English 1—Honors

Unit: The Merchant of Venice

If you have any specific questions regarding the study guide, I will be available in my classroom prior to zero period or during lunch only. You may also e-mail me at lindelicato@fjuhsd.net.

Review for Semester Final Examon The Merchant of Venice

Directions: To review for the final, be able to respond to the following prompts.

  1. Define soliloquy and be able to explain the function it serves in drama. Be able to interpret what is revealed in both Jessica’s and Launcelot’ssoliloquies.
  2. Define aside and be able to explain what function it serves in drama. How are Shylock’s asides significant to understanding his character motivations?
  3. Define heroic couplet and be able to locate examples on the attached list of passages.
  4. Define iambic pentameter and explain what it sounds like, and when and why it is used.
  5. Define comic relief and describe where and how it is used in The Merchant of Venice.
  6. Define verbal irony and identify any examples of it on the attached list of passages.
  7. Define situational irony and identify examples of it from the play.
  8. Define dramatic irony and identify examples of it from the play.
  9. Define pun. Be able to identify any examples on the attached list of passages.
  10. Define mythological, Biblical, and historical allusion. Be able to identify examples on the attached list of passages. Be able to interpret the meaning of any allusions on the list.
  11. Define simile. Be able to identifyand interpret any examples on the attached list of passages.
  12. Define metaphor. Be able to identify and interpret any examples on the attached list of passages.
  13. Define personification. Be able to identify and interpret any examples on the attached list of passages.
  14. Be able to identify and interpret any examples of repetitive syntaxon the attached list of passages.
  15. Be able to explain how and when free verse and blank verse are used. What does each reveal?
  16. Describe the fundamental differences between novels and plays.
  17. Thoroughly explain the test of the caskets and how it relates to the plot of the play.
  18. Thoroughly explore how the motif of “deceiving appearances” relates to the play.
  19. Thoroughly explore how the motif of “the balance of justice and mercy” relates to the play.
  20. Thoroughly explore how the motif of “fortune hunting” relates to the play.
  21. Thoroughly explore how the motif of “friendship and loyalty” relates to the play.

Be familiar with the circumstances surrounding the following characters. Be able to explain each character’s role in the plot. Identify which characters are round, flat, static, and dynamic.

  1. Antonio
  2. Shylock
  3. Bassanio
  4. Portia
  5. Lorenzo
  6. Gratiano
  7. Nerissa
  8. Launcelot
  9. Jessica
  10. SalerioSolanio
  11. Prince Morocco
  12. Prince Arragon
  13. The Duke
  14. Dr. Bellario
  15. Balthasar
  16. “Balthasar”

For each of the following quotations identify the speaker, to whom he/she is speaking, the context, and provide a detailed interpretation of what is being said. Also, be able to identify, explain, and interpret any literary devices (simile, metaphor, allusion, personification, pun, irony, etc…) or rhetorical devices (i.e. repetition, rhetorical questions, free verse, blank verse, etc.) within the quotation.

  1. “So may the outward shows be least themselves—The world is still deceiv’d with ornament.
  2. “I hold the world but as the world…A stage, where every man must play a part, And mine a sad one.”
  3. “The villainy you teach me I will execute, and it shall go hard, but I will better the instruction.”
  4. “All that glisters is not gold.”
  5. “’Tis not unkown to you, Antonio, How much I have disabled mine estate By something showing a more swelling port Than my faint means would grant continuance; Nor do I now make moan to be abridged From such a noble rate; but my chief care Is to come fairly off from the great debts Wherein my time, something too prodigal, Hath left me gaged.”
  6. “Let me know it; And if it stand, as you yourself still do, Within my eye of honor, be assured My purse, my person, my extremest means Lie all unlocked to your occasions.”
  7. “We all expect a gentle answer, Jew.”
  8. “In terms of choice I am not solely led By nice direction of a maiden’s eyes: besides, the lott’ry of my destiny Bars me the right of voluntary choosing. But if my father had not scanted me, Andhedg’d me by his wit to yield myself His wife who wins me by that means I told you, Yourself, renowned Prince, then stood as fair As any comer I have look’d on yet For my Affection.”
  9. “I thank God, I thank God. Is it true, is it true?
  10. “I am very glad of it. I’ll plague him; I’ll torture him. I am glad of it.”
  11. “Nor is the wide world ignorant of her worth, For the four winds blow in from every coast Renowned suitors, and her sunny locks Hang on her temples like a golden fleece, Which makes her seat of Belmont Colchos’ strand, And many Jasons come in quest of her.”
  12. “I know he will be glad of our success; We are the Jasons, we have won the fleece.”
  13. “The Hebrew will turn Christian; he grows kind.”
  14. “If every ducat in six thousand ducats Were in six parts, and every part a ducat, I would not draw them, I would have my bond.”
  15. “I am sorry thou wilt leave my father so. Our house is hell, and thou, a merry devil, Didst rob it of some taste of tediousness.”
  16. “Not on thy sole but on thy soul, harsh Jew, Thou mak’st thy knife keen.”
  17. “Alack, what heinous sin is it in me To be ashamed to be my father’s child! But though I am a daughter to his blood, I am not to his manners.
  18. “A Daniel come to judgment; yea a Daniel…Oh wise young judge, how I do honor thee.”
  19. “How like a fawning publican he looks! I hate him for he is a Christian; But more for that in low simplicity He lends out money gratis and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.”
  20. “Fair ladies, you drop manna in the way Of starved people.”
  21. “Let not that doctor e’er come near my house…I will become as liberal as you; I’ll not deny him anything I have, No not my body, nor my husband’s bed; Know him I shall I am well sure of it.”
  22. “Why, fear not, man! I will not forfeit it. Within these two months—that’s a month before This bond expires—I do expect return Of thrice three times the value of this bond.”
  23. “We all expect a gentle answer, Jew.”
  24. “The devil can cite Scripture for his purpose. An evil soul, producing holy witness, Is like a villain with a smiling cheek, A goodly apple rotten at the heart. O, what a goodly outside falsehood hath!”
  25. “Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means…If you prick us, do we not bleed?”
  26. “In the Rialto you have rated me About my moneys and my usances: Still have I borne it with a patient shrug….You call me misbeliever, cutthroat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own.”
  27. “Repent but you that you shall lose your friend And he repents not that he pays your debt. For if the Jew do cut but deep enough, I’ll pay it instantly with all my heart.”
  28. “Now by this hand, I gave it to a youth, A kind of boy, a little scrubbed boy No higher than thyself, the judge’s clerk…”
  29. “Therefore, then, thou gaudy gold, Hard food for Midas, I will none of thee.”
  30. “I like not fair terms and a villain’s mind.”
  31. “I am married to a wife Which is as dear to me as life itself, But life itself, my wife, and all the world Are not with me esteemed above thy life. I would lose all, ay, sacrifice them all Here to this devil, to deliver you.”
  32. “Here is a letter, lady, The paper as the body of my friend, And every word in it a gaping wound Issuing life blood”
  33. “Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.”
  34. “My daughter! O my ducats! O my daughter! Fled with a Christian! O my Christian ducats! Justice! The law! My ducats, and my daughter!”
  35. “The Duke cannot deny the course of law; For the commodity that strangers have With us in Venice, if it be denied, Will much impeach the justice of the state, Since that the trade and profit of the city Consisteth of all nations.”
  36. “If you did know to whom I gave the ring, If you did know for whom I gave the ring, And would conceive for what I gave the ring, And how unwillingly I left the ring, When nought would be accepted but the ring, You would abate the strength of your displeasure.”
  37. “The dearest ring in Venice will I have you, And find it out by proclamation; Only for this, I pray you pardon me.”
  38. “I gave my love a ring, and made him swear Never to part with it, and here he stands.”
  39. “I am a tainted wether of the flock, Meetest for death. The weakest kind of fruit Drops earliest to the ground, and so let me”
  40. “Thou art come to answer a stony adversary, an inhuman wretch, Uncapable of pity, void and empty from any dram of mercy”
  41. “How shalt thou hope for mercy, rendering none?”
  42. “Earthly power doth then show likest God’s When mercy seasons justice.”
  43. “Be merciful. Take thrice thy money; bid me tear the bond.”
  44. “Now he goes With no less presence, but with much more love, Than young Alcides when he did redeem The virgin tribute paid by howling Troy To the sea monster. I stand for sacrifice.”
  45. “Tarry a little, there is something else. This bond doth give thee here no jot of blood.”