Jackie Chang
163 Grand Street, Brooklyn, NY 11249 • 718.486.6024 • jackiechang.net
EDUCATION
1989 MFA, School of the Art Institute of Chicago, Chicago, IL
1986 BS, Environmental Design, University of California Davis, CA
PUBLIC ART COMMISSIONS
2014 Miami/Dade County, Miami, FL
JUST
Glass mural for New Children’s Courthouse
2012 Charlotte Area Transit, Charlotte, NC
(T)HERE/(W)HERE
JW Clay & University Blvd Light Rail Stations.
Slated for completion 2016.
2009 Charlotte/Mecklenburg County, Charlotte, NC
Was, Am, Will Be
Glass murals for Youthful Offenders Facility.
2006 Minneapolis Public Library, Minneapolis, MN
Want NOT
Glass mural for New Central Library.
2003 New York City Board of Education, New York, NY
In Other Words
3 mosaic murals for Public School 268.
2000 Metropolitan Transit Authority, New York, NY
Signs of Life
Six mosaic murals for a subway transfer station, the Metropolitan/Lorimer
station, Brooklyn, NY.
GRANTS & RESIDENCIES
2012 McColl Center for Visual Art, Charlotte, NC
CATS Artist in Resident
2011 Can Serrat International Art Center, Barcelona, Spain
Support Stipend Residency
2001 Puffin Foundation Teaneck, NJ
Individual Artist Grant
1996 Public Art Fund New York, NY
In the Public Realm Grant
1994 John Michael Kohler Arts Center, Sheboygan, WI,
Art/Industry Residency
SELECTED PUBLIC ART PROJECTS & EXHIBITIONS
2012 Can Serrat International Art Center, Barcelona, Spain
B(V)ASTA, Public Installation, Bus Shelters.
2011 ME Contemporary Copenhagen, Demark
Group Exhibition
Dear Thick & Thin
2011 South Florida Art Center Miami, FL
Group Exhibition
Not the Usual Suspects: [new] Art in [new] Public [new] Places
2005 Proposition Gallery New York, NY
Group Exhibition
Exhibition of Empire lenticular poster series in the NYC gallery district of
Chelsea.
2004 Brooklyn Museum of Art Brooklyn, NY
Public Installation of Think Global/PEACE
Group Exhibition. A public art project taking the form of an advertising
campaign using solar-powered backlit sign installed on the Museum.
2001 Palm Beach Institute of Contemporary Art Palm Beach, FL
Public Installation, BROOKLYN! Exhibition
Group Exhibition. Installation of BOHEMIA, outdoor banners looking at the relationship between patronage, cultural deviance, and real estate in defining “bohemia.”
2001 University of Illinois I-space Gallery Chicago, IL
Public Installation, REMIX exhibition
Group Exhibition. Installation of Coding/Decoding, Two colorful street
banners looking at the use of DNA and computer binary structures by
commercial industry in coding and decoding the world for profit.
2000 Museum of the Chinese in the Americas New York, NY
Public Installation
Public Art Project. Installation of Global Village/Corporate Nations, a large
colorful back-lit sign combining silhouette of consumer product with ecommerce text and the Chinese character for “gold.”
1999 Neuberger Museum Purchase, NY
Pubic Art Biennial
Group Exhibition. Installation of Paradise Mall, a collection of five awnings combining titles of literary utopias with establishments commonly found in shopping malls.
SELECTED BIBLIOGRAPHY
Ayres, William & Sandra Bloodworth, Along the Way: MTA Arts for Transit (New York: Monacelli Press, 2006), p186.
Cohen, Michele, Public Art for Public Schools (New York: Monacelli Press, 2009), p. 178, 180.
Cotter, Holland. “Art in Review.” New York Times. April 24, 1998.
Heartney, Eleanor, City Art (New York: Merrel Publisher, LTD, 2005), p. 178-9.
Hixson, Kathryn. “Review: Jackie Chang.” Arts Magazine. April 1992. p. 96.Levin, Kim. “Voice Choice.” Village Voice. August 10, 1993. Vol. XXXVII, No. 32.
Mc Cracken, David. “Gallery Scene: Jackie Chang.” Chicago Tribune. January 17, 1992. p. 68.
Smith, Roberta. “Sculpture Adorns the Urban Terrain.” New York Times. August 8, 1997. p. C23.
Snodgrass, Susan. “Jackie Chang at Peter Miller.” Art in America. June 1992. pp. 115-116.
Tillotson, Kristin. “Visually Stimulating Touchstones.” Minneapolis Star Tribune. May 14, 2006. Arts p. F7.
Wiens, Ann. “Review: Jackie Chang.” New Arts Examiner. May 1992. pp. 31-32.
Zimmer, William. “Outdoor Sculpture with a Festive Air.” New York Times. July 25, 1999.