Montessori Northwest Primary Course 37 presentation outlines for Sensorial page 40 of 40

Thermic Bottles

Material A wooden box with eight compartments (or other container)

Four pairs of metal containers, each pair containing water at various temperatures

Hot: c. 47 degrees Celsius

Warm: c. 37 degrees Celsius (approximately body temperature)

Cool: c. 27 degrees Celsius

Cold: c. 17 degrees Celsius

Direct Purpose Refinement of the thermic perception (temperature)

(Awareness that the same substance can have different temperatures)

Age 3 – 3.5

Techniques Pairing and Grading

Language Pairing level: hot, warm, cool, cold

Grading level: Comparatives and Superlatives

Control of Error

Note

Prepare the bottles just prior to the presentation. Know which bottles offer the greatest contrast in temperature.

How to Feel the Temperature of a Bottle

Wrap the palm and fingers of the hand around the middle of the bottle, and grasp it. Place the bottle on the table and repeat with the other hand

Presentation: Pairing

Presentation: Grading

Thermic Tablets

Material A wooden box with compartments or other container

Pairs of tablets which differ in their heat conducting properties, such as wood, iron,

felt, marble, cork, glass, etc.

A blindfold

Direct Purpose Further refinement of the thermic perception (temperature)

(Awareness that different substances at the same temperature have different apparent temperatures – due to the conductivity of the substances)

Age 3.5 – 4

After success pairing the Thermic Bottles

Techniques Pairing

Language No new language

Control of Error

How to feel a tablet

Place the inside wrist of the hand on it. This can be repeated with the wrist of the other hand. Stabilize temperature of wrist by rubbing on lap.

Presentation: Pairing

Rough and Smooth Boards

Material Board 1: A rectangular board divided into 2 equal squares; one square is covered with sandpaper and the other is highly polished wood

Board 2: A rectangular board divided into equal sections, covered alternately with sandpaper and smooth wood.

Board 3: A rectangular board divided into equal sections, covered alternately with a gradation of sandpaper and smooth wood

A blindfold

Direct Purpose Refinement of the perception of texture (tactile perception)

Muscular control for lightness of touch

Indirect Purpose Preparation for writing: lightness of touch when using a writing instrument

Age 3 – 3.5

Parallel to Thermic Bottles

Language Rough, smooth

“… teach the child to keep his eyes closed whilst he is touching, encouraging him by saying that he will feel better, and that he will recognize without seeing them,

changes in the surface …”

Discovery of the Child “The Exercises” p. 147

Control of Error

How to Feel the Rough and Smooth Boards: Using the fingers of the dominant hand, lightly stroke each surface, top to bottom, with the sensitive pads of the finger tips. Lift the hand lightly after each stroke.

Note: Before each presentation, present “Sensitizing” the sensitive pads of the fingers of both hands.

Presentation: Board 1

Presentation: Board 2

Presentation: Boards 3 and 4

Touch Tablets

Material A wooden box or other container

Pairs of wooden tablets covered with gradations of roughness (or smoothness)

A blindfold

Direct Purpose Refinement of the tactile perception (texture)

Indirect Purpose Preparation for writing: Lightness of touch when using a writing instrument

Age 3 – 3.5

After work with the Rough and Smooth Boards

Language Grading level: comparatives and superlatives of rough

Techniques Pairing and Grading

Control of Error

How to Feel the Touch Tablets: Using the fingers of the dominant hand, lightly stroke each surface, top to bottom, with the sensitive pads of the finger tips. Lift the hand lightly after each stroke.

Presentation: Pairing

Presentation: Grading

Fabric Boxes

Material Box 1: Pairs of fabrics, each pair made of a natural substance, offering a contrast in

texture, such as cotton, wool, linen, silk, burlap, etc.

Each pair is visually different from the other pairs

Box 2: Pairs of fabrics showing different weaves, such as flannel, brocade, jersey

knit, lace, corduroy, etc.

A blindfold

Direct Purpose Refinement of the tactile perception (texture)

Age 3.5

Techniques Pairing

Language The names of the various fabrics and weaves

Control of Error

Note: Hands should be washed before each presentation; sensitizing is optional

Presentation: Pairing

Following Exercise: Box 2

The Baric Tablets

Material 3 small wooden boxes or a box with three compartments

3 sets of six to ten wooden tablets, polished or varnished. Each set is of a different wood, color and weight, such as

Mahogany: dark in color; heavy in weight (c. 40 grams)

Balsa: Light in color; light in weight (c. 20 grams)

Birch: Medium in color; medium in weight (c. 30 grams)

A blindfold

Direct Purpose Refinement of the baric perception (weight)

Age 3.5 – 4

Techniques Sorting

Language Sorting 2 sets: heavy, light; heavier, lighter

Sorting 3 sets: heaviest, lightest

Control of Error

How to Feel the Tablets

Eyes are either closed or blindfolded. The arms should be free, not touching the body, the back straight and open hands held palm up with relaxed fingers. Place a tablet lightly on the fingers of each upturned hand. Gently and slowly move the hands down and up to gauge the weight.

“Gently and slowly move the hand down and up, with an impression as if you were listening, waiting for them to tell you something. And what they will tell you is which is lighter and which is heavier” Trainers Album

Presentation: Sorting

Layout and introduce contrasts

Sort

Check

Transfer

Following Exercises

Cylinder Blocks

Material Four wooden blocks each containing 10 cylinders with knobs. Each cylinder fits into a corresponding hole.

Block 1 The cylinders change in 2 dimensions:

Diameter (width and length) increases from 1cm to 5.5cm

Height is constant at 5.5cm

Block 2 The cylinders change in 3 dimensions:

Diameter (width and length) increases from 1cm to 5.5cm

Height increases from 1cm to 5.5cm

Block 3 The cylinders change in 3 dimensions:

Diameter (width and length) increases from 1cm to 5.5cm

Height decreases from 5.5cm to 1cm

Block 4 The cylinders change in 1 dimension:

Diameter (width and length) remains constant at 2cm

Height increases from 1cm to 5.5cm

Direct Purpose Visual discrimination of dimensions

Indirect Purpose Preparation for writing: how to hold a pencil (pencil grip)

Refinement of the voluntary movement

Age 3 – 3.5

Techniques Pairing

Language: Block 1: thick, thin

Block 2: large, small

Block 3: (no language)

Block 4: tall, short

Control of Error

How to Carry a Cylinder Block

Hold the block with two hands, grasping it firmly at each end

How to Grasp a Cylinder

Grasp the knob of a cylinder with the thumb and the first two fingers (pencil grip)

Presentation: Block 1

Following Exercises: 2 Blocks

3 Blocks

4 Blocks

The Pink Tower

Material Ten pink wooden cubes, differing in all 3 dimensions. Size increases progressively

in the algebraic series of the third power – 1 cubic centimeter through 10 cubic centimeters. Starting with the first cube (1 cubic centimeter), the second cube is equal to eight of the first, etc.

Direct Purposes Visual discrimination of dimension (3 dimensional change: size)

Indirect Purpose Refinement of the voluntary movement

Muscular education of grip

Age 3 – 3.5

After exploration with each of the Cylinder Blocks

“The Sensorial material requires concentration, interest and observation on the part of the child. This is the reason why it should be presented when the child has acquired / developed at least a certain amount of concentration and the ability to work independently, which will have been gained through the Practical Life exercises. For this reason, the age for presenting the material cannot be strictly defined. It is advisable to ensure that the child has worked sufficiently with Practical Life activities before presenting the Sensorial Material.”

Trainers Album

Techniques Grading (Corresponds to Cylinder Block 2)

Language (large, small); larger, smaller; largest, smallest

Control of Error

How to Hold the Cubes

Hold the cubes with one hand, one cube at a time. Grasp each one across the top, molding thumb and fingers around all four sides of the cube. Larger cubes can also be supported from below by the other hand if the child finds it difficult to hold them with one hand only.

Presentation: Grading

Layout

Build / Grade

Admire

Dismantle

Transfer

Following Exercise: Unit of Measure

The Brown Stair

(The Broad Stair)

Material Ten brown wooden prisms 20 cm. in length, differing in width and height in the

algebraic series of the second power: 1 centimeter squared through 10 centimeters squared

Direct Purpose Visual discrimination of dimension (2 dimensional change: thickness)

Indirect Purpose Refinement of the voluntary movement

Muscular education of grip

Age 3 – 3.5

After success with the Pink Tower

Techniques Grading (corresponds to Cylinder Block 1)

Language (thick, thin); thicker, thinner; thickest, thinnest

“… these proportions appeal to the child only through the senses, but the mind is working on exact foundations fitted to prepare it for mathematical operations.”

Discovery of the Child: 161

Control of Error

How to Hold the Prisms

Hold the prisms with one hand, one prism at a time, across the top with the thumb on one side and the fingers on the other. Thicker prisms can also be supported from below by the other hand if the child finds it difficult to hold them with one hand only.

Presentation: Grading

Layout

Build / Grade

Admire

Dismantle

Transfer

Following Exercise: Unit of Measure

The Red Rods

(The Long Rods)

Material Ten red wooden rods – width and height of each rod is 2.4 cm x 2.4 cm; the rods

increase in length 10 cm. through 100 cm. (1 meter)

Direct Purpose Visual discrimination of dimension (1 dimensional change: length)

Indirect Purpose Preparation for mathematics

Age 3.5

After success with the Brown Stair

Techniques Grading (Corresponds to Cylinder Block 4)

Language (long, short); longer, shorter; longest, shortest

Control of Error

How to Carry the Rods

Carry one rod at a time, vertically, with two hands grasping the rod. OR, the rods can be carried horizontally with one hand at each end (“spanning”).

Presentation: Grading

Layout

Build / Grade

Admire

Dismantle

Transfer

Following Exercise: The Unit of Measure

For further reading about the red rods and other materials for visual discrimination of dimension see:

The Discovery of the Child, pp. 123-128 (Ballantine, 1962/1983)

Creative Development of the Child Vol. 1 pp.95-107 (Kalakshetra, 1994)

Dr. Montessori’s Own Handbook, p.65-77 (Schocken, 1914/1965)

The Montessori Method, pp. 191-195 (Schocken, 1912/1964)

The Color Tablets

Material Color Box 1 (Primary Colors)

A box with a lid containing 3 pairs of color tablets: red, blue, yellow.

Color Box 2

A box with a lid containing 11 pairs of tablets:

red, blue, yellow, green, orange, purple, black, white, gray, brown and either pink or maroon

Color Box 3

A box with a lid, divided into either 9 compartments containing 7 color tablets each or 8 compartments with 8 color tablets each. Each compartment contains a gradation of one color from dark to light. The colors are red, blue, yellow, green, purple, gray, brown, pink or maroon. When present, the 9th color is orange

Direct Purpose To give the keys to the world of color

To develop the chromatic sense

Age Box 1 and Box 2: 3 – 3.5

Box 3: 3.5 – 4.5

Techniques Box 1 and Box 2: Pairing

Box 3: Grading

Language Pairing Level (Box 2): The names of the colors

Grading Level (Box 3): light ____, dark _____ (color name)

Lighter _____, darker _____ (color name)

Lightest _____, darkest _____ (color name)

Control of Error

How to Handle the Color Tablets Hold by the wooden or plastic ends only. This reflects the historical origin of the material; the purpose is to keep fingerprints from the field of color.

Presentation: Pairing – Introducing the Contrasts with Box 1

Presentation: Pairing with Box 2

Presentation: Grading with Box 3

Following Exercise: Box 3- Mix, Sort, and Grade

For further reading about the color boxes:

Dr. Montessori’s Own Handbook, pp.83-89 (Schocken, 1914/1965)

The Discovery of the Child, pp.128-129 (Ballantine, 1962/1983)

Creative Development of the Child, Vol. 1, pp. 185-198 (Kalakshetra, 1994)

The Geometry Cabinet

Material A wooden cabinet with six drawers

Each drawer contains six square divisions. In most of the divisions there is a wooden inset with a knob. The inset and the bottom of the drawer are painted the same color. The square frames around the insets are a contrasting color, and are removable. In the demonstration tray and in some drawers where there are not six insets, the remaining square divisions are whole. All insets are in proportion to each other.

First Drawer: 6 circles decreasing in diameter from 10cm – 5cm

Second Drawer: 1 square 10cm x 10cm

5 rectangles 10cm in height, bases decreasing from 9cm– 5cm

Third Drawer: 6 triangles: Acute-angled isosceles

Right-angled isosceles

Obtuse-angled isosceles

Acute-angled scalene

Right-angled scalene

Obtuse-angled scalene

Fourth Drawer: 6 regular polygons: Pentagon

Hexagon

Heptagon

Octagon

Nonagon

Decagon

Fifth Drawer: An equilateral triangle

4 quadrilaterals Rhombus

Parallelogram

Right-angled trapezoid

Isosceles trapezoid

Sixth Drawer: 4 curved figures: Ellipse

Oval

Curvilinear Triangle

Quatrefoil

A Demonstration Tray with six square divisions holding a square, the largest circle, and the equilateral triangle

Three Sets of Cards for each geometric shape in the cabinet; Color matches the insets.

First set the shape is filled in completely

Second set, each shape has a 1cm. wide outline.

Third set, each shape has a 1mm. wide outline.

A container to hold the cards: Each set is arranged at random

Direct Purpose Visual discrimination of shape (also called form)

Enhancement of visual memory

Indirect Purpose Preparation for Mathematics: Geometry

Preparation for writing:

Holding a writing instrument (pencil grip)

Following a contour, when using a writing instrument

Firmness of touch, when using a writing instrument