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Ch. 8 The Growing Rock Monster (1970-1975)

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THE HIPPIE AESTHETIC: Psychedelic Legacies

BLUES-BASED BRITISH ROCK: The Stones, Cream, the Yardbirds

Led Zeppelin: Blues, Folk, and Psychedelia

♫ “Whole Lotta Love”

Led Zeppelin

Blues-based British Rock

Deep Purple: Blues, Classical and Psychedelia

♫ “Highway Star”

Deep Purple

Blues-based British Rock

  • Shift in focus from releasing singles to releasing albums as a whole (inspired by Sgt. Pepper’s)
  • Incorporating more classical music, electronic music, and jazz
  • More dependent on the recording studio—the music was harder to reproduce live
  • “hippie aesthetic”:
  • Lyrics—important topics and themes
  • Sophisticated music
  • Quality—the music can stand up to repeated listening
  • Focus on instrumental virtuosity
  • Music awards—“best of” became popular
  • Based in Chicago electric blues
  • 1970s bands built on the blues foundation set by the Stones, etc.
  • Introduced blues to white American teens
  • Stones—one of the most famous bands to successfully transition from the ‘60s to the ‘70s
  • Yardbirds—become Led Zeppelin
  • Jimmy Page, Jeff Beck, and Eric Clapton were the guitarists who helped bridge blues and rock
  • Focused on AOR format
  • Page wrote the music; Robert Plant wrote the lyrics
  • Music—blending traditional electric blues, acoustic folk, and experimentation; featured Page’s & Plant’s high wailing vocals; lyrics dealt with spiritual and sexual topics; heavier sound
  • Page produced and stacked lots of tracks to create the heavier sound
  • They disbanded after Bonham died of alcohol poisoning in 1980
  • Career lasted 10 years
  • “Whole Lotta Love”—psychedelic elements; vocal moaning; aggressive guitar solo; electronic “panning” across the stereo spectrum; compound AABA form; avante-garde techniques
  • Mixes blues-based rock and classical music (Vivaldi and Bach)
  • Formed in 1968 with psychedelic roots
  • One of the first bands to combine a rock band with a symphony orchestra; blends psychedelia with blues-rock
  • Later works were popular in the U.S. (i.e. Machine Head containing “Smoke on the Water” and “Highway Star”)
  • Falsetto screams become commonplace throughout ‘70s and ‘80s
  • Gillan was famous for recording the musical, Jesus Christ Superstar
  • Members move on to form: Rainbow, Whitesnake, and Gillan

Black Sabbath: British Rock meets the Gothic beginnings of Metal

♫ “Iron Man”

Black Sabbath

Blues-based British Rock

AMERICAN BLUES ROCK & SOUTHERN ROCK

The Allman Brothers Band

♫ “Ramblin’ Man”

The Allman Brothers

Southern Rock

Lynyrd Skynyrd

♫ “Free Bird”

Lynyrd Skynyrd

Southern Rock

Charlie Daniels Band

♫ “Devil Went Down to Georgia”

Charlie Daniels Band

Southern Rock

Texas & South of the Border:

Santana

♫ “Black Magic Woman”

Santana

American Blues-Rock

  • Started as Earth, then changed to Black Sabbath after seeing a Boris Karloff movie
  • Sinister riffs, frequent use of the tri-tone (devil’s interval), dissonance, distortion, dark texture
  • Laid the foundation for heavy metal of the 1980s
  • Ozzy Osborne goes solo in 1980
  • influenced by British blues rock
  • Duane Allman and Oakley both died in motorcycle accidents in 1971 and 1972
  • “Ramblin’ Man” is a good example of their country influences
  • Tom Dowd—producer and engineer—used to work for Atlantic records
  • From Florida
  • More radio-friendly format than the Allman Brothers
  • Signed with Sounds of the South in Atlanta
  • Wrote songs about everyday life in the South
  • Hits: “What’s Your Name”, “Sweet Home Alabama”, “Saturday Night Special”
  • 1977 plane crash kills three with lead singer Ronnie Van Zant being one of them
  • Band splits soon after, but later reunites
  • Guitarist, singer, and fiddler, Charlie Daniels, started as a studio musician in Nashville; performed back-up for Bob Dylan at one point
  • Music was closely connected to the hippie movement
  • Other southern rockers looked up to him
  • “Southern rock”—one definition is rock bands from the south; another definition is music that appealed to or portrayed southern stereotypes of the time (hard-drinking men, pick-up trucks with gun racks, and confederate flags)
  • Despite these stereotypes, most Southern rockers were politically progressive—unlike their music
  • Led byMexican-influenced/Mexican-born (Latin rock) guitarist Carlos Santana
  • Featured the organ playing of Greg Rolie (later joins Journey)
  • Psychedellic roots; blend of jazz, blues, improvisation, and Latin rhythms and percussion

ZZ Top

♫ “Tush”

ZZ Top

American Blues-Rock

American Bands:

Steppenwolf

♫ “Born to be Wild”

Steppenwolf

American Blues-Rock

Three Dog Night

♫ “Mama Told Me Not to Come”

Three Dog Night

American Blues-Rock

Grand Funk Railroad

♫ “Some Kind of Wonderful”

Grand Funk Railroad

American Blues-Rock

Aerosmith

♫ “Walk This Way”

Aerosmith

American Blues-Rock

PROGRESSIVE ROCK: BIG IDEAS & HIGH AMBITION

Philosophical Lyrics and Concept Albums

The Use of Classical Music with Rock

  • From Texas
  • First album didn’t chart, but now played as a rock radio staple
  • Considered “Texas Blues”—more like Lynyrd Skynyrd than the Allman Brothers
  • Steppenwolf was started by John Kay—a German singer and guitarist
  • Named after famous novel by Herman Hesse
  • Known for gruff vocals, driving guitars and drums, and distortion
  • Started in Los Angeles in 1967 and broke up in 1972
  • Also blues-influenced
  • Los Angeles-based; produced by Brian Wilson (Beach Boys)
  • Blues-based soul, 3 lead singers, focused on vocals, AM-friendly approach
  • Broke up in the mid-1970s
  • From MI
  • Roots in 1960s pop and soul music
  • Placed 10 albums in the Billboard top 10
  • One of the most popular bands in rock music of the early 1970s
  • Their first album didn’t chart, and “Dream On” only made it to #59 on the U.S. charts
  • From Boston; similar sound/image to the Rolling Stones
  • Steven Tyler and Joe Perry were going for the rough/tough guy demeanor and appearance
  • “Walk this Way” helps rap break into the rock audience
  • Progressive rock bands became obsessed with the “concept album” approach
  • Great attention was put toward album cover artwork
  • Concept albums featured lyrics about:
  • Religion and spirituality
  • Politics and power
  • Technological advancements
  • Existential angst (anxiety, worry, fear)
  • The music was supposed to provide a trip
  • Increasingly ambitious; opposite of the singer-songwriter movement of the same time
  • Started by Moody Blues when Decca asked them to make a rock version of Dvorak’s New World Symphony to sell stereo equipment
  • Procol Harum mixes Percy Sledge’s “When a Man Loves a Woman” with a J.S. Bach cantata

The Who: Townshend’s Big Projects

♫ “We’re Not Gonna Take It”

The Who

Progressive Rock

In the Beginning:

King Crimson

♫ “21st Century Schizoid Man”

King Crimson

Progressive Rock

Emerson, Lake & Palmer (ELP)

Hippie Spirituality:

Jethro Tull

♫ “Aqualung”

Jethro Tull

Progressive Rock

Yes

♫ “Roundabout”

Yes

Progressive Rock

  • Tommy—rock opera (1969) about a handicapped boy who reaches enlightenment through pinball.
  • The point was to convince people that when one puts down the drugs and alcohol, they can still reach true enlightenment; spiritual pursuits require effort and sacrifice
  • Used recurring material throughout the major work, and it was an opera (commonly used in opera)
  • Quadrophenia—album about the Brighton Beach riots and Mod culture popular at the end of the 1960s
  • After this, they moved away from big projects
  • King Crimson blended harder, more dissonant(inharmonious) 20th century music with the consonant (harmonious) 19th century classical music, and added in modern jazz
  • Known for aggressive vocals, rhythmic syncopations, and angular melodic riffs
  • “21st Century Schizoid Man” was their greatest example of this
  • Emerson came from the band, Nice
  • Emerson was known for destroying keyboards onstage
  • Tarkus—album that included long tracks, some lyrical songs, and lots of keyboard instruments
  • Pictures at an Exhibition—based on Modest Mussorgsky’s classical work of the same name. ELP reworked it and omitted parts to be replaced with their own music
  • They were popular in both the U.S. and the UK
  • Jethro Tull—blues-based; focused on religious institutions and traditions
  • Ian Anderson, frontman for Jethro Tull, was known for playing flute
  • Aqualung—provided a critique of the Church of England and how they treated the poor
  • Thick as a Brick—attach on bourgeois values (middle-class)
  • A Passion Play—about life after death and reincarnation
  • Some tracks lasted up to 40 minutes
  • Songs dealt with issues of spirituality; they were inspired by Eastern religion
  • One of the most accomplished and commercially successful progressive rock bands of the early 1970s
  • Yes captured the innocence of psychedelia
  • Album, Close to the Edge, was based on Herman Hesse’s novel, Siddhartha
  • Song, “Gates of Delerium” was inspired by Leo Tolstoy’s book War and Peace

Symphonic Expansion

Bizarre Tales & Progressive Rock Theatre:

Genesis

♫ “The Musical Box”

Genesis

Progressive Rock Theatre

Pink Floyd in the 1970s

♫ “Wish You Were Here”

Pink Floyd

Progressive Rock Theatre

JAZZ-ROCK FUSION AND JAZZ INFLUENCED ROCK:

Jazz and the Studio Musician

Jazz-Rock Fusion:

Miles Davis and Beyond

♫ “Bitches Brew”

Miles and Beyond

Jazz-Rock Fusion

  • The idea was to create longer, more intricate arrangements
  • Reusing melodic material in new ways allowed for this
  • Inventive/new rhythmic ideas and changing meter
  • Use of AABA form (sometimes compound AABA)
  • Draws on classical music and current pop techniques
  • Phil Collins and Peter Gabriel acted out the stories in their songs by wearing masks and elaborate costumes
  • Long, complex songs; criticized British life and values with fantastic stories
  • “The Musical Box” was about a reincarnated spirit who returns sexually frustrated 70 years later
  • Ummagumma, Atom Heart Mother, Meddle, The Dark Side of the Moon, Wish You Were Here, The Wall—Pink Floyd’s albums from the 1970s
  • Known for being extremely experimental, lots of electronic sounds, instrumental virtuosity, crazy light shows and stage effects—pigs flying & plane crash onstage
  • Syd Barrett was released from the band because of mental illness
  • Progressive rock was the genre that remained the most faithful to the hippie aesthetic!!
  • Focus is on achieving technical master and improvisation methods
  • Jazz players were hired as studio musicians by day and played jazz in clubs by night
  • “studio musician”—player fluent in all styles of music, can site read music, and is a professional instrumentalist (not amateur)
  • Influential jazz musicians of the time include: Steve Gadd, Tony Levin, Larry Carlton (inspired later rockers)
  • Miles Davis wanted to play jazz music for larger crowds
  • He connected his music with that of Jimi Hendrix and Cream (especially Eric Clapton)
  • John McLaughlin, Joseph Zawinul, Chick Corea, Herbie Hancock, and Wayne Shorter—all famous jazz-rock musicians
  • Bitches Brew—double album of jazz experimentation pieces that introduced rock audiences to jazz fusion
  • Instrumental genre—hardly ever any vocals
  • Members of Miles Davis’ band went on to form their own bands, which had some moderate chart success (compared to regular jazz, they achieved great fame)

Frank Zappa: Satire and Complexity

♫ “You Are What You Is”

Frank Zappa

Jazz-Rock Fusion

Low Sparks and Pretzel Logic:

Traffic

Steely Dan

♫ “Peg”

Steely Dan

Jazz-Influenced Rock

Horn Bands:

Blood, Sweat and Tears

♫ “You’ve Made Me So Very Happy”

Blood, Sweat and Tears

Jazz-Influenced Rock

Chicago

♫ “You’re the Inspiration”

Chicago

Jazz-Influenced Rock

GLAM ROCK & ROCK THEATRE: SHOCKING CHARACTER

Dressing Up and Acting Out

  • Blended satire (sarcasm), musical virtuosity, and sophistication; incorporates cartoonish vocals to critique television
  • He didn’t care if his music was commercial, artistic, or relevant—he did what he wanted to do
  • Hot Rats, Apostrophe, Overnite Sensation—famous albums
  • “You Are What You Is” is one of his best examples of artistic expression
  • Made a comeback in the early 1970s after taking a hiatus in the late 1960s
  • Steve Winwood, Jim Capaldi, and Chris Wood—important band members
  • Blend bluesy-vocals with saxophone soloing
  • Band members change often throughout the early 1970s
  • Founded by Donald Fagen and Walter Becker—used studio musicians for their backup tracks when they stopped touring
  • Music was written out before recording began, but solos were typically improvised
  • “Peg” from Aja album is one of the best examples of their performance style
  • Jazz rock horn-band
  • Formed by Al Kooper (previously with Bob Dylan and Lynyrd Skynyrd)
  • Achieved great success in the U.S. after David Clayton-Thomas joined
  • Self-titled album won a Grammy in 1970
  • Made horn section more important in their recordings through solos and ensemble playing (like big band music of the 1930s and 1940s)
  • “You’ve Made Me So Very Happy” is a good example of their performance style
  • Blended melodic pop vocals and sophisticated, horn-dominated accompaniment
  • Popular in the U.S. and the UK
  • Beatles-influenced pop sound with jazz style horn arrangements
  • Jazz-Rock fusion was hated by traditionalists because they thought it was a sell out
  • Formed out of the Rock Theatre movement started by Genesis and Pink Floyd
  • 1970s rock shows moved from theatres and ballrooms (smaller venues) to arenas and stadiums (large venues)
  • Audiences started expecting bigger shows

Ziggy Played Guitar:

David Bowie

♫ “Fame”

David Bowie

Glam Rock

Alice Cooper: Welcome to My Nightmare

♫ “School’s Out”

Alice Cooper

Glam Rock

KISS and Makeup

♫ “Rock and Roll All Night”

KISS

Glam Rock

SINGER-SONGWRITERS: THE IMPORTANCE OF BEING EARNEST

James Taylor

♫ “You’ve Got a Friend in Me”

Singer-Songwriter

Carole King

♫ “Too Late”

Singer-Songwriter

Paul Simon

♫ “Still Crazy After All These Years”

Singer-Songwriter

  • Developed stage characters/stage personalities: David Bowie and Alice Cooper being greatest examples
  • Inspired by the Beatles’ Sgt. Pepper’s album
  • UK “glam rock” singer—only UK glam rock singer to achieve significant success in the U.S.
  • Stage personality was Ziggy Stardust
  • Androgynous clothing, makeup, sci-fi, topics of alienation (i.e. 2001: A Space Odyssey)
  • Alice Cooper was the stage persona for Vincent Furnier
  • Known for dark, gruesome death depicted onstage (goth); depression and anger
  • Influenced heavily by Jim Morrison (of the Doors)
  • He used satire so people didn’t take his music too seriously
  • Went solo and had greater fame as a soloist
  • Roots in psychedelia: the music was a trip
  • Whole band had stage characters (not just the lead singer as with the other bands) with costumes and elaborate makeup
  • Shows included lights, flames, and explosions
  • Blues-based rock band
  • Rough start, but once they achieved success with “Rock and Roll All Night” (live version), they re-released older material
  • Action figures, feature-length film, etc. helped fuel their fame
  • Derived out of the 1960s folk revival (i.e. Bob Dylan, John Lennon, Paul McCartney)
  • Appealed to post-college young adults
  • Unmediated personal perspectives; authentic; sincere and intimate
  • Singer/song/text most important, not the instruments
  • Signed to Apple label in 1968 (the Beatles’ label)
  • 1st album flopped, but signing with Warner saved his career
  • Started as strictly a songwriter, writing songs for James Taylor and various other artists, then she emerged as one of the most famous performing artists of the 1970s
  • Multiple successful albums
  • Formerly of Simon and Garfunkel
  • Infuses reggae before it became well-known; incorporates jazz elements; used studio band frequently
  • Subdued, yet sophisticated music

American Poets Society:

Carly Simon

Harry Chapin

Don McLean

Jim Croce

British Singer-Songwriters:

Van Morrison

Cat Stevens

Elton John

Canadian Voices:

Joni Mitchell

♫ “Help Me”

Joni Mitchell

Singer-Songwriter

Neil Young

♫ “Heart of Gold”

Neil Young

Singer-Songwriter

COUNTRY ROCK: The Gift to Be Simple

  • Confessional songs that were focused on vocals, piano, acoustic guitar and/or strings
  • Lyrics were about life changes after college
  • “You’re So Vain” best example
  • Known for his baritone voice and acoustic guitar
  • Most famous song “Cat’s in the Cradle”
  • Known for piano, acoustic guitar, and nostalgic lyrics
  • Most famous for “American Pie”
  • Killed in a plane crash in 1973
  • Ironically, he recorded a song about death right before he died
  • Most famous for “Bad, Bad Leroy Brown”
  • Van Morrison blends jazz and rhythm and blues
  • Most notable albums of the 1970s were Moondance, Tupelo Honey
  • Cat Stevens had a string of hit albums in the U.S. and UK
  • “Peace Train” was the most famous song
  • One of the most well-known and most successful singer-songwriters
  • Teamed up with Bernie Taupin (lyricist) much like the Brill Building songwriting teams
  • One of most famous singer-songwriter genre songs was “Your Song”
  • Moves to rock later on
  • Origins in folk, but experiments with jazz
  • Used studio musicians for backup
  • Incorporates avante-garde techniques
  • One of the most eclectic and experimental singer-songwriters
  • “Help Me” was her biggest hit
  • Formerly of Buffalo Springfield and also performed with Crosby, Stills and Nash
  • Song “Southern Man”—inspired by “Sweet Home Alabama” by Lynyrd Skynyrd
  • Known for thin voice, somewhat out of tune singing, but he helps make imperfection okay in the rock world
  • Country music was honest, authentic, simple, down-home music
  • Centers in Nashville, TN and Bakersfield, CA
  • The Byrds and Bob Dylan go to Nashville to record

Crosby, Stills, Nash (and Young)