2 : aspect were missing ? Did not Socrates prove to the assembly through his discourse with Polemarchus that Justice cannot in any way harm anyone , not even an enemy ? Is not Justice then , only concerned with the Benefit it bestows on all ? For it is not in The Nature of Justice to do harm to anything anymore than it is The Nature of The Sun to make things cold . For that which affects harm is injustice and to affect harm is within its domain . To Benefit is the domain of Justice .

What about the Profitable , The Gainful and The Advantageous ? Are these not different ways of signifying that which is Better ? And is not that which is Better that which has its eye on The Good ? And not just that which is good for a certain part of the city , but Good for all ?

But listen to what comes next in the dialogue and keep in mind what the author of The Theology of Arithmetic says about Concord :

Socrates(continuing) : Suppose he had said to you , ‘Thrasymachus , what do you mean ?

Am I not to give any of the prohibited answers , do you mean to say , not even , if the thing is one of these , but I must say something different from the truth , or what do you mean ?’ What would have been your answer to him?”

Thrasymachus: Oh sure ! How very like are the two cases !

Socrates : There is nothing to prevent this from indeed being the case . Yet if it appears

to the person asked the question , that they are such as these , do you suppose that he will any the less answer such as it appears to him , whether we forbid him , or not ?”

Indeed , The Beneficial , The Profitable , The Gainful , The Advantageous and That which is Necessary , all have a Natural Ring , a True Sound , to them . They all “produce an impression of agreeableness (of Concord) on the listener .” Yet Socrates , being a Lover of Music , fine tunes those reason principles in the soul to fully understand

how they truly are in tune with The Divine .

Before we continue , consider the following section from The Introduction to Arithmetic by Nicomachos of Gerasa . Take notice that The Arts of Number and Music ; The Primary Handmaidens of Philosophy , also bear witness to The Upright and Fair Nature of The Education that Socrates is unfolding before the minds of his audience . For how can any Artist want to out-do another Artist in the tuning of an instrument ? For once an instrument is in tune there is nothing else to be done , other than , to keep it in tune . For being “In Tune” is The Measure that Stands Above Relative Quantity and within The Genus of Absolute Quantity , yet it is established in The Middle byBeing

The Perfect Balance . Furthermore , because of this attunement , every Note has a unique number of vibrations and hence , a unique tone , such as C , and that tone has a direct relationship to certain unique numbers , such as 6 and 12 .

Book I –Chapter 14

[1] Then in turnfrom the beginning , amongThe Simple EVENNumbers ,



some are Superabundant , while others aredeficient , asif they were Extremes set against



each other , but some areIntermediate between both of them , and are called Perfect.



[2] And on the one hand , those which are said to be set against each other ;



The Superabundant and the deficient , are distinguished from one another by the relation of



Inequality in the directions of the more and the less ; for apart from these, no other mode



ofInequality could be conceived , as neither could vice , nor disease , nor disproportion ,



nor indecency , nor any such thing . For on the one hand , in the realm of the more, there 

arise excesses andoverreaching , and exaggeration and extravagance , whereas on the other 

hand , in the realm of the less, there arise need and deficiency , and privation and lack .



But inThatRealmwhich lies betweenthe more and the less , which isTheEqual , there



AriseTheVirtues, of Health , Moderation , Propriety , Beauty , and The Like, to which



the aforesaid Idea of Number , The Perfect, is most Akin .



NUMBER

THE EVEN THE ODD

2 3 4 5 6 7 8 9 10 11 12 Primary & Incomposite

The Deficient 2 4 6 8 10 12 14 16 18 20 22 24

3 6 9 12 15 18 21 24 27 30 33 36

4 8 12 16 20 24 28 32 36 40 44 48

5 10 15 20 25 30 35 40 45 50 55 60

The Perfect 6 12 18 24 30 36 42 48 54 60 66 72 The Intermediary

7 14 21 28 35 42 49 56 63 70 77 84

8 16 24 32 40 48 56 64 72 80 88 96

9 18 27 36 45 54 63 72 81 90 99 108

10 20 30 40 50 60 70 80 90 100 110 120

11 22 33 44 55 66 77 88 99 110 121 132 Secondary & Composite

The Superabundant 12 24 36 48 60 72 84 96 108 120 132 144

Indissoluble Union Being Intellect Unbounded Wisdom

Beauty

Virtue
Number

Less / more

Need / Excesses

Receptive / Overbearing

Deficient / Superabundant

Privation-lack / Overreaching

Terms x : Y

Relation ofInequality

(evil , disease , disproportion , unseemliness)

Consider that among The Even Numbers what makes Perfect Numbers , Perfect , is that the parts (the lesser) , when joined together , are Equal to The Whole (the greater) . On the other hand , deficient numbers are those that when the parts (Factors) are joined together , are less than The Whole , and the superabundant are those that when the parts (Factors) are joined together ,are greater than The Whole .

Among The Odd Numbers , The Intermediary are those that partake of both Primary andIncomposite and Secondary and Composite qualities ; the former relative to other numbers , and , the latter relative to itself .

Let us take the numbers 6 , 8 , 9 and 12 for example .

The Whole 6 The 1st Actual Perfect Number

The Parts-Factors The Half 3 The Root of The Odd

The Third 2 The Root of The Even 6

The Sixth 1 The Source of Number

The Whole 8

The Parts-Factors The Half 4The 1st Deficient Number

The Fourth 2 7

The Eighth 1

Relative to Itself Secondary & Composite Forithas a9th(1) and a third(3) part

The First 9 Intermediary

Relative to Another Primary & Incomposite with25 , 1= only Common Measure

The Whole The 1st 12 Superabundant Number

The Parts-Factors The Half 6

The Third 4

The Fourth 3 16

The Sixth 2

The Twelfth 1

1