Peter J. Evans
Biography
Born 1976, Oxford, UK
1995 – 1998 BA (hons) Visual Performance Dartington College of Art
Selected Solo Exhibitions/Performances
2016
Peter J. Evans: Hangmen Projects, Stockholm
2015
Across Islands, divides, Baltic 39, Newcastle Upon Tyne, UK
2008
FEEDBACKER, Workplace Gallery, Gateshead
2007
FEEDBACKER, Spacex Gallery, Exeter, UK and Seventeen, London.
2005
Find Your Own Line Through the Patterns, Kiasma, (as part of the First we take museums exhibition) Helsinki.
Carrier 4, Kaskadenkondensator, Basel, Switzerland
2004
Carrier 4, Platform, Newcastle-upon Tyne.
2003
Carrier 3, Hull Time Based Arts, Hull.
2002
Carrier 3, Kiasma, Helsinki, Finland.
Carrier 2, ANTI festival, Kuopio, Finland.
Trace Decay, X-change gallery, Oxford.
2000
Aberrated Torsion, Parts 1 & 2, Dartington College of Arts.
1999
Analogue Pogo, Crikey Moses Blimey at ICA, London.
1998
Moments into Memories, National Review of Live Art, Glasgow
1997
Moments into Memories, Summer Exhibitionists at ICA, London.
Selected Group Exhibitions
2014
Satellite Satellite, Workplace London, London. UK
Chance Finds Us, MIMA, Middlesbrough, UK
2010
Brick by Brick, xsite Architecture, Newcastle, UK
The Glass Delusion, National Glass Centre, Sunderland, UK
Aphrodite at the Water Hole, DEATHANDDADA at Glasgow International Festival, UK
2008
Beautifully Crafted, National Glass Centre, Sunderland.
Prospects and Interiors, Henry Moore Institute, Leeds.
2007
The Opposite of Vertigo, The drawing room, London.
2006
The Opposite of Vertigo, Burren College, Ireland.
Units Moved, Yard gallery, London.
What Are You Talking About, Pickled Arts Centre, Beijing.
BLUE STAR RED WEDGE Glasgow International 06.
You shall know our velocity, BALTIC, Gateshead. UK.
The Space Between the Sole & the Heel, Collective Gallery, Edinburgh. UK.
2005
The Space Between the Sole & the Heel, Globe Gallery, North Shields. UK.
2004
Griptape Thumb Space Gallery, Penzance, Cornwall. UK.
Moving Units, 19-23 Kingsland Road, London. UK.
2003
A Surface in Between The Arthouse, Shoreditch, London. UK.
The Law, Hull Time Based Arts, Hull. UK.
Expanded Cineside, Waygood Gallery, Newcastle upon Tyne. UK.
2002
La-Bas Forum, Box gallery, Helsinki, Finland.
Terminal 4, Gate 1 Intersection at The Lighthouse, Glasgow, (collaborative project as SAS with Adam Mendelsohn). UK.
2001
Side Effects of Urethane, The Jam factory, London. UK.
Altered Pathways, Nott Dance at The Powerhouse, Nottingham, (collaborative video installation as Brief Magnetics with Simone Kenyon and Alan Glass). UK.
1999
Interskop – multi visions prsentation Fundbureau e.V., Hamburg, Germany.
Terminal 1, Gate 3 Expo 99 in a Cave site near Nottingham city centre. SAS collaboration. UK.
1998
Terminal 1, Gate 2 Expo 98, Nottingham. SAS collaboration. UK.
Terminal 1, Gate 1 The Exhibitionists Festival at ICA, London. SAS collaboration with Joe Mount. UK.
JUGGERNAUT Launch Night, Beaconsfield gallery, London. UK.
Inner Spaces VI: Dotyk Arsenal Galeria, Poznan, Poland.
Lunation #1 - 5 Dartington College of Arts, Devon. UK.
1997
Three Thirds of a Polygon, Dartington College of Arts, Devon, UK, ON Galeria, Poznan, Poland and Vorwerk Galerie, Hamburg, Germany.
Gimm It, Tony Green Gallery, Torquay. UK.
1996
Art in Club Culture, Media Centre, Tamworth. UK.
3 authors, Summer Exhibitionists at ICA, London. Collaborative performance with Simon Byford and Christie Fuller. UK.
Commissions
2005
Moments in Love, Private collection, Glasgow, UK.
2002
Photosynthesis (inner glow from space), Chiltern Sculpture Trail, Oxfordshire. UK.
1998
Moments of Memories, Private collection, London, UK.
Residencies and Awards
2007
Base Elements Residency, Allenheads Contemporary Arts, UK
2004
Associates position at Forma, Newcastle. UK.
2002
Arts Council International fellowship at HIAP, Helsinki, Finland.
Bibliography
2006
You Shall Know Our Velocity, Alfred Hickling, The Guardian, 02/01.
Viewfinder, Alastair Sooke, The Telegraph, 01/14.
2004
Freefall Arts Council England International Artists Fellowships, ISBN 0-7287-0987-2
2003
PETER, Tukka Kaila, Numero magazine, issue #1/2003.