Eng 499 T/R 9-10:20am in T105

My Office and Office Hours: RS322

My Email: (best way to get hold of me)

My Phone: x2608

WELCOME TO INTRO TO GAY, LESBIAN, BISEXUAL and TRANSGENDER (GLTB) LITERATURE!

Overall Goals and Purpose:

This class is designed to introduce you to literature written by and about the GLBT community. Since it is a survey course that covers the ancient to modern age, it is impossible to cover all aspects of the depth, meaning, influence and importance of GLBT writers on literature and history, but I hope you find my selections engaging and representative. We will do our best to deal with literature, art, culture and history as it pertains to the development of and influence of GLBT representation in each of these texts and films.

Required Texts and Materials:

Plato The Symposium

Sappho Love Poems(handouts)

Shakespeare Merchant of Venice

James Baldwin Giovanni’s Room

Gertrude Stein Three Lives

David Hwang M Butterfly

Paul Rudnick Jeffrey

Gloria Anzaldua La Fronterra

Steve Cirrone Natural Venus

Movies and Documentaries Screened in Class for which you will be responsible:

Orlando

Stonewall

But I’m a Cheerleader

Assignments and Grading Criteria:

2tests based on the readings for the course. Each will count 20% of your final grade.

2papers, one short and one long: MLA style, typed, double-spaced. Please see the attached sheet that outlines each written assignment. The first paper will be worth 15% of your final grade each. The second paper will be worth 25% of your final grade.

Group Project. Please see the attached sheet that outlines the group projects and make your selection by week 2 of class. Your role in the project will be individually evaluated and worth 20% of your final grade.

Syllabus

January 22: Introductions and Overview of course

January 24, 29, 31:Read: Symposium and selected poetry from Sappho (handout)

GROUPS FORMED

Feb 5, 7: Read: Merchant of Venice

***GROUP LEADERS MEET WITH ME FEBRUARY 7***

Feb 12, 14 and a bit of 19: Screening: Orlando

***PAPER ONE DUE FEBRUARY 14***

Feb 21, 26, 28: Read: Giovanni’s Room

March 4, 6: Read: Three Lives

March 11:***TEST ONE***

March 13:GROUP A PRESENTATIONS

March 25, 27: Screening: Stonewall

April 1, 3: Read: M Butterfly

April 8, 10: Read: Jeffrey

April 15: ***TEST TWO***

April 17: GROUP B PRESENTATIONS

April22, 24:Read: La Fronterra

April 29, May 1:Read: Natural Venus

***PAPER TWO DUE—May 6***

May 6, 8: But I’m a Cheerleader

May 13: Review and Wrap-Up

NO FINAL EXAM WILL BE GIVEN

(Note: the syllabus may change at any time at the discretion of the instructor)

ENGLISH 499—Group Project

To complete this part of the class successfully, you need to work collaboratively with your peers on one of the assigned topics. Each group must be comprised of the following: One Group Leader; One Primary Researcher and Draft Writer; One Editor and Presenter; One Artist/Designer. These roles must be assigned by ______. It is the Group Leader’s responsibility to get me their group members’ names and respective role designations at that time. Shortly after that date, I will hold a special required meeting with Group Leaders. Note role designation responsibilities below. No one member in your group is to take on more than one of these roles without first clearing that extra work with your Group Leader and with me. It is NOT recommended that everyone in your group consistently meet and work on each section of this project—the purpose of group coordination is that every member has an assigned role, and each person is only responsible for that assigned role.

One Group Leader – This person is the project coordinator and should be the most organized member of your group, someone who understands how to create and implement deadlines. It is the responsibility of the Group Leader to keep everyone else in the group on track, to motivate individuals when necessary, and to make sure that all sections of the project are completed on time, thoroughly and thoughtfully. It is NOT the responsibility of the Group Leader to perform any of the other functions below, but if and when the designated person for a function below fails to perform or meet a deadline as set by the Group Leader, it is the Group Leader’s responsibility to let me know immediately. The Group Leader is also responsible for writing up a one paragraph response that addresses the presentation evaluation/assessment that the Note Taker and Presenter distribute to class (see below). The Group Leader is also responsible for gathering and getting to me the final project elements (see below). This person will function primarily as the administrative assistant to the entire group. When needed, this person will take notes and distribute them in a timely fashion to all group members. This person will create a contact-list. Also, this person’s other role will be to assist the Primary Researcher and to work later with the Presenter to create the presentation evaluation survey and assess that information.

One Primary Researcher and Draft Writer – This person will gather the resource materials necessary from which the writers will write the paper and from which the presentation will be derived. It is essential that this person understand how to do proper, thorough and focused research both online and in a library. This person will meet with the Group Leader to determine if the research needs to be supplemented. It is then the Group Leader’s responsibility to make sure this information is focused enough and complete enough so that the draft may be written. This person must be someone who is able to take the raw researched materials and draft the essay/written aspects of the assignment; therefore, this person must be a good writer. The Draft Writer is responsible for creating and managing the Work’s Cited page for any written documents and for making sure there are proper citations throughout the essay; therefore, this person should have experience with MLA format.

One Revision Writer/Editor and Presenter—This person has to be someone who can take the drafted material and fine-tune it, someone who is an excellent writer and grammarian. This person is also responsible for checking the source choices of the draft writer and making sure that all the citations are correct. This person will also work with the Group Leader and the Artist/Designer to pull from the final essay that aspect or focus which is to be presented to the Artist/Designer for the presentation.This person must also be comfortable speaking before an audience, someone with charisma. Working closely with the Artist/Designer, as Presenter this person will assist the creation of the presentation in so far as he or she understands the vision, purpose and scope of the presentation. This person will be responsible for coordinating all the necessary media (computer, overhead, CD player, etc) through Media Services. This person will, on the day of the presentation, lead the class through the exercise created by the Artist/Designer and be able to lead a discussion about the particular focus of the project/presentation. This person will then distribute the presentation evaluation survey to the class and assess that information with the Group Leader.

One Artist/Designer—This person must have a creative mind and enjoy using it, someone who can take the information given by the Group Leader and use it to form an engaging presentation. This person will have final creative say over the presentation. This person should be familiar with PowerPoint and various media used to enhance the presentation. This person will be responsible for creating the presentation, and for working with the Presenter in terms of helping him or her understand the vision, purpose and scope of the presentation.

Final Project Elements:

On the day the Final Project is due to me, the Group Leader will turn in the following, organized in this order in a clear plastic, side-bind folder:

  1. A cover page that contains the title of your project, the people in your group, their designations and the class information.
  2. Copies of any notes taken by the Note-Taker during the large meeting(s) of your group.
  3. A copy of the written essay/aspect of the project.
  4. A copy of the class evaluation survey.
  5. Five filled out class evaluation surveys.
  6. A copy of the assessment of the class evaluation survey.
  7. A copy of the written one-paragraph response to the assessment.

THE SPECIFIC GROUP ASSIGNMENT POSSIBILITIES FOLLOW:

GROUP A PRESENTATIONS (to be delivered to the class on March 31—no extensions or failure will result.)

1)Present the work and influence of ONE famous GLBT artist of the ancient or Renaissance era to the class.

2)Examine the role of the early Church in the development of GLBT expression.

3)Present evidence of deliberate gender-bending during Medieval and Renaissance times.

GROUP B PRESENTATIONS (to be delivered to the class on April 30—no extensions or failure will result.)

1)Present the work and influence of a well-known post-AIDS GLBT artist to the class.

2)Examine the way in which changes in recentU.S.legislation (last twenty years) have affected the GLBT community.

3)Present evidence of the way in which our society has changed in recent years in its understanding of and its dealings with the transgender community.

PAPER TOPICS

Paper One is a 4-5 page paper, due February 20. No extensions will be given. Choose ONE of the following three assignments (you are free to use outside sources, but you do not need to do so):

1)Discuss how and why Plato tells us in The Symposium that male-male creation is supreme.

2)Compare or contrast three poems by Sappho in order to determine how her sexual identity influenced her writings.

3)Examine the role of woman in Merchant of Venice in order to determine how and why transgender behavior(s) affect meaning and interpretation.

Paper Three is an8-10 page paper, due on May 7. No extensions will be given. Choose ONE of the following three assignments:

1)Discuss the implication of the title Giovanni’s Room

2) Paul Rudnick’s Jeffrey brings together several contemporary issues that have faced the post-AIDS glbt community today, but do you find the work relevant or outdated? Justify your answer by making references to the play text and to at least three historical or critical sources.

3) Trace the development of the protagonist in Natural Venus in order to determine whether or not the text supports his sexual identity as innate or socially constructed, or a combination of both. Make references to the text and to modern theories on gender identity, both biological determinism and social construction.