Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 1 (MWC 1)
Ideas and Styles chapter / Page(s) / Piece / MWC 1 no.1 / 2 / Euripedes, Orestes, stasimon chorus / 1
1 / 2 / Seikilos, Skolion or Epitaph / 2
3 / 25, 26, 31–32, 35 / Chants of Vespers, Psalm with antiphon / 3
3 / 25, 26 / Chants of Vespers, Hymn / 4
3 / 27–29 / Mass for Christmas, Introit / 5
3 / 27–29 / Mass for Christmas, Kyrie Cunctipotens genitor / 6
3 / 27–29 / Mass for Christmas, Gloria / 7
3 / 27–29 / Mass for Christmas, Gradual Viderunt omnes / 8
3 / 27–29, 36 / Mass for Christmas, Alleluia Dies sanctificatus / 9
3 / 41–43 / Tuotilo of St. Gall, Introit trope, Hodie cantandus est nobis / 10
3 / 41–43 / Tuotilo of St. Gall, Kyrie trope, Omnipotens genitor / 11
3 / 41–43 / Anonymous, Dies irae / 12
3 / 43, 44 / Hildegard of Bingen, O rubor sanguinis / 13
3 / 43, 44 / Hildegard of Bingen, Ordo virtutum, excerpts / 14
4 / 49–53 / Beatriz de Dia, A chantar m’er / 15
4 / 49–53 / Bernart de Ventadorn, Can vei la lauzeta / 16
4 / 49 / Richard the Lionheart, Ja nun hons pris ne dira / 17
4 / 59 / Anonymous, La quinte estampie real / 29
4 / 57–60 / Anonymous, Robertsbridge Codex, Estampie / 30
5 / 62–67 / Anonymous, Viderunt Hemanuel / 18
5 / 62–67 / Master Albertus of Paris, Congaudeant Catholici / 19
5 / 69–72 / Leoninus, Viderunt omnes / 20
5 / 72–74 / Perotinus the Great, Viderunt omnes / 21
5 / 74–75 / Anonymous, Orientis partibus / 22
5 / 75–76 / Philip the Chancellor, Dic, Christi veritas / 23
5 / 75–76 / Anonymous,
a. Et gaudebit for Alleluia Non vos relinquam
b. O quam sancta/Et gaudebit
c. El mois d’avril/O quam sancta/Et gaudebit / 24
5 / 74 / Anonymous, On parole de batre/A Paris/Frese nouvele / 25
6 / 88–90 / Gervès de Bus, Roman de Fauvel / 26
6 / 85–87 / Anonymous, Quare fremuerunt gentes / 27
6 / 85–87 / Philippe de Vitry, Garrit Gallus/In nova fert/Neuma / 28
6 / 90–92 / Guillaume de Machaut, Hoquetus David / 31
6 / 90–92 / Guillaume de Machaut, Je puis trop bien / 32
6 / 90–92 / Guillaume de Machaut, Douce dame jolie / 33
6 / 90–92 / Guillaume de Machaut, Messe de Notre Dame, Kyrie / 34
6 / 92–96 / Baude Cordier, Tout par compas suy composés / 35
6 / 92–96 / Philippus de Caserta, Par les bons Gedeons / 36
6 / 92–96 / Jacopo de Bologna, Non al suo amante / 37
6 / 92–96 / Francesco Landini, Or su, gentili spirti / 38
6 / 98 / Anonymous, Sumer is icumen in / 40
7 / 105–107 / Guillaume Du Fay, Nuper rosarum flores / 39
7 / 103 / John Dunstaple, Quam pulchra es / 42
7 / 108 / Gilles Binchois, Dueil angoisseus / 43
7 / 105–107 / Guillaume Du Fay, Lamentatio sanctae Matris Ecclesiae Constantinopolitanae / 44
7 / 105–107 / Guillaume Du Fay
a. Tune: L’Homme armé
b. Kyrie of the Missa L’Homme armé / 45
8 / 123 / Anonymous, Agincourt carol / 41
8 / 112–114 / Johannes Ockeghem, Prenez sur moi / 46
8 / 112–114 / Johannes Ockeghem, Kyrie of the Missa Prolationum / 47
8 / 115–117 / Josquin des Prez, Guillaume se va chauffer / 48
8 / 114 / Philippe Basiron, Salve, Regina / 49
8 / 114 / Antoine Busnois, Je ne puis vivre ainsy toujours / 50
8 / 114 / Jacob Obrecht, Credo of the Missa Sub tuum presidium / 51
8 / 114–115 / Heinrich Isaac, La Spagna / 52
8 / 114 / Lorenzo de’ Medici, Sian galanti di Valenza / 53
8 / 126–127 / Girolamo Savonarola, Giesù, sommo conforto / 54
8 / 115–117, 127 / Josquin des Prez, El grillo è bon cantore / 55
8 / 127 / Jacques Arcadelt, Il bianco e dolce cigno / 56
8 / 115–117, 119 / Josquin des Prez, Sanctus of the Missa Hercules dux Ferrarie / 58
8 / 115–117 / Josquin des Prez, Miserere mei, Deus (Prima pars) / 59
8 / 123 / Claudin de Sermisy
a. Tant que vivray
b. Tant que vivray: Arrangement for lute
c. Tant que vivray: Arrangement for voice and lute
d. Tant que vivray: Arrangement for keyboard / 60
8 / 125–126 / Miguel de Fuennllana, Fantasia / 62
8 / 125–126 / Claudio Merulo, Canzona 5 / 63
8 / 114–115 / Heinrich Isaac,
a. Innsbruck, ich muss dich lassen (ca. 1510)
b. Innsbruck, ich muss dich lassen (ca. 1515) / 64
9 / 140 / Anonymous
a. Pavane
b. Galliard / 61
9 / 137 / Paul Hofhaimer, Salve, Regina for organ / 65
9 / 137 / John Dowland, Flow my tears / 76
10 / 142–146 / Martin Luther/Johann Walter
a. Martin Luther, Ein feste Burg ist unser Gott, chorale
b. Johann Walter, Ein feste Burg ist unser Gott, 4-part setting / 66
10 / 150 / Orlande de Lassus, De profundis clamavi / 67
10 / 149–150 / Palestrina, Sanctus of the Missa Aeterna Christi munera / 68
10 / 149–150 / Palestrina, Tu es Petrus (Prima pars) / 69
10 / 149–150 / Palestrina, I of the Missa Tu es Petrus / 70
10 / 148 / King Henry VIII, Pastyme with Good Companye / 71
10 / 148 / Thomas Tallis, Psalm 2 / 72
10 / 148, 151 / William Byrd, O Lord, make thy servant, Elizabeth / 73
11 / 153–155 / Orazio Vecchi, Il bianco e dolce cigno / 57
11 / 157 / Thomas Morley, Goe from my window / 74
11 / 157 / Thomas Weelkes, As Vesta was from Latmos hill descending / 75
11 / 156 / Carlo Gesualdo, Moro, lasso / 77
11 / 161 / Giovanni Gabrieli, In ecclesiis / 83
12 / 174–176 / Claudio Monteverdi, Cruda Amarilli / 78
12 / 171–172 / Giulio Caccini, Le nuove musiche, “Filli, mirando il cielo” / 80
13 / 179–180 / Jacopo Peri, Euridice, “Funeste piagge” / 79
13 / 180–182 / Claudio Monteverdi, Orfeo
a. Toccata
b. Recitative, “A l’amara novella”
c. Arioso, “Tu se’ morta, mia vita”
d. Aria, “Possente spirto” (excerpt) / 81
13 / 184 / Claudio Monteverdi?, L’incoronazione di Poppea, duet, “Pur ti miro” / 82
13 / 185–186 / Claudio Monteverdi, Hor che ’l ciel e la terra / 84
13 / 185, 188 / Barbara Strozzi, L’amante segreto: Voglio morire / 85
13 / 190 / Heinrich Schütz, Symphoniae sacrae / 86
13 / 189 / Gregorio Allegri, Miserere mei, Deus / 87
13 / 189–190 / Unknown, Kyrie of the Missa Salisburgensis / 88
13 / 195 / Girolamo Frescobaldi, Fiori musicali, Mass for Sundays
a. Toccata
b. Kyrie
c. Ricercar / 89
13 / 190–191 / Giacomo Carissimi, Jepthe
a. Solo “Plorate colles”
b. Chorus, “Plorate, filii Israel” / 90
13 / 193 / Salomone Rossi, Sonata sopra l’aria di Ruggiero / 92
13 / 194 / Johann Froberger, Suite no. 6 in C Major
a. Lamento (Allemande)
b. Courante
c. Sarabande
d. Gigue / 96
13 / 192 / Heinrich Biber, “Mystery” Sonatas, The Resurrection
a. Movement 1
b. Movement 2 / 97
13 / 194 / Denis Gualtier, La Rhétorique des dieux, Tombeau de Mademoiselle Gualtier / 103
14 / 203 / Alessandro Scarlatti, Cantata Oh di Betlemme
a. Recitative, “Oh di Betlemme”
b. Aria, “Dal bel seno d’una stella” / 91
14 / 214–215 / Arcangelo Corelli, op. 4, no. 1
a. Preludio
b. Corrente
c. Adagio
d. Allemanda / 93
14 / 217–218 / Giuseppe Torelli, Trumpet Sinfonia in D Major / 94
14 / 217–218 / Antonio Vivaldi, Opus 3, L’estro armonico, Concerto grosso no. 8, first movement / 95
14 / 207–209 / Dieterich Buxtehude, Wie schön leuchtet der Morgenstern / 98
14 / 207 / Johann Pachelbel, Wie schön leuchtet der Morgenstern / 99
14 / 207 / Johann Pachelbel, Canon in D Major / 100
14 / 199–200 / Jean-Baptiste Lully, Armide
a. Overture
b. “Enfin, il est en ma puissance” / 101
14 / 212 / Elizabeth Jacquet de la Guerre, Jepthé
a. Aria, “Jepthé revient”
b. Recitative, “La Fille de Jepthé” / 102
14 / 212–213 / François Couperin, Pièces de clavecin . . . premier livre, La Favorite / 104
14 / 212–213 / François Couperin, Pièces de clavecin . . . quatrième livre, L’Arlequine / 105
14 / 202–203 / Henry Purcell, Dido and Aeneas
a. Recitative, “Thy hand, Belinda”
b. Aria, When I am laid in earth” / 106
14 / 202–203 / Henry Purcell, Come, ye sons of art
a. Chorus, “Come, ye sons of art”
b. Duet, “Sound the trumpet” / 107
14 / 202–203 / Henry Purcell, Funeral Music for Queen Mary
a. March
b. Canzona / 108
15 / 221–227 / George Frideric Handel, Water Music, Suite No. 1
a. Minuet and Trio
b. Hornpipe / 109
15 / 221–224 / George Frideric Handel, Giulio Cesare, Aria, “V’adoro, pupille” / 110
15 / 225–227 / George Frideric Handel, Messiah
a. Aria, “He shall feed his flock”
b. “Hallelujah” chorus / 111
15 / 229–237 / Johann Sebastian Bach, Orgelbüchlein, “In dulci jubilo” / 112
15 / 229–237 / Johann Sebastian Bach, Orgelbüchlein, “Durch Adams Fall ist ganz verderbt” / 113
15 / 229–237 / Johann Sebastian Bach, The Well-Tempered Clavier, Prelude and Fugue in C Minor / 114
15 / 229–237 / Johann Sebastian Bach, Brandenburg Concerto no. 5 in D Major, First movement / 115
15 / 229–237 / Johann Sebastian Bach, Cantata BWV 140, Wachet auf, ruft uns die Stimme
a. Movement 1: Chorus, “Wachet auf”
b. Movement 2: Recitative, “Er kommt”
c. Movement 3: Duet, “Wann kömmst du”
d. Movement 4: Chorus, “Zion horst die Wächter singen”
e. Movement 5:Recitative, “So geh herein mit mir”
f. Movement 6: Duet, “Mein Freund”
g. Movement 7: Chorale, “Gloria dei dir gesungen” / 116
15 / 229–237 / Johann Sebastian Bach, B Minor Mass
a. Chorus, Credo, “Crucifixus”
b. Chorus, Credo, “Et resurrexit” / 117