The National Gallery in Prague will display a painting lost for hundreds of years

The Story of the Beautiful Leda. A re-discovered painting by Joseph Heintz the Elder

The Riding School Gallery in the Kinský Palace: 2ndOctober 2015 – 3rd January 2016

After almost 400 years, the well-known long-lost painting Leda and the Swan by the Rudophine master Joseph Heintz has resurfaced. It will be displayed starting from October 2 in the Riding School Gallery in the KinskýPalace of the National Gallery in Prague as part of the exhibition The Story of the Beautiful Leda. One of the three preparatory drawings, which were the only evidence of existence of Heintz’s artwork will also be exhibited.

Joseph Heintz the Elder (1564, Basel – 1609, Prague) was a prominent artist and court painter of Emperor Rudolph II in Prague but he also made a name for himself in Augsburg, Germany. “When his peak artwork Leda and the Swan was re-discovered, the National Gallery in Prague, the Kunstsammlungen und Museen Augsburg, and the Kunsthistorisches Museum in Vienna, Austria, have agreed to organize three separate small exhibitions presenting this unique find, the story of the painting and other artworks related to it in terms of theme,” says Alena Volrábová, Director of the Collection of Prints and Drawings of the National Gallery in Prague.

Besides the celebrated work by Heintz, the exhibition will also show one of the three preparatory drawings, which is housed in the National Gallery in Prague. Paintings, prints and drawings by major masters, especially those with mythological themes, such as Jupiter and Io, the Judgement of Paris or Abduction of Helen, will also be displayed. Besides the well-known painting, the exhibition will present the protagonist. “The exhibition consists of three parts and three thematic lines, namely Joseph Heintz as an imperial court painter, Leda and the Swan and other loves of Jupiter, and Leda’s children. The artworks on display date from the 15th to early 17th centuries, exceptionally also the 18th century,” adds Alena Volrábová.

In the spring, Leda and the Swan was shown to the public at an exhibition in Augsburg, where Heintz was a burgher and worked as a painter, designer of prints and also architect. In Vienna, where a large part of collections of Emperor Rudolph II has survived, will hold the same exhibition in 2016.

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