Aphrodisia

Richard Hoffman

Love’s language is hyperbole, but whispered,

sibilant similes and promises sotto voce.

It’s easy to imagine you’ve misheard,

the form and content clash, create this weird

distortion like an echo or a tape delay.

Love’s language is hyperbole, but whispered.

On which do you place emphasis: The words?

Or the breath? The farfetched or the foreplay?

It’s easy to imagine you’ve misheard

when objectivity has disappeared

and your lover is getting further carried away.

Love’s language is hyperbole, but whispered

vows? It’s hard to take him at his word,

or hers: Speak up! Proclaim! you want to say.

It’s easy to imagine you’ve misheard,

hard to admit one sharp as you is stirred.

You need to back off, cool down, act blasé.

Love’s language is hyperbole, but whispered.

It’s easy to imagine you’ve misheard.

since feeling is first

e.e. cummings

since feeling is first

who pays any attention

to the syntax of things

will never wholly kiss you;

wholly to be a fool

while Spring is in the world

my blood approves,

and kisses are a better fate

than wisdom

lady i swear by all flowers. Don't cry

—the best gesture of my brain is less than

your eyelids' flutter which says

we are for each other: then

laugh, leaning back in my arms

for life's not a paragraph

And death i think is no parenthesis

Language

Nizar Qabbani

When a man is in love

how can he use old words?

Should a woman

desiring her lover

lie down with

grammarians and linguists?

I said nothing

to the woman I loved

but gathered

love's adjectives into a suitcase

and fled from all languages.

Sex Without Love

Sharon Olds

How do they do it, the ones who make love

without love? Beautiful as dancers,

gliding over each other like ice-skaters

over the ice, fingers hooked

inside each other's bodies, faces

red as steak, wine, wet as the

children at birth whose mothers are going to

give them away. How do they come to the

come to the come to the God come to the

still waters, and not love

the one who came there with them, light

rising slowly as steam off their joined

skin? These are the true religious,

the purists, the pros, the ones who will not

accept a false Messiah, love the

priest instead of the God. They do not

mistake the lover for their own pleasure,

they are like great runners: they know they are alone

with the road surface, the cold, the wind,

the fit of their shoes, their over-all cardio-

vascular health—just factors, like the partner

in the bed, and not the truth, which is the

single body alone in the universe

against its own best time.

I, Being Born a Woman and Distressed

Edna St. Vincent Millay

I, being born a woman and distressed

By all the needs and notions of my kind,

Am urged by your propinquity to find

Your person fair, and feel a certain zest

To bear your body's weight upon my breast:

So subtly is the fume of life designed,

To clarify the pulse and cloud the mind,

And leave me once again undone, possessed.

Think not for this, however, the poor treason

Of my stout blood against my staggering brain,

I shall remember you with love, or season

My scorn wtih pity, -- let me make it plain:

I find this frenzy insufficient reason

For conversation when we meet again.

may i feel said he

e e cummings

may i feel said he

(i'll squeal said she

just once said he)

it's fun said she

(may i touch said he

how much said she

a lot said he)

why not said she

(let's go said he

not too far said she

what's too far said he

where you are said she)

may i stay said he

(which way said she

like this said he

if you kiss said she

may i move said he

is it love said she)

if you're willing said he

(but you're killing said she

but it's life said he

but your wife said she

now said he)

ow said she

(tiptop said he

don't stop said she

oh no said he)

go slow said she

(cccome?said he

ummm said she)

you're divine!said he

(you are Mine said she)

she being Brand

e e cummings

she being Brand-new;and you

know consequently a

little stiff i was

careful of her and(havingthoroughly oiled the universal

joint tested my gas felt of

her radiator made sure her springs were O.K.)i went right to it flooded-the-carburetor cranked herup,slipped the

clutch(and then somehow got into reverse she

kicked what

the hell)next

minute i was back in neutral tried andagain slo-wly;bare,ly nudg.ing(mylev-er Right-

oh and her gears being in

A 1 shape passed

from low through

second-in-to-high like

greasedlightning)just as we turned the corner of Divinityavenue i touched the accelerator and giveher the juice,good(itwas the first ride and believe i we was

happy to see how nice she acted right up to

the last minute coming back down by the Public

Gardens i slammed onthe

internalexpanding

&

externalcontracting

brakes Bothatonce andbrought allofher tremB

-ling

to a:dead.stand-

;Still)

Love Poem

Dora Malech

If by truth you mean hand then yes

I hold to be self-evident and hold you in the highest—

KO to my OT and bait to my switch, I crown

you one-trick pony to my one-horse town,

dub you my one-stop shopping, my space heater,

juke joint, tourist trap, my peep show, my meter reader,

you best batteries-not-included baring all or

nothing. Let me begin by saying if he hollers,

end with goes the weasel. In between,

cream filling. Get over it, meaning, the moon.

Tell me you’ll dismember this night forever,

you my punch-drunking bag, tar to my feather.

More than the sum of our private parts, we are some

peekaboo, some peak and valley, some

bright equation (if and then but, if er then uh).

My fruit bat, my gewgaw. You had me at no duh.

Sonnet 135

William Shakespeare

Whoever hath her wish, thou hast thy will,

And Will to boot, and Will in overplus;

More than enough am I that vex thee still,

To thy sweet will making addition thus.

Wilt thou, whose will is large and spacious,

Not once vouchsafe to hide my will in thine?

Shall will in others seem right gracious,

And in my will no fair acceptance shine?

The sea, all water, yet receives rain still,

And in abundance addeth to his store;

So thou being rich in will add to thy will

One will of mine to make thy large will more.

Let no unkind, no fair beseechers kill,

Think all but one, and me in that one Will.

Heart to Heart

Rita Dove

It's neither red

nor sweet.

It doesn't melt

or turn over,

break or harden,

so it can't feel

pain,

yearning,

regret.

It doesn't have

a tip to spin on,

it isn't even

shapely—

just a thick clutch

of muscle,

lopsided,

mute. Still,

I feel it inside

its cage sounding

a dull tattoo:

I want, I want—

but I can't open it:

there's no key.

I can't wear it

on my sleeve,

or tell you from

the bottom of it

how I feel. Here,

it's all yours, now—

but you'll have

to take me,

too.

Never give all the heart

  1. B. Yeats

Never give all the heart, for love

Will hardly seem worth thinking of

To passionate women if it seem

Certain, and they never dream

That it fades out from kiss to kiss;

For everything that's lovely is

But a brief, dreamy, kind delight.

O never give the heart outright,

For they, for all smooth lips can say,

Have given their hearts up to the play.

And who could play it well enough

If deaf and dumb and blind with love?

He that made this knows all the cost,

For he gave all his heart and lost.

I loved you first

Christina Rosetti

I loved you first: but afterwards your love,

Outsoaring mine, sang such a loftier song

As drowned the friendly cooings of my dove.

Which owes the other most? My love was long,

And yours one moment seemed to wax more strong;

I loved and guessed at you, you construed me

And loved me for what might or might not be—

Nay, weights and measures do us both a wrong.

For verily love knows not 'mine' or 'thine';

With separate 'I' and 'thou' free love has done,

For one is both and both are one in love:

Rich love knows nought of 'thine that is not mine';

Both have the strength and both the length thereof,

Both of us, of the love which makes us one.

I Crave Your Mouth, Your Voice, Your Hair

Pablo Neruda

I crave your mouth, your voice, your hair.

Silent and starving, I prowl through the streets.

Bread does not nourish me, dawn disrupts me, all day

I hunt for the liquid measure of your steps.

I hunger for your sleek laugh,

your hands the color of a savage harvest,

hunger for the pale stones of your fingernails,

I want to eat your skin like a whole almond.

I want to eat the sunbeam flaring in your lovely body,

the sovereign nose of your arrogant face,

I want to eat the fleeting shade of your lashes,

and I pace around hungry, sniffing the twilight,

hunting for you, for your hot heart,

like a puma in the barrens of Quitratue.

I Am Not Yours

Sara Teasdale

I am not yours, not lost in you,

Not lost, although I long to be

Lost as a candle lit at noon,

Lost as a snowflake in the sea.

You love me, and I find you still

A spirit beautiful and bright,

Yet I am I, who long to be

Lost as a light is lost in light.

Oh plunge me deep in love—put out

My senses, leave me deaf and blind,

Swept by the tempest of your love,

A taper in a rushing wind.

Rime Riche

Monica Ferrell

You need me like ice needs the mountain

On which it breeds. Like print needs the page.

You move in me like the tongue in a mouth,

Like wind in the leaves of summer trees,

Gust-fists, hollow except for movement and desire

Which is movement. You taste me the way the claws

Of a pigeon taste that window-ledge on which it sits,

The way water tastes rust in the pipes it shuttles through

Beneath a city, unfolding and luminous with industry.

Before you were born, the table of elements

Was lacking, and I as a noble gas floated

Free of attachment. Before you were born,

The sun and the moon were paper-thin plates

Some machinist at his desk merely clicked into place.