Sources
Secondary Sources
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Tate Gallery, William Turnbull: Sculpture and Painting, London, 1973
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Whiteley, N. Art and Pluralism: Lawrence Alloway’s Cultural Criticism (Value, Art, Politics), Liverpool, Liverpool University Press, 2012.
Wilson, E. Adorned in Dreams: Fashion and Modernity, London, Virago, 1985
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Secondary Sources
Articles
Berry, K. and Clair, R. P. ‘Reflecting on the Call to Ethnographic Reflexivity: A Collage of Responses to Questions of Contestation’, Cultural Studies –Critical Methodologies, 11 (2), 2011, pp199-2-9
Crinson, M. ‘Picturesque and Intransigent: “Creative Tension” and Collaboration in the Early House Projects of Stirling and Gowan’, Architectural History, Vol 50, 2007, pp267-295
Haraway, D. ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, Autumn 1988, pp575-599
Hebdige, D. ‘Towards a Cartography of Taste 1935-1962’, Block, No 4, 1981, pp39-56
Highmore, B. ‘Richard Hamilton at the Ideal Home Exhibition of 1958: Gallery for a Collector of Brutalist and Tachiste Art’, Art History, Volume 30, Issue 5, November 2007, pp712-737.
Massey, A. and Sparke, P. ‘The Myth of the Independent Group’, Block, 10, 1985, pp.48-56
Pillar, A. ‘Edward Wright’s “Written Volume” ‘, Forum: Journal of Letter Exchange, Issue 22, September 2011, pp8-13
Stanfield, P. ‘Maximum movies: Lawrence Alloway’s pop art film criticism’, Screen, Summer 2008, pp179-193
Stanfield, ‘Regular Novelties: Lawrence Alloway’s Film Criticism’, Tate Papers, Issue 16, Autumn 2011
Stonard, J P, ‘Pop in the Age of Boom: Richard Hamilton’s “Just what is it that makes today’s homes so different, so appealing?”, The Burlington Magazine, September 2007, pp607-620
Stonard, J P, ‘The “Bunk” collages of Eduardo Paolozzi’, The Burlington Magazine, April 2008, pp238-249
Vidler, A. ‘Whatever Happened to Ecology? John McHale and the Bucky Fuller Revival’, Log, Fall 2008, pp24-33
Websites
Films
Fathers of Pop, Arts Council, 1979. Directed by Julian Cooper, Research by Penny Sparke.
Beyond Time: William Turnbull, a film by Alex Turnbull and Pete Stern, narrated by Jude Law, 2011
Primary Sources
Books and Exhibition Catalogues
Alloway, L. Nine Abstract Artists, London, Alec Tiranti Ltd, 1954
Alloway, L. ‘The Development of British Pop’ in Lippard, L. Pop Art, London, Thames and Hudson, 3rd Edition, 1970, first published 1967, pp26-67
Alloway, L. Violent America: The Movies 1946-64, New York, Museum of Modern Art, 1971
Alloway, L. Topics in American Art Since 1945, New York, W. W. Norton & Company Inc, 1975
Cox, I. The South Bank Exhibition: A Guide to the Story it Tells, London, HMSO, 1951
Hamilton, R. Collected Words, London, Thames and Hudson, 1982
Hanover Gallery, Eduardo Paolozzi Sculpture and Graphics, London, 1967
Korzybski, A. C. Science and Sanity: An Introduction to Non-Aristotelean Systems and General Semantics, Lancaster, Pennsylvania, The International Non-Aristotelean Library Publishing Co., the Science Press Printing Co., 1933
Lambert, M. And Marx, E. English Popular Culture, London, Batsford, 1951
McHale, J. ‘The Plastic Parthenon’ in Dorfles, G. Kitsch: The World of Bad Taste, London, Studio Vista, 1969, pp98-110
McHale, J. The Future of the Future, New York, Braziller, 1969
Middleton, M. Eduardo Paolozzi, London, Methun, 1963
Packard, V. The Hidden Persuaders, London, Longman, 1957
Paolozzi, E with a commentary by Alloway, L. The Metallization of a Dream, London, Lion and Unicorn Press, 1963
Payne, R. Fabulous America, London, Victor Gollancz, 1949
Riesman, D. The Lonely Crowd, New Haven, Yale University Press, 1961, first published 1950
Smithson, A. A Portrait of the Female Mind as a Young Girl, London, Chatto & Windus, 1966
Smithson, A. AS IN DS: AN EYE ON THE ROAD, Baden, Switzerland, Lars Muller Publishers, 2001
Smithson, A & P, Urban Structuring, London, Studio Vista, 1967
Spectorsky, A. C., The Exurbanites, Philadelphia and New York, J. B. Lippincott & Co, 1955
Tate Gallery, Eduardo Paolozzi, London, 1971
Whitechapel Art Gallery, This is Tomorrow, London, 1956. Reprinted 2010
Articles
Alloway, L. ‘Re: Vision’, Art News and Review, Vol 6, January 22nd 1955, p5
Alloway, L. ‘Technology and Sex in Science Fiction, ARK, No 17, 1956, pp19-23
Alloway, L. ‘Personal Statement’, ARK, No 19, March 1957, p28
Alloway, L. ‘The Arts and the Mass Media’, Architectural Design, February 1958, pp.84-5
Alloway, L. ‘Notes on Abstract Art and the Mass Media’, Art News and Review, 27th February-12th March 1960, pp3 and 12.
L. Alloway, ‘Artists as Consumers’, Image, No 3, 1961, pp14-19
Alloway, L. ‘Architecture and the Modern Cinema’, The Listener, June 22nd 1961, p1085-6
Alloway, L. ‘ “Pop Art” Since 1949’, The Listener, 27th December 1962, pp1085-87
Alloway, L. ‘The Iconography of the Movies’, Movie, No 7, Feb-March 1963, pp4-6
Banham, R. ‘Vision in Motion’, Art, 5th January 1955, p4
Banham, R. ‘Industrial Design e arte popolare’, Civilta delle Macchine, November 1955
Banham, R. ‘The New Brutalism’, Architectural Review, 118, December 1955, pp355-361
Banham, R. ‘New Look in Cruiserwights’, ARK, No 16, Summer 1956, pp44-47.
Banham, R. ‘Alloway and After’, The Architects’ Journal, December 26th 1957, p941
Banham, R. ‘TOP POP BOFFIN’, Architects’ Journal, February 20th 1958, pp83-4
Banham, R. ‘Space, Fiction and Architecture’, The Architects’ Journal, April 17th 1958, pp557-559.
Banham, R. ‘Machine Aesthetes’, New Statesman, 16th August 1958, pp192-193
Banham, R. ‘Home of Taste’, New Statesman, October 11th 1958, pp488-9
Banham, R. ‘Corb Goes To Liverpool’, New Statesman, 20th December 1958, p882-3
Banham, R. ‘Lecturing at Ulm’, The Architects’ Journal, April 16th 1959, p587
Banham, R. ‘HM Fashion House’, New Statesman, January 27th 1961, pp151-2
R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, p?
Banham, R. ‘Who is this “Pop”?, Motif, No 10, Winter 1962/3, pp3-13
R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, pp91-7
Banham, R. ‘Softer Hardware’, Ark, Summer 1969, pp2-11
Banham, R. ‘Detroit Tin Re-visited’ in Faulkner, T. (Ed) Design 1900-1960: Studies in Design and Popular Culture of the 20th Century, Newcastle upon Tyne Polytechnic, Newcastle, 1976, pp120-140
del Renzio, T. ‘after a fashion...’, ICA publications, No 2, 1956
Hamilton, R. ‘Homage a Chrysler Corp’, Architectural Design, March 1958, pp120-2
R. Hamilton, ‘Persuading Image’, Design, February 1960, pp28-32
R. Hamilton, ‘Art and Design’, Popular Culture and Personal Responsibility, October 26-28, 1960, pp135-55.
McHale, J. ‘Buckminster Fuller’, Architectural Review, July 1956, pp12-20
McHale, J. ‘Technology and the Home’, ARK, 19 March 1957, pp24-27
McHale, J. ‘Marginalia’, Architectural Review, May 1957, p291
McHale, J. ‘The expendable ikon1’, Architectural Design, February 1959, pp82-3
J. McHale, ‘The expendable ikon 2’, Architectural Design, March 1959, pp116-7
McHale, J. ‘The Future of the Future’, Architectural Design, May 1967, pp65-6
Reichardt, J. ‘Pop Art and After’, Art International, 7, 2 ,25th February 1963, pp42-47.
Smithson, A. & P., ‘But Today we Collect Ads’, ARK, No 18, 1957, 49-50
Smithson, A. ‘The future of furniture’, Interior Design Supplement, Architectural Design, Vol XXVIII, April 1958, pp175-178
A. Smithson, ‘Caravan-embryo “Appliance House” P, Architectural Design, September 1959, p348
Smithson, P. ‘And now Dhamas are dying out in Japan’, Architectural Design, 36, September 1966, p448
Archive Sources
Getty Archive
The Getty holds the Alloway and Banham papers, but most material relates to their later work after moving to America
National Galleries Scotland
The Paolozzi Gift is held in Edinburgh at the Dean Gallery, including the artist’s studio
Tate
The Tate Archives holds the Nigel Henderson Archive, the ICA Archive, the Dorothy Morland Papers and various BBC Transcript materials.
Archive of Art and Design, V & A Museum
Paolozzi’s Krazy Kat Arkive
Whitechapel Gallery
This is Tomorrow Archive
Yale Center For British Art
Holds some material relating to John McHale, including original collages
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