Dr. Joanne E. Gates

Jacksonville State University

English

(256) 782-5548

Email:

Education

MFA, University of Massachusetts, Amherst, 1991.

Major: Theater

Supporting Areas of Emphasis: Journeyman's Exam Area 1: English Renaissance Drama; Journeyman's Exam Area 2: The Reception of Ibsen's Plays in England During the 1890s

Dissertation Title: "Hedda Gabler, 1980: A Narrative of the Production" (with edited text of a new translation)

PHD, University of Massachusetts, Amherst, 1987.

Major: English

Supporting Areas of Emphasis: Three-area specializations: (1) Virginia Woolf; (2) Feminist Biographies and Their Sources; (3) Metatheatre in English Renaissance Drama

Dissertation Title: "'Sometimes Suppressed and Sometimes Embroidered': The Life and Writing of Elizabeth Robins, 1862-1952"--A Critical Biography of Ibsen actress, novelist, and suffragist Elizabeth Robins

BA, Vassar College, 1972.

Major: Drama

Supporting Areas of Emphasis: NY State teaching certificate in English

Professional Positions

Academic - Post-Secondary

Professor, Jacksonville State University. (October 1, 1999 - Present).

Associate Professor, Jacksonville State University. (October 1, 1993 - September 30, 1999).

Assistant Professor, Jacksonville State University. (August 1987 - September 30, 1993).

Professional Memberships

American Association of University Women.

Modern Language Association.

Awards and Honors

Elizabeth Agee Prize, University of Alabama Press. (January 1992).

TEACHING

Teaching Experience

Jacksonville State University: Courses Regularly Taught

EH 102, English Composition

EH 203, Survey of English Literature I

EH 403, Shakespeare I.

EH 404, Shakespeare II.

EH 413, English Drama.

EH 420, Women's Literature.

EH 501, Intro to Grad Study in EH.

EH 562, Graduate Studies in Shakespeare

Past Experience in Instruction

JSU Writing Project.

RESEARCH

Publications

Books

The Alaska-Klondike Diary of Elizabeth Robins, 1900. Co-edited by Victoria Joan Moessner and Joanne E. Gates. Fairbanks, Alaska: University of Alaska Press. 1999.

Elizabeth Robins 1862-1952: Actress, Novelist, Feminist. Tuscaloosa and London: University of Alabama Press, 1994.

Project Director: The Elizabeth Robins Web. Making available the public domain texts of Elizabeth Robins since 1996. With annotated chronology, photographs, and critical papers by Dr. Gates.<

Book Chapters

"Travel and Pseudo-Translation in the Self-Promotional Writings of John Taylor, Water Poet." In Carmine DiBiase (Ed.), Travel and Translation in the Early Modern Period (pp. 267-280). Amsterdam and New York: Rodopi Press, 2006.

"Introducing Students to Effective Refutation." In Bernice Kliman (Ed.), Approaches to Teaching Hamlet (pp. 216-217). New York: Modern Language Association, 2002.

"The Theatrical Politics of Elizabeth Robins and Bernard Shaw." In Bernard F. Dukore (Ed.), 1992: Shaw and the Last Hundred Years (vol. 14, pp. 43-53). University Park, Pennsylvania: Shaw 14: The Annual of Bernard Shaw Studies. The Pennsylvania State University Press, 1994.

Refereed Journal Articles

Review of Shakespeare and Fletcher's The Two Noble Kinsmen, Shakespeare's King Edward III, and Lewis Theobald's Double Falsehood (occasionally attributed to Fletcher and Shakespeare) presented by Atlanta's New American Shakespeare Tavern (March-June 2011). Early Modern Literary Studies (EMLS), 16.1. purl.org/emls/16-1/revtav.htm

"Henry James's Dictation Letter to Elizabeth Robins: 'The Suffragette Movement Hot from the Oven'". Henry James Review, 31.3(Fall 2010): 254-263.

Theatre review of Alabama Shakespeare Festival: The Wars of the Roses. Early Modern Literary Studies (EMLS), 13.3. (2008) Retrieved from:

Journal Articles

"New Resources and Strategies for Teaching and Writing about Literature of the Women's Suffrage Movement."Jacksonville State University Writing Project Anthology, 2004: 38-49.

"Parodies of Hamlet, Then and Now: The Case for a Re-Classification of Hamlet's First Quarto."As You Like Shakespeare Journal,2003: 49-57.

Other

A Midsummer Night's Dream (Spring 2012 edition., vol. 7.1, pp. 26-29). Anniston, Alabama: Longleaf Style: Luxury Living in Northeast Alabama.

Celebrations in Shakespeare (pp. 50-53). Longleaf Style: Luxury Living in Northeast Alabama.2008.

Editor of "The Praise of Hemp-Seed" by John Taylor. In Richard Bear (Ed.), Renascence Editions. 2002. Retrieve from < >

Book review of Schafer, Elizabeth. Ms.-Directing Shakespeare. St. Martin's Press, 2000 (December 2000 ed.). Choice.

Editor of article,"On Seeing Madame Bernhardt's Hamlet" by Elizabeth Robins.A Groat's Worth of Wit. 11.4 (2000): 37-45.

Book review of: Joyce, Michael. Othermindness: The Emergence of Network Culture. University of Michigan Press, 2000. (January 2000 ed.). Choice: Current Reviews for Academic Libraries.

Edited hypertext edition of Way Stations by Elizabeth Robins. In Joanne E. Gates, Project Director, Elizabeth Robins Web <. 1999

Review of Internet site, Literature on Line (LION). Chadwyck-Healey proprietary site (September 1997 ed., vol. 35.1). Choice: Current Reviews for Academic Libraries.

"A Week in the Life of a Play: Sybille Pearson's Sally and Marsha at the O'Neill."O'Neill Theater Center Newsletter. 1981.

Published Book, Database, and Theatre Reviews prior to 2000 are contained in this separate document: Published Reviews, found at: <

Presentations Given

PCAS / ACAS Convention, "Shakespeare as Opera in English, Britten's Dream and Adès' The Tempest," Popular / American Culture Association of the South, New Orleans LA. (October 3, 2014).

CORE Academy, "Analyzing Multiple Interpretations of a Shakespeare Play: Teaching Comparative Production Analysis in the Age of Streaming Media," Jacksonville State University, Jacksonville AL. (June 5, 2014).

The First Actresses: 1660s to 1930s Symposium, "First Hedda, First Hilda and 'Hilda harnessed to a purpose:' Elizabeth Robins, Ibsen, and Women’s Suffrage," Ohio State University, Columbus, Ohio. (May 23, 2014).

ACETA Conference, "Teaching Good Revision Skills is WORK!," Association of College English Teachers of Alabama, Gadsden AL. (February 22, 2014).

PCAS / ACAS Conference, "'Whole Binders Full of Women': From Meme to Political Satire by Way of Amazon's Customer Review s," Popular / American Culture of the South, Savannah, GA. (October 4, 2013).

ACETA Conference, "The 'Burning Bus' Murals of Anniston: Teaching the Freedom Riders History," Association of College English Teachers of Alabama, Samford University, Birmingham AL. (March 9, 2013).

PCAS / ACAS Conference, "From Voodoo to Verdi: Extreme Adaptations of Macbeth," Popular / American Culture of the South (PCAS/ACAS) Conference, New Orleans LA. (October 7, 2011).

PCAS / ACAS Conference, "Teaching the Structure of Hamlet: The ‘To Be or Not to Be’ Soliloquy Repositioned in Recent Film Adaptations," Popular Culture Association of the South / American Culture Association of the South, Savannah GA. (October 8, 2010).

18th-19th British Women Writers Association, "Anonymity as a Bridge from Actress to Author: The Case of Elizabeth Robins," 18th-19th British Women Writers Conference, College Station TX. (April 8, 2010).

PCAS / ACAS Conference, "Fun With Palamon and Arcite: Rationale and Strategies for Teaching The Two Noble Kinsmen as the Culmination of the Shakespearean Canon," Popular / American Culture of the South, Jacksonville FL. (September 29, 2007).

JSU Sigma Tau Delta Guest Lecture, "What Happens (And Doesn't) In Hamlet (And Who Cares?)."Sigma Tau Delta, Jacksonville AL. (January 28, 2005).

Tech Liaison Workshop Session, "Re-Composing as a Conscious Revision Process," National Writing Project, San Francisco CA. (November 20, 2003).

PCAS/ACAS Conference, "Re-visiting the Anti-White-Slavery Novel in the Age of Amber Alerts: Elizabeth Robins's My Little Sister"," Popular / American Culture of the South (PCAS/ACAS), Atlantic Beach FL. (October 2003).

Tech Liaison Workshop Session, "Journals For Our Permanent Web Site," National Writing Project, Atlanta, Georgia. (November 21, 2002).

Travel and Translation in the Early Modern Period Conference, "Travel and Pseudo-Translation in the Self-promotional Writings of John Taylor, Water Poet," Jacksonville State University English Department, Jacksonville, Alabama. (November 10, 2002).

PCAS / ACAS Conference, "Henry James Goes Digital: Recent Film Adaptations and Their Web Sites," Popular / American Culture of the South Association, Charlotte NC. (October 5, 2002).

Rocky Mountain Medieval Renaissance Association Annual Conference, "Parodies of Hamlet, Then and Now," Rocky Mountain Medieval Renaissance Association, Las Vegas, Nevada. (May 2002).

JSU Writing Instruction Technology (WIT) Conference, "Your Next Publication is in Your Desk Drawer," Jacksonville State University English Department, Jacksonville, Alabama. (March 9, 2002).

Mid-Atlantic Popular / American Culture Conference, "Teaching Titus as a way to examine Shakespeare's Evolution of the Tragic Form," Mid-Atlantic Popular / American Culture Association, Silver Spring, Maryland. (November 3, 2001).

PCAS / ACAS Conference, "Re-Drowning Ophelia: The Representation of Female Disintegration in Recent Films of Hamlet," Popular / American Culture of the South (PCAS/ACAS), Atlantic Beach, Florida. (October 5, 2001).

Alabama Writers Symposium, "Historical References and Literary Allusions in Ahab's Wife," Alabama Southern Community College and Alabama Writers Symposium, Monroeville, Alabama. (May 2001).

Gathering of preferred clients of Anniston branch of Merrill Lynch broker, Nancy Lipham, "Editing The Alaska-Klondike Diary of Elizabeth Robins," Heartland Capital Enterprise, Anniston, Alabama. (January 23, 2001).

ACTE Fall Conference, "Expanding Anthology Options with Electronic Texts," Alabama Council of Teachers of English, Jacksonville, Alabama. (October 2, 1999).

Oktoberfest Writing Conference, "Teaching MLA Citation Form in the Electronic Age," Alabama A & M University, Huntsville, Alabama. (October 17, 1998).

Elizabeth Robins Day, Pioneer and Historical Society of Muskingum County and the John McIntire Public Library, "The Open Question: Remarks on the Centennial of Its Publication," Pioneer and Historical Society of Muskingum County and the John McIntire Public Library, Zanesville, Ohio. (September 27, 1998).

Co-Author with Jane S. Gabin (Jane S. Gabin, presenter), ITFR Congress, 1998, "Elizabeth Robins and the English Stage: Five Decades of Testing the Limits," International Theatre Research Federation, Cambridge, England. (July 1998).

Remarks on the Production of Elizabeth Robins's Votes for Women, University of North Alabama Speech and Theatre Department, Florence, Alabama. (November 1997).

Twentieth Century Literature Conference, "Dramatizing Sexual Politics between Bernard Shaw and Elizabeth Robins.," University of Louisville Department of English, Louisville, Kentucky. (February 21, 1997).

Reading, Thinking, Sharing: Four American Poets, "Sylvia Plath," Calhoun County Public Library, Anniston, Alabama. (October 28, 1996).

Reading, Thinking, Sharing: Four American Poets, "Elizabeth Bishop," Calhoun County Public Library, Anniston, Alabama. (October 21, 1996).

Reading, Thinking, Sharing: Four American Poets, "Marianne Moore," Calhoun County Public Library, Anniston, Alabama. (October 14, 1996).

Reading, Thinking, Sharing: Four American Poets, "Emily Dickinson," Calhoun County Public Library, Anniston, Alabama. (October 7, 1996).

Mankato State University Women's Studies Program's Series of Spring Semester Speakers, "Writing the Life of Elizabeth Robins: Biography, Drama and Feminism," Mankato State University Women's Studies Program, Mankato, Minnesota. (May 7, 1996).

Berry College Southern Women Writers Conference, "Gertie and Edna as Alternate Portraits of Women Who Must Go Home Again: Harriette Arnow's The Dollmaker and Kate Chopin's The Awakening," Berry College, Rome, Georgia. (April 13, 1996).

SAMLA Conference 1995, "Magical Realism in Too Small a Box: A Critique of the Transformation of The House of the Spirits and Like Water for Chocolate for Home Video Audiences," SAMLA: South Atlantic Modern Language Association, Atlanta, Georgia. (November 3, 1995).

Social Issues in Drama, "Angelina Weld Grimke's Rachel," Calhoun County Public Library, Anniston, Alabama. (February 28, 1995).

JSU Faculty Scholar Lecture, "Elizabeth Robins: A Life in Letters," Jacksonville State University, Jacksonville, Alabama. (February 23, 1995).

Social Issues in Drama, "Elizabeth Robins' Votes for Women," Calhoun County Public Library, Anniston, Alabama. (February 21, 1995).

Social Issues in Drama, "Shaw's Mrs. Warren's Profession," Calhoun County Public Library, Anniston, Alabama. (February 14, 1995).

Social Issues in Drama, "Ibsen's Enemy of the People," Calhoun County Public Library, Anniston, Alabama. (February 7, 1995).

Women in Theatre Conference: On the Occasion of the 150th Anniversary of the Birth of Sarah Bernhardt 1844-1923, "Autobiographical Elements in Elizabeth Robins's Review of Sarah Bernhardt's Hamlet," Hofstra University, Hempstead, New York. (October 6, 1994).

Alabama Shakespeare Festival Theatre in the Mind, "Othello and Tragedy," Alabama Shakespeare Festival, Montgomery, Alabama. (April 9, 1994).

University of Louisville's Twentieth-Century Literature Conference, "Janet Malcolm and Me: The Biographer Enters Her Book (Some Post-Modern Reflections on the Personal of the Critical in Recent Biographies of Women Writers)," University of Louisville Department of English, Louisville, Kentucky. (February 1994).

Florida State University Nineteenth Annual Conference on Literature and Film. Conference Theme: "The Voice of the Voiceless: Non-Canonical Literature and Non-Canonical Approaches to the Canon", "Re-evaluating A Feminist Missing from the Feminist Canon: The Works of Elizabeth Robins," Florida State University, Tallahassee, Florida. (January 1994).

PCAS / ACAS Conference, "Narrative Ambiguity in Fried Green Tomatoes: Idgie and Her Protectors," Popular / American Culture of the South (PCAS/ACAS), Nashville, Tennessee. (October 1993).

Gulf Coast Conference on the Teaching of Writing, "Facts of Fiction: Using Analogies for Creative Analysis," Gulf Coast Conference on the Teaching of Writing, Point Clear, Alabama. (August 1993).

International Theatre Conference: Shaw and the Last 100 Years, "The Theatrical Politics of Elizabeth Robins and Bernard Shaw," Virginia Tech, Blacksburg, Virginia. (November 6, 1992).

PCAS / ACAS Conference, "Three Decades of Joan Baez: Love Songs to Strangers and the Poetry of Political Protest," Popular / American Culture of the South (PCAS/ACAS), Augusta, Georgia. (October 1992).

SAMLA Annual Convention: Women's Caucus Workshop II, "Old (non)Wives Tales: The Narrative Voice of the (Un)married Woman,", "Feminist Variations on the Romance Narrative in the Fiction of Elizabeth Robins," SAMLA: South Atlantic Modern Language Association, Atlanta, Georgia. (November 14, 1991).

PCAS / ACAS Conference, "Double Exposure: Double Plotting, Literary Allusions, and the Myth and Reality of Alaska's Multiculturalism in Northern Exposure," Popular / American Culture of the South (PCAS/ACAS), Norfolk, Virginia. (October 3, 1991).

"Making Connections," Seventh Conference on Computers and Writing, "How Wide the NET[work]? Or, When Do Computers in a Writing Classroom Make Successful Community?"," Conference on Computers and Writing, Biloxi, Mississippi. (May 24, 1991).

Gender, Race, Identity, Southern Humanities Conference, "Highly Respectable Heroines: The Early Stage Fiction of Elizabeth Robins," Southern Humanities Conference, Chattanooga, Tennessee. (March 1991).

Twentieth Century Literature Conference, "Camilla and The Messenger: The Trans-Atlantic Fiction of Elizabeth Robins," University of Louisville, Louisville, Kentucky. (February 1991).

Sixteenth Annual Conference on Literature and Film (Social and Political Change), "Gender, War, and the Canon: Teaching In Country," Florida State University, Tallahassee, Florida. (January 1991).

Computers and Composition Conference (Writing the Future), "The Practice and Pedagogy of Shakespeare On-Line," Computers and Composition Conference, Austin, Texas. (May 1990).

Gender in Academe: The Future of our Past, "Elizabeth Robins and the Lessons of the Women's Suffrage Campaign," University of South Florida, Tampa, Florida. (November 1989).

Human-Ties Conference, "Why Isn't There a Machine in This Shakespeare Classroom?" Human-Ties Conference Augusta College, Augusta, Georgia. (October 1989).

Southern Humanities Conference, "Women Writers on the Frontiers," Southern Humanities Conference, Macon, Georgia. (February 1989).

Modern Language Association Convention, "Elizabeth Robins: Diaries as Source in Fiction and Autobiography," Modern Language Association, New Orleans, Louisiana. (December 1988).

Departmental Colloquium, "'Look Here Upon this Picture and on This': Comparative Production Analysis and the Teaching of Shakespeare," JSU English Department, Jacksonville, Alabama. (April 1988).

Comparative Drama Conference XII, "Shakespeare's Lear and the Modern Consciousness: Edgar's Asides as a Redefinition of Brechtian Detachment," University of Florida, Gainesville, Florida. (March 24, 1988).

Teaching Shakespeare: Text and Performance Conference, "Shakespeare as Borrower: Teaching Shakespeare's The Taming of the Shrew and As You Like It in the Context of Their Sources," University of Wisconsin-Parkside, Racine, Wisconsin. (February 26, 1988).

Southern Humanities Conference, "Reconsidering Alice Walker's Meridian: A New Historicist Approach to Social-political Fiction," Auburn University, Auburn, Alabama. (February 18, 1988).

Graduate Student Conference on 19th Century Literature, "George Eliot, Charlotte Brontë and the Pseudonymous Fiction of Elizabeth Robins," SUNY Stony Brook, SUNY Stony Brook. (November 1986).

National Educational Theatre Conference, "From Ibsen Actress to Feminist Theatre Reformer: The Plays of Elizabeth Robins," NETC, New York University, New York, NY. (August 1986).

Opening of the Elizabeth Robins Exhibit, "Elizabeth Robins: An Introduction," Fales Library, New York University, New York, New York. (April 1986).

Graduate Forum in Women's Studies, "Images of Women/Traffic in Women: The John Masefield-Elizabeth Robins project on White Slavery," SUNY Albany, Albany, New York. (March 1986).

National Women's Studies Association Convention, "Transforming Women's History: The One-Woman Show," National Women's Studies Association, Seattle, Washington. (June 1985).

New York State Women's Studies Conference, "Teaching 'Lives of Women as Literature," New York State Women's Studies Association, SUNY Oswego, New York. (April 1985).

Yale Conference on Graduate Women's Scholarship, "Facing the Future, "'Stitches in a Critical Time': The Diaries of Elizabeth Robins, American Feminist in England," Yale University, New Haven, Connecticut. (April 1985).

MLA Convention: Special Session, Ibsen Campaign in London, "Elizabeth Robins and the 1891 Production of Hedda Gabler," Modern Language Association, New York, New York. (December 1983).

American Theatre Association Convention, "Bernard Shaw and the Recasting of Elizabeth Robins's Little Eyolf," ATA, New York, New York. (August 1979).

Artistic and Professional Performances and Exhibits

Prize for Poem

"Woman, Why Weepest Thou," Category 8, sonnet inspired by biblical verse, Alabama State Poetry Association, Odenville, AL. (April 23, 2011).

Poetry award

"Dale Evans," Category 14, Surprise, Alabama State Poetry Association. (October 2010).

Theatre - Direct play

The Dining Room," Grinnell College Theatre Department, Grinnell, Iowa. (February 1987).

Theatre - Direct play

Mary Magdalene, Graduate Seminar in Medieval Drama, U Mass English Department, Amherst, Massachusetts. (May 1983).

Theatre - Direct play

The Waves, stage adaptation (by Joanne Gates) of Virginia Woolf's novel, Graduate Seminar in Medieval Drama, U Mass English Department, Amherst, Massachusetts. (May 1982).

Theatre - Write play

"Beatrix Potter: A Tale of Her Life," Class Project, Belvoir Terrace Fine Arts Center, Lenox, Massachusetts. (July 1977).

Contracts, Grants and Sponsored Research

Fellowships

"Travel to Collections Stipend," Sponsored by National Endowment for the Humanities, Federal, $750.00. (November 1989 - June 1990).

"Romance in Dramatic Form: Sidney, Shakespeare and the English Renaissance," Sponsored by National Endowment for the Humanities, Federal, $3,500.00. (June 1988 - August 1988).