1
Radio-Television 151
Beginning Video
Autumn Semester 2010
Class meets TBD in DAH TBD
Instructor
John Twiggs
Adjunct, UM Radio-TV Department, School of Journalism
Corbin Hall 153
Office hours: By appointment
243-4565-office
728-8837-home
Learning Outcomes
RTV 151Beginning Videowill give you the following:
- A basic understanding of visual literacy and the aesthetic quality of the power of moving images
- A basic knowledge of a variety of video and audio software
- A basic knowledge of variety of video and audio hardware
- An understanding of how to produce, write, photograph, edit and organize creative, informative and entertaining video stories
- The ability to think critically and creatively
- How to use appropriate tools and technology
Scope and Expectations
This course is broken into three sections:
- Video Editing—The fundamentals of editing video footage including transitions, pacing and storytelling will be covered. Basic functions of the non-linear computer editing program Final Cut Pro 4 will be learned. Issues of computer and file management will be included as well as additional video editing techniques. There will be two projects during this section. One quiz covering the editing basics and the machines we use will be given
- Video Photography & Storytelling—The basics of field photography, operation of digital video cameras and the power of moving images in storytelling will be covered. Basic principles in sequencing, lighting and audio will also be covered. An understanding of how this process connects with editing is expected. There will be two field video photography assignments. There will be one quiz covering photography, sequencing, lighting and audio.
- Final Project & Exam—The final project will be a story that will incorporate everything learned about field video photography, video editing, sequencing and storytelling. There is also a written final exam that will cover computer editing, video photography, lighting, audio, sequencing and visual storytelling.
Academic Honesty
All students must practice academic honesty. Academic misconduct is subject to an academic penalty by the course instructor and/or a disciplinary sanction by the University. All students need to be familiar with the Student Conduct Code. The Code is available for review online at
Same Work for Multiple Classes in J-School
You may not submit for this course any assignment that has previously or will be concurrently submitted for another class unless you receive prior approval from the professor for this course. To do so without permission will result in an “F” for the assignment and could result in an “F” for the course.
Accommodations for Students with Disabilities
This course is accessible to and usable by otherwise qualified students with disabilities. To request reasonable program modifications, please consult with the instructor. Disability Services for Students will assist the instructor and student in the accommodation process. For more information, visit the Disability Services website at
Attendance Policy
You are allowed two unexcused absences from this class for the semester. Each absence after that will result in a reduction of one letter grade from the student’s final semester grade.
Diversity Initiative
The School of Journalism has undertaken an initiative to create opportunities for students to tell stories of more varied and diverse groups of people. You will need to integrate one of these groups into one of semester assignments. We will discuss the groups of people and some possible story ideas during the preparation of the assignments.
Access
For after hours access to Don Anderson Hall, you will be able to enter the building using the Griz Card swipe near the southeast door. You will also be given a key code for the doors to DAH 114 and the radio studios in DAH 307-311. You will not have 24/7 access to other RTV areas of Don Anderson Hall.
Required Materials
You will need the following items for this class:
- A good set of headphones with both 1/4" phone and 1/8" mini plug connectors
- Mini-DV videotapes (Pack of four or five can cost $15-$25)
- A hard drive to backup footage and to use for archiving your work
Text Book
- There is no required textbook for this course.
Grading & Critique
Video Projects
- Video Project #1100
- Video Project #2100
- Video Project #3100
- Video Project #4200
Quizzes
- Quiz #1100
- Quiz #2100
Final Project/Exam
- Final Project/Exam200
Attendance100
- Total1000
FINAL GRADES (Plus/Minus grading)
1
A = 100-95%
A- = 94-90%
B+ = 88-89%
B = 83-87%
B- = 82-80%
C+ = 79-78%
C = 77-73%
C- = 72-70%
D = 69-60%
F – Below 60%
Semester Schedule (Subject to Change)
Week 1
Introduction to Video Editing
Why edit?
Week 2
What is a video sequence? Why we use them for storytelling
Learning Final Cut Pro non-linear digital editing system
Week 3
First editing assignment
More on sequences
More on Final Cut Pro
Week 4
Exploring more Final Cut Pro features
Continue work on editing assignment
Week 5
Second editing assignment
Adding voice narration, music, logging and video capture
Writing and editing to a script
Possible re-edit of first assignment
Week 6
Finish editing discussions
More on Final Cut Pro
Complete second editing assignment
First Quiz
Week 7
Begin working on field photography
Cover basic principles of photography
Week 8
Learn specifics of cameras
Shooting sequences
Week 9
In-class shooting assignments
Week 10
First photography assignment
Shooting close-ups
Week 11
Discussion of lighting principles
Shooting interviews
Begin research on final project idea
Week 12
Principles of gathering high quality field audio
Second photography assignment
Week 13
In-class shooting assignments-interviews
Writing rough drafts of final project scripts
Second Quiz
Week 14
Review interviews
Review second photography assignments
Week 15
Review editing basics
Prepare for final projects
Finals Week
Final Exam
Final project due
Review/Critique final project