Water Grass Place

Complete Script

text by Michael Bell

based on local voices from

the Water Grass Place

Movement I: Water-Grass-Place

Sources

Water Grass Place, I wish I were near you

Wish I were in your fond embrace

Forever

Water Grass Place, I wish I could hear you

Wish I could see your sweet face

On a paw of land out thrust in a curve [August Derleth, Walden West]

Where the Wisconsin takes a swerve

Majestically between scarped banks [Father Adalbert Inama, 1845]

“Eureka, eureka, Italia!” [Agoston Haraszthy’s first words on seeing

A water-grass sinfonia the WI River valley at Sauk Prairie, 1840]

For these natures I give my deepest thanks, oh

chorus

Above on the hill Black Hawk wept for his band [August Derleth, I Address You Eleanor, III]

There I was one with the least grain of sand [August Derleth, Return to Walden West]

The invisible anima of the vast [August Derleth, Return to Walden West]

There is melody in your landscape alone [August Derleth, I Address You Eleanor, IV]

Clue to the fire fixed in all my bones [August Derleth, I Address You Eleanor, I]

So let us not part the present from the past, oh [August Derleth, I Address You, Eleanor VI]

chorus

As happy as buffalo on the plains [Black Hawk, describing life for native people]

Grazing free of reins and chains

Your people feed on possibility

No dogmas or degrees fixed for all time [Eduard Schroeter, from the Free Thinkers’

No twisted logics locked in rhyme Fundamental Principles, 1851]

Your grass grows just as it will, oh

chorus

Interlude I

Let us honor the water, the water, the many waters that made us and yet sustain us. The

full choir

great waters of the great oceans, the Panthallasic Ocean and an even older ocean with no

name, that once lapped across our home, our home, and laid down the sands that in time

altos and sopranos

cemented into the bed, the bedrock, upon which our lives now rest. The water of the

great glacier, the Wisconsin Glacier, that scuffed and gruffed and buffed the bedrock into

our hills and valleys, our hills and valleys, and left behind a gentle, drifting blanket of

tenors and basses

sands and soils. The water of the great river, the Wisconsin River, and the vein-work of

streams flooding into it, coursing through our days, our nights, and all our seasons of

being.

Movement II: Water

[No words]

Interlude II

Let us honor the grass, the grass, the grasses that live on what the waters left behind, and on what

full choir

the waters continue to give. The grasses of the great prairie, the tall grass prairie, with its big

tenors and altos

blue stem, side-oats grama, June grass, and Indian grass. Their cousin forbs, bergamot, lead-

plant, and geranium; kitten tails, pussy toes, and lion’s foot; shooting star, golden rod, and lily.

Their sheltering shrubs, plum, cherry, and hazelnut; dogwood, blackhaw, and willow. And their

savanna oaks, white, black, red, bur, pin, and chinkapin. The grasses of the great pastures and

croplands, great pastures and croplands, the brome, orchard grass, and switch grass; the corn,

basses and sopranos

oats, and rye; their intermingling legumes, alfalfa, soy, and clover. The creatures and peoples

who have found their livelihoods from this grassy abundance, grassy abundance, the deer,

full choir

buffalo, and fox; the vireo, towhee, and bobolink; the snake, frog, and fly; the native folk and

farm folk. And more, so much more, ever more.

Movement III: Grass

[chant]

Interlude III

Let us honor the place, the place, the places that live on what both the waters and the grasses left

full choir

behind, and on what they continue to give. The roads, Clavadatscher, Stone’s Pocket, Happy

Hill, Happy Hill; Irish Valley, Swiss Valley, Skunk Valley; Unke, Gastrow, Inama; Merrimac

basses and tenors

Ferry; the Wisconsin and Southern. The parks, Pine Hollow, Natural Bridge, Devil’s Lake,

Parfrey’s Glen, Derleth, Ferry Bluff, Lodde’s Mill Bluff, and the Riverway. The schools, Tower

Rock, Spruce Street, Grand Avenue, Black Hawk, Merrimac, St. Aloysius, Sauk Prairie High,

Sauk Prairie High. The places of gathering, for commerce, for work, for worship, for

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merry-making and conviviality, conviviality. The ghosts of the place, the buildings gone, the

basses and tenors

bridges gone, the boats gone, the businesses gone, the farms gone, the villages gone, the people

gone, all of which, and of whom, are alive with us still, with us still, in our minds, and in our

altos and sopranos

hopes and loves.

Movement IV: Place

[No words]

Interlude IV

Let us honor it all together, the waters, the grasses, the places, the ensemble that makes this the

Water Grass Place, Water Grass Place. We honor it who are so privileged, privileged to be

full choir

living with and, each in our own ways, adding to such beauty, such beauty, of light and sound;

altos and sopranos

space and time; nature and history; creativity and humanity; community and fraternity; water,

grass, and place. We honor it now, honor it now, because we can forget. We can neglect. We

basses and tenors

can regret. As a wise woman of Water Grass Place once wrote, “Life passes swiftly enough.

No need to push it…. Savor the time. Relax. Enjoy the moment. What’s the hurry?”[1] So today

we slow. Today we listen. Today we watch. Today we sing.

full choir


Movement V: Water Grass Place (reprise)

Water Grass Place, I wish I were near you

Wish I were in your fond embrace

Forever

Water Grass Place, I wish I could hear you

Wish I could see your sweet face

Honey Creek, Sumpter, Merrimac

Sauk Prairie, Sauk City, Prairie du Sac

Roxbury and West Point

I love this land, tell you I do for true

I know your land like the back of my hand

I know every wrinkle, pore, and gland

Every knuckle, sinew, and joint, oh

I’m coming now home to you

chorus

Ever we bind our hearts in the love of place

Unity, community, locality

Never we blind ourselves to how we interlace

Fidelity to history’s prosperity

Ever entwined are the lines that our lives trace

Serenity, stability, society

Never unmindful are we of this living grace

Sanctity of charity’s vitality

Put a bottle of whiskey in the wrong car [from a “want ad” in the Sauk Prairie Star on March

So I put an ad in the Sauk Prairie Star 27th, 1958: “Lost; a fifth of 10-High whiskey—May

Small town life—got it back the next day have put it someone else’s car. Call 321M.”]

For real I swear that it’s true, I do

These are the things you never forget

The care of neighbors dry or wet

Community that sticks like clay, oh

For real my love for you

chorus

bridge

Water Grass Place, now I am near you

Now I am in your fond embrace

Forever

Water Grass Place, now I can hear you

Now I can kiss your sweet face

Forever, forever, forever, forever!

6

[1] Lola O’Brien Huber (2000), Folks n’ Folklore, Prairie du Sac, WI: Giergerich’s Sons Inc, p. 13.