Name ______
The Kite Runner
Themes
Betrayal and Redemption
Betrayal, which can be considered a form of sin, is enduring and ends up being cyclical in The Kite Runner. For most of the novel, Amir attempts to deal with his guilt by avoiding it. But doing this clearly does nothing toward redeeming himself, and thus his guilt endures. That is why he still cringes every time Hassan's name is mentioned. When Amir finds out about Baba's betrayal of Ali (and subsequent betrayal of Hassan), he realizes that everything he thought he knew and understood about his father was false. And Amir himself feels betrayed. But Baba has been dead for fifteen years, and there is nothing he can do about the situation. Neither feelings of betrayal nor punishment are enough to redeem Amir. Rescuing Sohrab from Assef is not enough either. Only when Amir decides to take Sohrab to the United States and provide his nephew a chance at happiness and prosperity that was denied to his half-brother does Amir take the necessary steps toward atonement and redemption.
Forgiveness
Ideas about forgiveness permeate The Kite Runner. Hassan's actions demonstrate that he forgives Amir's betrayal, although Amir needs to spend practically the entire novel to learn about the nature of forgiveness. Baba's treatment of Hassan is his attempt at gaining public forgiveness for what he has not even publicly admitted to have done. Yet the person who speaks most poignantly about the nature of forgiveness is Rahim Khan. In his letter, he asks Amir to forgive him for keeping Baba's secret but also writes explicitly "God will forgive." Rahim Khan is confident that God will forgive all transgressions, and he encourages Amir to do so, too. Rahim Khan understands that it is God who readily forgives those who ask for forgiveness, but it is people who have a hard time forgiving. Thus, the only way complete forgiveness can occur is when one forgives oneself, and that will only occur when one has truly attempted to atone for the mistakes that one has made.
Love
Every relationship in The Kite Runner is strained at one point or another, thus providing multiple examples of the complexity of various types of love. Hassan's love for Amir is selfless, while Amir's for Hassan is mostly selfish. The two relationships thus demonstrate — albeit unknowingly to the characters — the nature of brotherly love, a love that includes jealousy and insecurity. Ali, Baba, the General, Hassan, Rahim Khan, and even Amir demonstrate varying degrees of paternal love, each having expectations for his child and providing physical and/or emotional support. Amir and Soraya illustrate romantic love, and their relationship plays an important part in Amir's character development. Hassan's character comes closest to demonstrating selfless love towards all others, and the other characters are able to learn from his example. Most of the characters are living a life that includes a personal quest for love. And most of them realize that both forgiveness and love of self are necessary before you are able to love another.
Social Class and Ethnic Tensions
The socioeconomic conditions in Afghanistan demonstrate the disparity between the majority (Sunni Muslims) and the minority (Shi'a Muslims) and how people discriminate against each other based on physical features and religious beliefs. The socioeconomic differences are also explored in the United States, as Baba and many other immigrants give up lives of relative prosperity and security for manual labor and little pay. In addition to the differences between Muslim sects, The Kite Runner also alludes to the differences between European and Western Christian cultures on the one hand, and the culture of the Middle East on the other. And the conservative Taliban, which outlaws many customs and traditions, also demonstrates the differences within the same religious groups.
The Immigrant Experience
The Kite Runner effectively demonstrates that the difficulty of the immigrant experience begins when one attempts to leave his homeland. Baba and Amir are among many Afghans who struggle to leave — under cover of night, unsure of the next passage, taking calculated risks. Obviously, some immigrants die before they even reach their new homes. In addition to the difficulties of their lives in a new country, the immigrants also have to deal with the perception of them among those who stayed behind. Amir realizes this when he returns to Afghanistan. Finally, the adjustment to a new country is not just about learning a new language; it is about maintaining traditions and some semblance of your own culture. Baba loses his status and still has his old world prejudices, thus demonstrating the precarious balance between old and new. Soraya and her mother also demonstrate the difficult role women have balancing the expectations of an old world culture with the new world in which they are living.
Name ______
The Kite Runner
Symbols
Kites, Kite Flying, and Kite Fighting
Kites and everything associated with them (kite flying and kite fighting) are the most important symbols in the novel. Traditionally, kites symbolize both prophecy and fate, and both of these ideas can be applied to characters and events in The Kite Runner. However, kites symbolize so much more in The Kite Runner. The Afghan kites with their glass strings symbolize the dichotomy between beauty and violence, simultaneously representing Afghanistan and the half-brothers, Amir and Hassan. The two main kite fights in the novel — the tournament Amir wins and the one at the end of the book — not only also represent Amir and Hassan but also symbolize the juxtaposition of roles, for at the end Amir has become the kite runner. Thus, kites also symbolize the thematic topics and interrelationship between betrayal and redemption.
Myth of Rostam and Sohrab
Myths and stories about legendary heroes as well as stories and literacy in general symbolize both the similarities and differences between the Shi'a Muslims and the Sunni Muslims. Socioeconomic conditions may determine levels of literacy and understanding, but they do not guarantee heroic attitudes and actions. And the heroes of Afghan and Middle Eastern cultures are shared by those of differing beliefs and socioeconomic conditions. The character of Rostam, who acts dishonorably toward the king by sleeping with his daughter, symbolizes Amir. The character of Sohrab, who does not know who his father is, who becomes Hassan's favorite hero, and who meets an untimely death, symbolizes Hassan.
The Pomegranate Tree
While Amir and Hassan are young and carefree and as close as a servant and master can be, they carve their names in the tree, and it bears fruit. Thus, the tree symbolizes their relationship. Years later, after Hassan is dead and Amir is wracked with guilt, the tree — just like Amir's memories — still exists but no longer bears fruit. The tree not only symbolizes a unifying force between Amir and Hassan but also serves as a source of division. Amir wants Hassan to hit him with the pomegranate fruit in order to inflict a physical punishment and lessen his guilt; instead, Hassan breaks the fruit over his own head.
Amir's Scar
Amir spends most of his life trying to forget Hassan, yet only when he gets a physical reminder of his only childhood friend is Amir able to be at peace. The scar Amir has after being beaten by Assef symbolizes his brotherhood with Hassan. Amir now has his own "harelip" and is physically like his half-brother.
Slingshot
Representing two generations, the slingshot symbolizes both childhood as well as the need to stand up for what is right. Both Hassan and Sohrab use a slingshot to stop Assef, although Hassan only has to threaten to use his, and Sohrab actually inflicts pain.