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New Publications

2011/2

New book series

Titleissne-issn

Critical Posthumanisms1872-09431879-5803

Experimental Practices1873-87881879-5943

Life sciences, ethics and democracy2211-44162211-4424

Studies in Environmental Humanities2211-58462211-5854

American Culture, Autobiography, 20th Century, Flight History

March 2011

Denice Turner

Writing the Heavenly Frontier.

Metaphor, Geography, and Flight Autobiography in America 1927-1954.

Amsterdam/New York, NY, 2011. X, 221 pp.

(Costerus NS 187)

ISBN: 978-90-420-3296-5Paper € 46,-/US$ 67,-

ISBN: 978-90-420-3297-2E-book € 46,-/US$ 67,-

Writing the Heavenly Frontiercelebrates the early voices of the air as it examines the sky as a metaphorical and

political landscape. While flight histories usually focus on the physical dangers of early aviation, this book introduces

the figurative liabilities of ascension. Early pilot-writers not only grappled with an unwieldy machine; they also

grappled with poetics that were extremely selective. Tropes that cast Charles Lindbergh as the transcendent hero of the

new millennium were the same ones that kept women, black Americans, and indigenous peoples imaginatively tethered

to the ground. The most popular flight autobiographies in the United States posited a hero who rose from the

mundane to the miraculous; and yet the most startling autobiographies point out the social factors that limited or

forbade vertical movement—both literally and figuratively. A survey of pilot writing, the book will appeal to flight

enthusiasts and people interested in American autobiography and culture. But it will also appeal strongly to readers

interested in the poetics and politics of place.

Contents

List of Illustrations

Acknowledgements

Introduction: Writing the Heavenly Frontier

The Mundane to the Miraculous

Imaginative Geographies and the Invention of the Aerial Subject

From Pilot to Poet: The Transformation of Lindbergh

Polar Frontiers and Public Fictions: Skyward with Richard E. Byrd

The Colors of the Earth and the Sanctity of Space

Autobiographical Demands and Historical Realities

Jimmy Collins and the Tethers of Materiality

Flight as Emancipation: William J. Powell’s Dream of Black Wings

Masculine Spaces and Women Flyers

The Flying Boudoir

The Sound of Wings: Autobiographies by Amelia Earhart

Louise Thaden and the Tethers of Motherhood

Flight as Upward Mobility: Jackie Cochran and the Stars at Noon

Aerial Geographies and Imperial Discourses

Transcendence Abroad

Cultivating the Garden: Antoine de Saint-Exupéry and the Noble Struggle

Escaping the Wilderness: Anne Morrow Lindbergh and the Epic Journey

Epilogue: Late Century Metaphors: Larry Walters and the Rich Man’s Wedding Cake

Index

American Literature, 20th Century, Spanish History, Chaos Theory

March 2011

Mónica Calvo-Pascual

Chaos and Madness.

The Politics of Fiction in Stephen Marlowe’s Historical Narratives.

Amsterdam/New York, NY, 2011. VII, 211 pp.

(Costerus NS 188)

Paper € 44,-/US$ 64,-

ISBN: 978-90-420-3302-3E-book € 44,-/US$ 64,-

In the 1950s prolific U.S. fiction writer Stephen Marlowe became a cult author for lovers ofnoirfiction mainly for

hisDrumbeatseries, which present his best-known character: private eye Chester Drum. Yet, the academia

never paid much attention to his multifaceted, extensiveoeuvre.Chaos and Madnessis the first volume

offering a critical approach to Marlowe’s riveting historical novels. Their relevance in the field of literary studies

derives from their well-wrought structure and captivating prose as well as from their portrayal of remote European

history – a distinctive feature that makes Marlowe a unique figure in the North American trend of historiographic

metafiction.

Chaos and Madnessprovides a comprehensive narratological and ideological analysis of three novels in which

Marlowe deals with Spanish history. Preceded by an in-depth if reader-friendly theoretical chapter that traces the

evolution of the historical novel as a genre, Calvo-Pascual’s meticulous investigation into Marlowe’s fiction proves

compelling for anyone interested in contemporary American fiction, in Spanish history, or in the interaction of

metafiction and the scientific discourse of chaos theory.

Table of Contents

Acknowledgments

Introduction

History and the Novel: An Overview

Mastering the Art: The Historical Novel and Local Color

Between Magic and Madness: A Portrait of Spain and Its Neuroses

Postmodern Critique and the Hand of the Historian

Chaos, Complexity and Interpretation

Beyond Reference: Historiographic Metafiction Impinged by Science Fiction

The Novel Never Ends: On Alternative Worlds, Jewish Connections and Infinite Regress

Concluding Remarks

Appendix I

Appendix II

Bibliography

Index

American Literature, Word and Music, Avant-Garde, Postmodernism, 20th Century

April 2011

Edward S. Robinson

Shift Linguals.

Cut-Up Narratives from William S. Burroughs to the Present.

Amsterdam/New York, NY, 2011. XIII, 289 pp.

(Postmodern Studies 46)

ISBN: 978-90-420-3303-0Paper € 60,-/US$ 87,-

ISBN: 978-90-420-3304-7E-book € 60,-/US$ 87,-

Shift Lingualstraces a history of the cut-up method, the experimental writing practice discovered by Brion

Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism

that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s,Shift Linguals

explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to

arrive at the present and the digital age.

Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the

method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of

research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With

explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing

on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of

Stewart Home to date.

Contents

Acknowledgements

Introduction. Before Burroughs: The Prehistory of the Cut-Ups

The Origin and Theory of the Cut-Ups

Early Successors: Pélieu, Giorno, Weissner

Inter-Section. The Mutations of Burroughs: Revising the Cut-Up Technique

Kathy Acker: Plagiarism and Adaptation – From Cut-Up to Cut-and-Paste

Stewart Home: Pulp, Parody, Repetition and the Cut-Up Renaissance

Further Mutations: The Cut-Ups in the New Millennium

Works Cited

Index

Baltic Studies, History, 20th Century, Political Identity

April 2011

Edited by Martyn Housden and David J. Smith

Forgotten Pages in Baltic History.

Diversity and Inclusion.

Amsterdam/New York, NY, 2011. VIII, 332 pp.

(On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics 30)

ISBN: 978-90-420-3315-3Paper € 68,-/US$ 99,-

ISBN: 978-90-420-3316-0E-book € 68,-/US$ 99,-

The years from 1918 to 1945 remain central to European History. It was a breath-taking time during which the very best

and very worst attributes of Mankind were on display. In the euphoria of peace which followed the end of the First

World War, the Baltic States emerged as independent forces on the world stage, participating in thrilling experiments in

national and transnational governance. Later, following economic collapse and in the face of rising totalitarianism

among even Europe’s most cultured nations, Baltic communities succumbed to nationalism too. During wartime, Baltic

peoples became both victims and, sometimes, victimisers. Ultimately their victimhood lasted until the end of the Cold

War, yielding consequences still discernible at the start of the twenty first century.

Taking the period 1918 to 1945 as pivotal, this collection of essays examines some of the key themes in Baltic History

as they are emerging today. These include appreciations of identity, autonomy and the rights of national minorities; the

everyday and social foundations of international security; and the importance of historical memory to popular and

political identities.

Table of Contents

Martyn Housden and David J. Smith: Introduction

Frank Nesemann: A Special Baltic German Understanding about Finland’s Autonomy in the Russian Empire? Count Fabian Steinheil as

the Governor-General of the Grand Duchy of Finland (1810–1823)

Rimantas Miknys and Darius Staliūnas: The “Old” and “New” Lithuanians: Collective Identity Types in Lithuania at the Turn of the

Nineteenth and Twentieth Centuries

Andrejs Plakans: Regional Identity in Latvia: The Case of Latgale

Marko Lehti: The Dancing Conference of Bulduri: A Clash of Alternative Regional Futures

Martyn Housden: Securing the Lives of Ordinary People. Baltic Perspectives on the Work of the League of Nations

Michael Garleff: The Historiography of Paul Schiemann

Jörg Hackmann: Werner Hasselblatt on Cultural Autonomy: A Forgotten Manuscript

Martyn Housden and David J. Smith: A Matter of Uniqueness? Paul Schiemann, Ewald Ammende and Mikhail Kurchinskii Compared

Valters Ščerbinskis: Leaders, Divided Society and Crisis. The Coup d’État of 1934 in Latvia, its Causes and Consequences

Joachim Tauber: The View from the Top: German Soldiers and Lithuania in the Two World Wars

Erwin Oberländer: Soviet Genocide in Latvia? Conflicting Cultures of Remembrance of Stalin’s Policy, 1940–1953

Eva-Clarita Pettai: The Convergence of Two Worlds: Historians and Emerging Histories in the Baltic States

David J. Smith: “You’ve got to know History!” Remembering and Forgetting the Past in the Present-Day Baltic

Leonidas Donskis: The Unbearable Lightness of Incessant Change: The Predicaments of Modernity in Lithuania

Contributors

Baltic Studies, Twentieth Century History, Politics

April 2011

Tina Tamman

The last ambassador.

August Torma, soldier, diplomat, spy.

Amsterdam/New York, NY, 2011. XVII, 251 pp. (Illustrated)

(On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics 29)

ISBN: 978-90-420-3313-9Paper € 54,-/US$ 78,-

ISBN: 978-90-420-3314-6E-book € 54,-/US$ 78,-

Estonian ambassador August Torma had a protracted and unconventional relationship with the British Foreign Office.

Appointed to the Court of St James’s in 1934, Torma lost his government in 1940 when the Soviet Union overran his

country, but continued to live at the legation in London and visit the Foreign Office. Gradually, however, his diplomatic

standing was eroded because of Soviet demands. For Torma there was the very real fear that Britain might recognise

the Soviet occupation of his homeland and he continued to reiterate his faith in international law in the hope that

Estonia’s stolen independence would be restored one day. He died in 1971, twenty years before the country regained

its lost freedom. This book is a biography of Torma who had a remarkable life: he assisted in the creation of the

Estonian state in 1918–20, worked for it during the inter-war period and struggled to keep its cause alive during and

after the Second World War; it is also a study of the awkward relationship between the ambassador and the Foreign

Office that lasted for more than three decades.

Contents

Acknowledgements

List of illustrations

David J Smith and John Hiden: Foreword: August Torma and the importance of small states

Introduction

The making of an “officer-diplomat” (1895–1930)

First World War and British intervention

Estonian military representative in Kaunas

Head of Foreign Ministry’s political department

Estonian relations with Russia

Estonian-Russian prisoner and spy exchanges

Estonia on the fringes of Europe (1931–1939)

Difficulties in Baltic cooperation

Estonian minister in London

Estonia in crisis (1939–1940)

Estonian-Russian mutual assistance pact

Russian-Finnish war and Estonian neutrality

Soviet occupation begins on 17 June 1940

Keep calm and carry on (1940–1944)

The question of an Estonian government

Baltic envoys demoted

Campaign for a fair deal for small nations

Maintaining the London legation (1944–1971)

Estonian refugees

Britain accords partial recognition to Soviet annexation

The London legation’s financial problems

The KGB identifies Torma as a British agent

Conclusion

Notes

Bibliography

Index

Comparative Literature, Cultural Studies, Literary Theory

February 2011

Edited by Liviu Papadima, David Damrosch and Theo D’haen

The Canonical Debate Today.

Crossing Disciplinary and Cultural Boundaries.

Amsterdam/New York, NY, 2011. 355 pp.

(Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 149)

ISBN: 978-90-420-3281-1Paper € 71,-/US$ 103,-

ISBN: 978-90-420-3282-8E-book € 71,-/US$ 103,-

The Canonical Debate Today. Crossing Disciplinary and Cultural Boundariesre-enacts the canonical issues

current in the ’90s from a new perspective, triggered by the changes that occurred worldwide in understanding the

concepts and the status of theory, in the legacy of literary studies within the field of humanities, and in cultural

production and reception. During the last decade discussions of globalization mostly took into account its impact on

the status of academic disciplines such as comparative literature or cultural studies, or the reconfiguration of national

literary fields. These debates do not dispense with canonicity altogether but make it more urgent and necessary.

Canons seen as sets of norms or regulatory practices are central to the formation of disciplines, to the recognition and

transmission of values, even to the articulation of discourses on identity on various levels.

The three sections of the volume deal with three interrelated subjects: theories and applicable contexts of the canon

(Canons and Contexts); recent transformations in the area of literary studies in response to the task of canon

formation (Reshaping Literary Studies); and the challenges brought to the understanding of the canon(s) by

the current process of re-defining literary and cultural boundaries (Transgressing Literary and Cultural

Boundaries).

This volume will appeal to researchers, teachers, and students of cultural studies, comparative literature, and literary

theory.

Table of Contents

Liviu Papadima:Introduction: A Can(n)on in Need Is a Can(n)on Indeed

Canons and Contexts

Theo D’haen: How Many Canons Do We Need? World Literature, National Literature, European Literature

Rodica Mihăilă: Opening the Boundaries of National Literatures: From a Multicultural to a Transnational Literary Canon. The American

Challenge

William Franke: The Canon Question and the Value of Theory: Towards a New (Non-) Concept of Universality

Caius Dobrescu: European Literary Canon-Building as Federalist Phenomenology

Delia Ungureanu: What to Do about Constructing the Literary Canon: Canonicity and Canonical Criteria

Adina Ciugureanu: From Art to Literature: Towards a Counter-Canonical Canon?

Simona Drăgan:Epistemeand Literary Canon. A Parallel between Michel Foucault and Harold Bloom

Zakaria Fatih: The Literary Canon and its Religious Precursor

Frédéric Canovas: Against the Canon: Jean Cocteau or the Rise of the Gay Cultural Icon

Magda Răduţă: The Day Before, the Day After. Canonic and Self-Legitimation Changes in the Romanian Literature Before and After the

Fall of the Communist Regime

Reshaping Literary Studies

David Damrosch: Comparative World Literature

Dumitru Radu Popa: Globalization and Comparative Literature Revisited – An Analytical Survey

Oana Fotache: ‘Global Literature’ – In Search of a Definition

Mihaela Irimia: The Classic Modern Canon and the Disciplinary Separation

Stefan H. Uhlig: Historiography or Rhetoric? A Road (Not) Taken in the Evolution of the Literary Field

Transgressing Literary and Cultural Boundaries

Elaine Martin: ‘Ceci tuera cela’? Literary Canons and the Challenge of Visual Imagery and Popular Culture

Ion Manolescu: Popular Culture and the Romanian Postmodernist Canon. The Case of Comics’ Authors

Alexandra Vrânceanu: National versus World Literature Seen as a Confrontation between Modernism and Balkanism

Ileana Orlich: Modernism and the Male World: The Crisis of Masculinity inThe Bed of Procrustes

Roumiana L. Stantcheva: To Label, to Compare, to Appropriate… As a Strategy of Foreign Literary Criticism

Cristina Balinte: National Enlisting / European Rallying. Access Criteria to the Continental Space for Romanian Literature

Ioana Both: A Romanian Product Refused for Export: Mihai Eminescu, National Poet

Mădălina Vatcu: Openings of the Romanian Poetry Anthologies Translated into French. Canonical Variations during the Communist

Period

About the Authors

Comparative Literature, Transnational Studies, Socio-Cultural Studies, Politics

April 2011

Edited by Pier Paolo Frassinelli, Ronit Frenkel and David Watson

Traversing Transnationalism.

The Horizons of Literary and Cultural Studies.

Amsterdam/New York, NY, 2011. VI, 280 pp.

(Textxet. Studies in Comparative Literature 62)

ISBN: 978-90-420-3307-8Paper € 57,-/US$ 83,-

ISBN: 978-90-420-3308-5E-book € 57,-/US$ 83,-

The recent dramatic expansion of the field of transnational studies has reshaped discourses across the humanities and

social sciences and created the opportunity for extensive multi-regional exchanges.Traversing Transnationalism

intervenes into these developments by offering essays from scholars working both within and outside the

metropolitan “centre”, and by reorientating the axis of research towards geopolitical and cultural formations located

beyond the normal sites of production of globalization discourse. This interdisciplinary collection has a broad scope: it

engages directly with a variety of literary and non-literary texts, diverse socio-cultural configurations, and the politics,

theorization and aesthetics of transnationalism. It is of interest to both readers interested in how transnational

discourses have been articulated in specific contexts and circumstances, and readers looking for an intervention into

debates on transnationalism that draws attention to its complex, plural character.

Contents

Pier Paolo Frassinelli, Ronit Frenkel and David Watson: Traversing Transnationalism

National Borders/Transnational Subjects

Pamila Gupta: Friction and Fragments: Local Cosmopolitanism in Postcolonial Mozambique

Amanda Lagerkvist: Velvet and Violence: Performing the Mediatized Memory of Shanghai’s Futurity

Bianca Kai Isaki: Towards an Aesthetic Politics of Transnational History: Asian Americans in a Decolonizing Hawai‘I

Sang Hea Kil: Immigration and “Operations”: The Militarization (and Medicalization) of the US-Mexico Border

Transnational Literary Routes

Shane Graham: “I had forgotten a continent”: Cosmopolitan Memory in Derek Walcott’sOmeros

Ronit Frenkel: Local Transnationalisms: Ishtiyaq Shukri’sThe Silent Minaretand South Africa in the Global Imaginary