The Culture and Religion of Enslaved People in the United States

Standards

National Council for the Social Studies Standards

1. Culture and Cultural Diversity

·  Assist learners to apply an understanding of culture as an integrated whole that explains the functions and interactions of language, literature, the arts, traditions, beliefs and values, and behavior patterns

·  Encourage learners to compare and analyze societal patterns for preserving and transmitting culture while adapting to environmental or social change

Common Core Standards

Integration of Knowledge and Ideas - CCSS.ELA-LITERACY.RH.11-12.7: Integrate and evaluate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, as well as in words) in order to address a question or solve a problem.

National Core Arts Standards

Anchor Standard #1 (Creating): Generate and conceptualize artistic work.

Anchor Standard #8 (Responding): Interpret intent and meaning in artistic work.

Lesson Outline

Warm-Up (5 minutes)

·  Have students make a list of as many art forms/examples of art that they interact with on a daily basis. Students will complete this individually. Ask for a few volunteers to share what they listed.

·  Ask students why they interact with art/the purpose art serves in their lives. Tell students to think about the question, and not share their answers out loud yet.

·  The following prompt will be displayed on the SmartBoard: “What purpose does art serve in people’s lives?”

·  Students will have two minutes to respond to the prompt individually. Then, using a think-pair-share strategy, students will share their responses with a partner. The class will then create a “master list” of their ideas.

Developmental Section

Spirituals Activity (25 minutes)

·  This should come after a lesson/lecture on the religion of enslaved peoples in the United States.

·  The class will be divided into five groups. Each group will receive the lyrics to one of five spirituals: “Swing Low, Sweet Chariot,” “Soon ‘Ah Will Be Done,” “Amazing Grace,” “Go Down, Moses,” or “Deep River.”

·  Each group will select 4-5 words/phrases from their respective song that they think captures the essence of enslaved people’s life/music/religion.

·  One student from each group will write their group’s choices on a class “master list” at the front of the room.

·  After students review the master list, discuss the following questions as a class:

o  What is the meaning of this song?

o  Why would an enslaved person write/sing this?

o  What does this song reveal about religion and music in enslaved people’s lives?

Slavery and Material Culture Creative Writing Activity (55 minutes)

·  Explain to students that historians do not just study texts; they also study objects.

·  Ask students: “Why would it be important to study objects?”

o  Have students think about the question for 30 seconds before taking volunteers to share their ideas.

·  Students will individually read a modified, shortened version of Martha Zierden’s “Object Lessons: The Journey of Miles Brewton’s Bottle,” which demonstrates how blacks and whites used the same consumer goods, but in very different ways.

·  Considering David Drake’s pottery, students will work with a partner to create a similar story about his pots.

o  Although students will be creating a work of historical fiction, their stories should contain evidence and examples covered in class.

o  The story will only be one page long.

·  Each pair of students will swap their short story with another pair and will read their peers’ story.

·  Students will then write a review of their peers’ story. In the review, students will explain how their peers’ choices in literary elements reflected what they have learned about slavery. Literary elements include:

o  Allegory

o  Character

o  Figurative language

o  Point of view

o  Structure

·  Students will hand in their short stories and reviews for a class participation grade.

Wrap-Up/Culminating Experience (5 minutes)

·  As an exit slip, students will answer the following question: “Why was art important in enslaved people’s lives?”