Bibliography 1

BIBLIOGRAPHY

Aers, David, Bob Hodge and Gunther Kress, ed. Literature, Language and Society in England, 1580-1680. Dublin: Gill and Macmillan, 1981.

Axton, Marie. The Queen’s Two Bodies: Drama and the Elizabethan Succession. London: Royal Historical Society, 1977.

Barker, Francis. The Tremulous Private Body: Essays on Subjection. 1995. Ann Arbor: The University of Michigan Press, 1993.

Bawcutt, N. W. Introduction. The Changeling. By Thomas Middleton and William Rowley. Ed. Bawcutt. xv-lxviii.

Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance Drama. London and New York: Methuen, 1985.

Boose, Lynda E. “The Family in Shakespearean Studies; or—Studies in the Family of Shakespeareans; or—the Politics of Politics.” Renaissance Quarterly 40 (1987): 707-42.

Bradbrook, M. C. Themes and Conventions of Elizabethan Tragedy. Cambridge: Cambridge University Press, 1979.

Bromley, Laura G. “The Rhetoric of Feminine Identity in The White Devil.” In Another Country. Ed. Kehler and Baker. 50-71.

Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press, 1992.

Calderwood, James L. “The Duchess of Malfi:Styles of Ceremony.” Webster. Ed. Holdsworth. 103-17.

Callaghan, Dympna. Women and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi and The White Devil. London: Harvester and Wheatsheaf, 1989.

Cust, Richard and Ann Hughes, ed. Conflict in Early Stuart England: Studies in Religion and Politics, 1603-1642. New York: Longman, 1989.

Dallby, Anders. The Anatomy of Evil: A Study of John Webster’s The White Devil. Malmő: CWK Gleerup Lund, 1974.

Davis, Natalie Zamon. “Women on Top: Symbolic Sexual Inversion and Political Disorder in Early Modern Europe.” The Reversible World. Ed. Babcock. 147-83.

De Grazia, Margreta, Maureen Quilligan and Peter Stallybrass, Ed. Subject and Object in Renaissance Culture. Cambridge: Cambridge University Press, 1996.

Dollimore, Jonathan. Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and his Contemporaries. 1984. Brighton: The Harvester Press, 1986.

Dollimore, Jonathan and Alan Sinfield, ed. Introduction. The Selected Plays of John Webster. Cambridge: Cambridge University Press, 1983. xii-xvii.

—-, Ed. Political Shakespeare: Essays in Cultural Materialism 1985. Ithaca and London: Cornell University Press, 1994.

Drakakis, John, Ed. Alternative Shakespeares. 1985. London and New York: Routledge, 1996.

—-. Introduction. Alternative Shakespeares. Ed. Drakakis. 1-25

Eaton, Sara. “Defacing the Feminine in Renaissance Tragedy.” The Matter of Difference. Ed. Wayne. 181-98.

Ferguson, Margaret W., Maureen Quilligan and Nancy J. Vickers, ed. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Chicago and London: The University of Chicago Press, 1986.

Goldberg, Jonathan. “Fatherly Authority: The Politics of Stuart Family Images.” Rewriting the Renaissance. Ed. Ferguson, Quilligan and Vickers. 3-32.

Haselkorn, Anne M. “Sin and the Politics of Penitence: Three Jacobean Adulteresses.” The Renaissance Englishwoman in Print. Ed. Haselkorn and Travitsky. 119-36.

Haselkorn, Anne M. and B. S. Travitsky, Ed. The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst: The University of Massachusetts Press, 1990.

Hendricks, Margo and Patricia Parker, Ed. Women, “Race,” and Writing in the Early Modern Period. London: Routledge, 1994.

Hill, Christopher. The Century of Revolution, 1603-1714. 1961. Walter-on-Thames, Surrey: Nelson, 1980.

Hodge, Bob. “Mine Eyes Dazzle: False Consciousness in Webster’s Plays.” Literature, Language and Society in England, 1580-1680. Ed. Aers, Hodge and Kress. 100-21.

Howard, Jean E. and Marion F. O’ Connor, ed. Shakespeare Reproduced: The Text in History and Ideology. New York and London: Methuen, 1987.

Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. New York: Harvester Wheatsheaf, 1983.

Jones, Ann Rosalind. “Italians and Others: The White Devil (1612).” Staging the Renaissance. Ed. Kastan and Stallybrass. 251-62.

Jump, John D. “Middleton’s Tragedies.” The Age of Shakespeare. Ed. Ford. 457-70.

Kastan, David Scott and Peter Stallybrass, Ed. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York and London: Routledge, 1991.

Lever, J. W. The Tragedy of State: A Study of Jacobean Drama. London and New York: Methuen, 1980.

Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago: Chicago University Press, 1971.

Little, Arthur L. “‘Transshaped’ Women: Virginity and Hysteria in The Changeling.” Madness in Drama. Vol. 15 of Themes in Drama. Ed. James Redmond. Cambridge: Cambridge University Press, 1993. 19-42.

McLuskie, Kathleen. “Drama and Sexual Politics: The Case of Webster’s Duchess.” Drama, Sex and Politics. Vol. 7 of Themes in Drama. Ed. James Redmond. Cambridge: Cambridge University Press, 1985. 76-91.

Sinfield, Alan. Literature in Protestant England, 1560-1660. London and Canberra: Croom Helm, 1983.

—-. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Berkeley: California University Press, 1992.

Stallybrass, Peter,. “Patriarchal Territories: The Body Enclosed.” Rewriting the Renaissance. Ed. Ferguson, Quilligan and Vickers. 123-42.

Stallybrass, Peter and Alon White. The Politics and Poetics of Transgression. Ithaca: Cornell University Press, 1986.

Stone, Lawrence. The Crisis of the Aristocracy, 1558-1641. Oxford: Oxford University Press, 1967.

Whigham, Frank. “Sexual and Social Mobility in The Duchess of Malfi.” PMLA 100 (1985): 167-86.

Zimmerman, Susan, ed. Erotic Politics: Desire on the Renaissance Stage. New York and London: Routledge, 1992.