1. Adams, Barry, ‘The Audiences of The Spanish Tragedy’, Journal of English and Germanic Philology 68(1969), 221-236 journal article(in the library: hard copy)
  1. Adams, Robert P., ‘Despotism, Censorship, and Mirrors of Power Politics in Late Elizabethan Times’, Sixteenth Century Journal, 10.3, Renaissance Studies (Autumn, 1979), 5-16 journal article (JSTOR)
  1. Adams, Robert P., A Companion to Shakespeare. The Non-Shakespearean Elizabethan Drama: An Introduction (Washington: UP of America, 1978), 91-99
  1. Aggeler, Geoffrey, ‘The Eschatological Crux in The Spanish Tragedy’, Journal of English and Germanic Philology, 86.3 (July 1987), 319-331 The Spanish Tragedy - drama - treatment of beliefs - compared to judgment - relationship to classical tragedy - Christianityjournal article(in the library: hard copy)
  1. Aikin, Judith P., ‘The Audience Within the Play: Clues to Intended Audience Reaction in German Baroque Tragedies and Comedies’, Daphnis 13.1-2 (1984), 187-201 [On the German adaptation of The Spanish Tragedy] journal article
  1. Allman, Eileen Jorge, ‘Ch.3. The Revenger as Rival Author’, in Jacobean Revenge Tragedy and the Politics of Virtue (Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1999), 57-85 17th century, history and criticism, revenge in literature, political plays, virtue, tragedy, politics and literature PR 659 T7
  1. Altman, Joel B., The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama (Berkeley: University of California Press, 1978), 267-82PR 649 R4
  1. Andrews, John F., ‘ “Dearly Bought Revenge”: Samson Agonistes, Hamlet, and Elizabethan Revenge Tragedy’, Milton Studies 13 (1979), 81-107 journal article (in the library: hard copy)
  1. Andrews, Michael Cameron, ‘Hamlet: Revenge and the Critical Mirror’, English Literary Renaissance 8.1 (Winter, 1978), 9-23(in the library: hard copy)
  1. Ardolino, Frank R., ‘Thomas Dekker’s Use of Kyd’s The Spanish Tragedy in Satiromastix’, English Language Notes, 41.1 (Sept., 2003), 7-18 journal article (in the library: hard copy)
  1. Ardolino, Frank R., ‘The Influence of Spenser’s Faerie Queen on Kyd’s Spanish Tragedy’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 7.3 (Jan., 2002), 70 paragraphs (16 pages electronically) journal article(electronic via Warwick Lib)
  1. Ardolino, Frank R., Apocalypse and Armada in Kyd’s Spanish Tragedy, Sixteenth Century Essays and Studies, vol. XXIX, Kirksville, MO, USA, 1995dating study, Hermeneutics, Historicism, Revenge in literature, Theatre and Politics, Apocalypse in literature, Protestantism in literature, Reformation in literature, Armada in literature, Literature and History, History and Religion, Literature and Religion, 16th century England, Spain and Portugal, English-Spanish relations, Spanish-Portuguese relations
  1. Ardolino, Frank R., ‘Contention within a Little Room: Marlowe, Kyd, the Dutch Church Libel, and the Paris Massacre’, Journal of Evolutionary Psychology, 16.3-4 (Aug. 1995), 242-47journal article
  1. Ardolino, Frank R., ‘“Now I Shall See the Fall of Babylon”: The Spanish Tragedy as a Reformation Play of Daniel’, Renaissance and Reformation/ Renaissance et Reforme, 26.1 (Winter, 1990), 49-55 drama - relationship to Reformation - sources in Old Testament - Danieljournal article (in the library: hard copy)
  1. Ardolino, Frank R., ‘“In Paris? Mass, and Well Remembered!”: Kyd’s The Spanish Tragedy and the English Reaction to St. Bartholomew’s Day Massacre’, Sixteenth Century Journal, 21.3 (Autumn, 1990), 401-409 journal article (JSTOR)
  1. Ardolino, Frank R., ‘“Now I Shall See the Fall of Babylon”: The Spanish Tragedy as Protestant Apocalypse’, Shakespeare Yearbook,1 (Spring, 1990), 93-115drama - treatment of the apocalypse - anti-Christ - relationship to Catholicism - Protestantism - sources in New Testament – Revelationjournal article
  1. Ardolino, Frank R., Thomas Kyd’s Mystery Play: Myth and Ritual in The Spanish Tragedy (NY: Peter Lang, 1985)[reviews:Year's Work in English Studies, 66 (1985), 263; Neuse, Richard,Sixteenth Century Journal, 18.3 (Fall, 1987), 431]relationship to allegory – mystery – myth – ritual PR 2657.A7
  1. Ardolino, Frank R., ‘The Bearing of Deadly Letters: ‘Uriah’'s Letter’ in Marlowe, Kyd, and Shakespeare’, Journal of Evolutionary Psychology, 6.3-4 (Aug. 1985), 292-301 journal article
  1. Ardolino, Frank R., ‘Corrida of Blood in The Spanish Tragedy: Kyd’s Use of Revenge as National Identity’, Medieval and Renaissance Drama in England, 1(1984), 37-49 journal article (in the library: hard copy)
  1. Ardolino, Frank R., ‘Hieronimo as St. Jerome in The Spanish Tragedy’, Études Anglaises, 36.4 (Oct-Dec, 1983), 435-437 journal article (in the library: hard copy)
  1. Ardolino, Frank R., ‘”Sit we down to see the Mystery”: Detection and Allegory in The Spanish Tragedy’, Allegorica: A Journal of Medieval and Renaissance Literature, 5.2 (Winter, 1980), 168-176 journal article
  1. Ardolino, Frank R., ‘The Hangman’s Noose and the Empty Box: Kyd’s Use of Dramatic and Mythological Sources in The Spanish Tragedy (III.iv-vii), Renaissance Quarterly, 30.3 (Autumn, 1977), 334-340 journal article(JSTOR, LION)
  1. Ardolino, Frank R., ‘“Veritas Filia Temporis”: Time, Perspective, and Justice in The Spanish Tragedy’, Studies in Iconography {Highland Heights, KY}, 3(1977), 57-69 themes and figures - role of emblems - sources in Lucian journal article
  1. Astington, John, ‘The London Stage in the 1580s’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 19-32
  1. Astington, John, ‘Gallows Scenes on the Elizabethan Stage’, Theatre Notebook 37.1 (1983), 3-9 journal article (in the library: hard copy)
  1. Ayres, Philip J., ‘Marston’s Antonio’s Revenge: The Morality of the Revenging Hero’, Studies in English Literature, 1500-1900, 12.2, Elizabethan and Jacobean Drama (Spring, 1972), 359-374 John Marston - Antonio's Revenge (1599) - drama - parody - of hero - of revenge tragedy - treatment of appearance - relationship to reality journal article(JSTOR)
  1. Baines, Barbara J., ‘Antonio’s Revenge: Marston’s Play on Revenge Plays’, Studies in English Literature, 1500-1900, 23.2, Elizabethan and Jacobean Drama (Spring, 1983), 277-294 John Marston - Antonio's Revenge (1599) - drama - as metatragedy - relationship to revenge tragedy journal article(JSTOR)
  1. Baines, Barbara J., ‘Kyd’s Silenus Box and the Limits of Perception’, Journal of Medieval and Renaissance Studies 10(1980), 41-51 journal article (in the library: hard copy)
  1. Baker, Howard, ‘The Formation of the Heroic Medium’, in Elizabethan Poetry: Modern Essays in Criticism, ed. by Paul J. Alpers, (London: OUP, 1967), 126-168 PR 533 A5
  1. Baker, Howard, ‘Ch. III. The Spanish Tragedy, Titus Andronicus and Senecanism’, in Induction to Tragedy: A Study in a Development of Form in Gorboduc, The Spanish Tragedy and Titus Andronicus (Louisiana: Louisiana State UP, 1939; reissued Russell & Russell, INC, 1965), 106-153 Elizabethan Tragedy, Senecanism, history and criticism, comparative study Kyd’s The Spanish Tragedy – Shakespeare’s Titus Andronicus, Thomas Norton’s Ferrex and Porrex, Thomas Sackville, 1st Earl of Dorset PR 659 T7
  1. Baker, Howard, ‘Ghosts and Guides: Kyd’s “Spanish Tragedy” and the Medieval Tragedy’, Modern Philology, 33.1 (Aug., 1935), 27-35 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - treatment of ghost - revenge - relationship to guide - in journey - to other world - compared to Sackville, Thomas, 1st Earl of Dorset and Baron Buckhurst (1536-1608) - Induction (1563) - The Complaint of Henry Duke of Buckingham (1563), journal article (JSTOR)
  1. Baldwin, T. W., ‘On the Chronology of Thomas Kyd’s Plays’, Modern Language Notes, 40.6 (Jun., 1925), 343-349 journal article(JSTOR)
  1. Barber, C. L., ‘Ch. 3 Unbroken Passion: Social piety and Outrage in The Spanish Tragedy’, inCreating Elizabethan Tragedy: The Theatre of Marlowe and Kyd (Chicago: Chicago University Press, 1988), 131-163 [Reviews:Stephenson, James, Library Journal, 112.20 (Dec. 1987), 112-13; Levenson, Jill L.,Studies in English Literature, 1500-1900, 28.2 (Spring 1988), 342; Redding, D. C.,Choice, 25.11-12 (July/August 1988), 1691; Charney, Maurice,Renaissance Quarterly, 41.4 (Winter 1988)(JSTOR), 746-49; Year's Work in English Studies, 69 (1988), 259-60; Martin, Randall,Queen's Quarterly, 96.3 (Autumn 1989), 710-11; Wymer, Rowland,English Studies, 71.3 (June 1990), 277-78; Clare, Janet,Review of English Studies, ns 41.164 (Nov. 1990), 556-58; Kahn, Coppélia,Modern Philology, 88.2 (Nov. 1990), 188-91; Sorge, Thomas,Zeitschrift für Anglistik und Amerikanistik, 39.3/4 (1991), 323] Christopher Marlowe, Thomas Kyd, criticism and interpretation, history, Elizabethan England, tragedy
  1. Barish, Jonas A., ‘The Spanish Tragedy, or The Pleasures and Perils of Rhetoric’, in Brown, John Russell and Bernard Harris, eds., Elizabethan Theatre (London: Edward Arnold, 1966), 59-85 PR 653 E5
  1. Barrie, Robert, ‘“Unknown Languages” and Subversive Play in The Spanish Tragedy’, Explorations in Renaissance Culture, 21 (1995), 63-80 The Spanish Tragedy (ca. 1589) - drama - word play - as subversion journal article
  1. Barton, Anne, Ben Jonson, Dramatist (Cambridge: Cambridge UP, 1984) 13-28PR 2638 B2
  1. Bate, Jonathan, ‘The Performance of Revenge: Titus Andronicus and The Spanish Tragedy’, in Laroque, Francois, ed., The Show Within: Dramatic and Other Insets: English Renaissance Drama (1500-1642), vol. II, (Montpellier: Paul-Valery UP, 1990?1992), 267-283 Shakespeare, William - Titus Andronicus - tragedy - framing - relationship to performance - treatment of revenge - compared to Kyd, Thomas - The Spanish Tragedy
  1. Belsey, Catherine, The Subject of Tragedy: Identity and Difference in Renaissance Drama (London, NY: Methuen, 1985), 75-78 and 113-14Renaissance England, Early modern and Elizabethan drama, history and criticism, sex role in literature, drama-psychological aspects, difference (psychology) in literature, identity (psychology) in literature PR 658 W6
  1. Bentley, Gerald Eades, ‘Ch. 11. Revision’, in The Profession of Dramatist in Shakespeare’s Time 1590-1642 (Princeton: Princeton University Press, 1971), 235-263 17th century England, history, criticism, theatre, actors, playwritingPR 658 A8
  1. Bentley, Greg, ‘Kyd's The Spanish Tragedy’, Explicator 39.1 (Fall 1980), 17-19 journal article
  1. Bercovitch, Sacvan, ‘Love and Strife in Kyd’s Spanish Tragedy’, Studies in English Literature, 1500-1900, 9.2, Elizabethan and Jacobean Drama (Spring, 1969), 215-229 The Spanish Tragedy (ca. 1589) - drama - dramatic structure - treatment of love - strife - sources in Empedocles (fl. 444 B.C.) journal article (JSTOR)
  1. Berry, Francis. The Shakespeare Inset: Word and Picture (London : Routledge & Kegan Paul, 1965; Carbondale: Southern Illinois UP, 1971), 30-40 and 129-137 PR 3091 B3
  1. Bevington D., R. Strier, and David Smith, eds., The Theatrical City: Culture, Theatre and Politics in London (Cambridge: CUP, 1995) 16th and 17th century England, London, history and criticism, politics in literature and theatre, literature and anthropology, politics and government, London(England) in civilization and literature PR 658 P6
  1. Bevington, D., ‘Ch. 17. Satire and the State’, in Tudor Drama and Politics. A Critical Approach to Topical Meaning (Cambridge: Massachusetts, 1968), 260-288 PR 649 P6
  1. Bluestone, Max, and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970)Shakespeare’s contemporaries, history and criticism [See the section ‘The Theme and Structure of The Spanish Tragedy, which includes: Wolfgang Clemen - ‘The Uses of Rhetoric’, 47-56; William K. Wiatt - ‘The Dramatic Function of the Alexandro-Villuppo Episode in The Spanish Tragedy’, 57-60; and G. K. Hunter - ‘Ironies of Justice in The Spanish Tragedy’, 61-74] PR 653 B5
  1. Boas, Frederick S. Shakespeare and His Predecessors (New York: Gordian, 1st 1896, 1968), 62-66
  1. Boas, F. S., ‘Ch. XIV. Marlowe’s Accusers: Greene and Kyd’, in Christopher Marlowe. A Biographical and Critical Study (Oxford: Clarendon, 1940), 236-244 PR 2673
  1. Boas, F. S., The Works of Thomas Kyd (Oxford: The Clarendon Press, 1st ed. 1901, additions 1955, 1962) [review by Thorndike, A. H., ‘English Literature’, Modern language Notes, 17.5 (May, 1902)(JSTOR), 142-147; Tupper, James W., ‘The Works pf Thomas Kyd’, The American Journal of Philology, 23.1 (1902), 87-93] PR 2651
  1. Boas, F. S., ‘Ch.7. Thomas Kyd and the Revenge Tragedies’ and ‘Ch. 10. The University Wits and Their Experiments’, in An Introduction to Tudor Drama (Oxford: Clarendon Press, 1933), 94-110 and 151-169PR 646 B6
  1. Boas, F. S., ‘Ch. 3. Marlowe in London: The Charges of Kyd and Baines’ (56-78) and Appendix I. Allegations against Marlowe in Kyd’s Letters’ (139-142), in Marlowe and His Circle: A Biographical Survey (Oxford: Clarendon Press, 1929)Marlowe-biography, Canterbury and Cambridge: The three Christopher Morleys.--Robert Poley: Prisoner, spy, and 'complotter.'--Marlowe in London: The charges of Kyd and Baines.--The 'atheism' of Richard Chomley and Sir Walter Raleigh.--Marlowe's death and the coroner's inquest.--The survivors and the sequel.-- Allegations against Marlowe in Thomas Kyd's letters PR 2673 B6
  1. Bowers, Fredson, ‘The Death of Hamlet: A Study in Plot and Character’, in Studies in The English Renaissance Drama, eds. Josephine W. Bennett, Oscar Cargill, and Vernon Hall, Jr., (London: Peter Owen & Vision Press, 1st 1959, 1961), 28-42 PR 651 B3
  1. Bowers, Fredson, ‘Ch. III. The Spanish Tragedyand the Ur-Hamlet’ (62-100) and ‘Ch. IV. The School of Kyd’ (101-154), in Elizabethan Revenge Tragedy 1587-1642 (1st published by Princeton, Princeton: Princeton UP, 1940; Gloucester, Mass.: Peter Smith, 1959) PR 659 T6
  1. Bowers, Fredson, ‘A Note on The Spanish Tragedy’, Modern Language Notes, 53.8 (Dec., 1938), 590-591 The Spanish Tragedy (ca. 1589) - drama - treatment of soliloquy - of Hieronimo (character) - sources in Bible journal article(JSTOR)
  1. Boyer, Clarence Valentine, On The Spanish Tragedy in ‘Ch. 5. Marlowe and the Machiavellian Villain-Hero’ and ‘Ch. 8. The Revengeful Villain-Hero’, in The Villain as Hero in Elizabethan Tragedy (London: George Routledge and Sons; New York: E. P. Dutton & Co., 1914), 40-59 and 99-132 PR 659 T7
  1. Bradbrook, M. C., ‘Shakespeare and His Contemporaries: Other Poets and Playwrights’, William Shakespeare: His World, His Work, His Influence, (3 vols.), vol. 2, ed. John F. Andrews, (New York: Scribner’s, 1985), 331-42
  1. Bradbrook, M. C., Themes and Conventions in Elizabethan Tragedy (Cambridge: CUP, 1st ed. 1935, 2nd ed. 1980), 122 and 159 PR 659 T7 (1), PR 654 T7 (2)
  1. Braden, Gordon, ‘Thomas Kyd’, in Elizabethan Dramatists, vol. 62 of Dictionary of Literary Biography, gen. ed. Fredson Bowers, (Detroit: Gale, 1987), 183-95
  1. Braden, Gordon, RenaissanceTragedy and the Senecan Tradition: Anger's Privilege (New Haven and London: Yale University Press, 1985), 200-216 [reviews:Patey, D. L., Choice, 23.1 (Sep. 1985), 102; Aggeler, Geoffrey,Western Humanities Review, 40.4 (Winter, 1986), 383-86; Bulman, James C., Shakespeare Bulletin, 4.5 (Sep.-Oct. 1986), 31; Trousdale, Marion,Medieval and Renaissance Drama in England, 4 (1989), 223-27]European drama – tragedy, history and criticism, Roman influences, Seneca PN 1896
  1. Braunmuller, A. R., ‘“Second Means”: Agent and Accessory in Elizabethan Drama’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 177-203drama - treatment of legal agency - study example Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - Greene, Robert (1560?-1592) - Friar Bacon and Friar Bungay (ca. 1589) - James IV (ca. 1590) - Shakespeare, William (1564-1616) - The Two Gentlemen of Verona (1592)
  1. Braunmuller, A. R., ‘Early Shakespearian Tragedy and Its Contemporary Context: Cause and Emotion in Titus Andronicus, Richard III, and The Rape of Lucrece’, in Shakespearian Tragedy, eds. Malcolm Bradbury and David Palmer, (London: Edward Arnold; New York: Holmes & Meier, 1984), 96-128
  1. Brodwin, Leonora Leet. Elizabethan Love Tragedy 1587-1625 (New York: New York UP, 1971; London: University of London Press, 1972), 65-68. [On Soliman and Perseda] PR 659 T7
  1. Broude, Ronald, ‘Four Forms of Vengeance in Titus Andronicus’, Journal of English and Germanic Philology 78.4 (Oct. 1979), 494-507 journal article(in the library: hard copy)
  1. Broude, Ronald, ‘Revenge and Revenge Tragedy in Renaissance England’, Renaissance Quarterly, 28.1 (Spring, 1975), 38-58 English literature and language - Elizabethan period - drama - revenge tragedy - relationship to legal system - lexical approachto English language (Modern) - lexicology -journal article(JSTOR)
  1. Broude, Ronald, ‘Vindicta Filia Temporis: Three English Forerunners of the Elizabethan Revenge Play’, Journal of English and Germanic Philology, 72.4 (Oct. 1973), 489-502 journal article(in the library: hard copy)
  1. Broude, Ronald, ‘Time, Truth, and Right in The Spanish Tragedy’, Studies in Philology, 68 (1971), 130-145 journal article(in the library: hard copy)
  1. Buckley, George T., ‘Who was “The Late Arrian”?’, Modern Language Notes, 49.8 (Dec., 1934), 500-503 English literature - 1700-1799 - Strype, John (1643-1737) - Memorials of Thomas Cranmer (1694) - prose - treatment of Arianism - relationship to Kyd, Thomas (1558?-1594?)journal article(JSTOR)
  1. Burnett, Anne Pippin, ‘Ch. 1. Huge Frenzy and Quaint Malice: Seneca and the English Renaissance’, in Revenge in Attic and Later Tragedy, Sather Classical Lectures, (Berkeley: University of California Press, 1998), 1-32available at in literature, History and Criticism, Greek Drama (Tragedy), Roman Drama, Seneca and English Renaissance PA 3136.B8
  1. Burrows, Ken C., ‘The Dramatic and Structural Significance of the Portuguese Subplot in The Spanish Tragedy’, Renaissance Papers, 1969, 25-35 journal article
  1. Byron, Mark, ‘Logic’s Doubt: The Spanish Tragedy and Tamburlaine’, Comitatus: A Journal of Medieval and Renaissance Studies, 30 (1999), 81-94 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - political allegory - compared to Marlowe, Christopher (1564-1593) - Tamburlaine the Great (ca. 1587) - sources in Seneca (d. 65 A.D.) journal article
  1. Cairncross, S., ‘Thomas Kyd and the Myrmidons’, The Arlington Quarterly, 1.4. (1968), 40-5
  1. Cannon, Charles K., ‘The Relation of the Additions of The Spanish Tragedy to the Original Play’, Studies in English Literature, 1500-1900, Elizabethan and Jacobean Drama, 2.2 (Spring, 1962), 229-239Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - on textual variants - (date) 1602 journal article(JSTOR)
  1. Carpenter, Frederic Ives, ‘Kyd: Noteworthy Metaphors and Similes in Jeronimo and The Spanish Tragedy – Tropes Common to Various Plays Ascribed to Kyd’, 49-53 and ‘General Summary and Conclusions’, 161-213, in Metaphor and Simile, (Chicago: University of Chicago Press, 1895) PR 658 S8
  1. Carrère, Felix, Le théâtre de Thomas Kyd : contribution à l'étude du drame élizabéthain (Toulouse: E. Privat, 1951; Philadelphia: R. West, 1984) history and criticism PR 2656 C2
  1. Caruana, Stephanie, and Elisabeth Sears, Oxford’s “Revenge”: “Shakespeare’s” Dramatic Development from ‘Agamemnon’ to ‘Hamlet’, (Napanoch: Spear Shaker, 1989)
  1. Cash, Joe L., ‘A Source and Symbolic Function for the Hawk and the Nightingale in The Spanish Tragedy’, McNeese Review 21 (1974-75), 67-71 journal article
  1. Charney, Maurice, ‘Shakespeare —and the Others’, Shakespeare Quarterly 30.3 (Summer 1979), 325-42 journal article
  1. de Chickera, Ernst, ‘Divine Justice and Private Revenge in The Spanish Tragedy’, Modern Language Review, 57 (1962), 228-232journal article
  1. Clemen, Wolfgang, ‘Ch. 7. Kyd’, in English Tragedy Before Shakespeare: The Development of Dramatic Speech, trans. T.S. Dorsch, (London: Methuen, 1st published 1955, 1961), 100-112 [reprinted as ‘The Uses of Rhetoric’ inMax Bluestone and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970), 47-56] PR 646 C5
  1. Cohen, Eileen Z., ‘Hamlet and The Murder of Gonzago: Two Perspectives’, Revue Belge de Philologie et d'Histoire 61.3 (1983), 543-56 journal article
  1. Cole, Douglas, ‘The Comic Accomplice in Elizabethan Revenge Tragedy’, Renaissance Drama 9 (1966), 125-39 journal article
  1. Colley, John, ‘The Spanish Tragedy and the Theatre of God’s Judgments’, Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature, 10 (1974), 241-253 journal article
  1. Cook, Albert S., ‘Shakespeare, Hamlet 3.4.56’, Modern language Notes, 20.7 (Nov., 1905), 216-217English literature - Shakespeare, William (1564-1616) - Hamlet (1600-1601) - tragedy - sources in Kyd, Thomas - The Tragedy of Solymon and Perseda journal article(JSTOR)
  1. Cook, Judith, At the Sign of the Swan: An Introduction to Shakespeare’s Contemporaries (London: Harrap, 1986), 46-49 and 112-15
  1. Coursen, Herbert R., Jr., ‘The Unity of The Spanish Tragedy’, Studies in Philology, 65(1968), 768-782 journal article(in the library: hard copy)
  1. Craig, D. H., ‘Authorial Styles and the Frequencies of Very Common Words: Jonson, Shakespeare, and the Additions to The Spanish Tragedy’, Style, 26.2, (Summer, 1992), 199-220 English literature - 1500-1599 - Kyd, Thomas - The Spanish Tragedy - drama - on textual variants - (date) 1602 - stylometric analysis - attribution of authorship - to Jonson, Ben - Shakespeare, Williamjournal article
  1. Crawford, Charles, A Concordance to the Works of Thomas Kyd (Vaduz: Kraus Reprint, 1963) PR 2412
  1. Crewe, Jonathan V., ‘The Violence of Drama: Towards a Reading of the Senecan Phaedra’, Boundary 2, 17.3 (Fall, 1990), 95-115 journal article
  1. Crundell, H. W., ‘The 1602 Additions to The Spanish Tragedy’, Notes and Queries, 164.9 (1933), 147-9journal articleOxford Journals Online Archives
  1. Crundell, H. W., ‘The 1602 Addition to The Spanish Tragedy’, Notes and Queries, 167.5 (1934), 88journal articleOxford Journals Online Archives
  1. Crundell, H. W., ‘The Authorship of The Spanish Tragedy Additions’, Notes and Queries, 180.1 (1941), 8-9journal articleOxford Journals Online Archives
  1. Cutts, David, ‘Writingand Revenge: The Struggle for Authority in Thomas Kyd's The Spanish Tragedy’, Explorations in Renaissance Culture 22 (1996) 147-59drama - narrative authority journal article
  1. Daalder, Joost, ‘Kyd’s The Spanish Tragedy 3.6.89-94’, Explicator, 48.3 (Spring, 1990), 175-6 drama - syntax - punctuation journal article
  1. Daalder, Joost, ‘The Role of ‘Senex’ in Kyd’s The Spanish Tragedy’, Comparative Drama, 20.3 (Fall, 1986), 247-260 treatment of revenge - relationship to murder - justice - sources in Seneca (d. 65 A.D.)journal article
  1. Dawson, Anthony B., ‘Madness and Meaning: The Spanish Tragedy’, Journal of Dramatic Theory and Criticism, 2.1 (Fall, 1987), 53-67 journal article
  1. Dent, R.