Drama II Scale: Winter Semester
Stage Directions:
I can label all 9 acting areas correctly.
I can mark the parts of stage that have the most power for actors.
I can mark the parts of stage that are weak for actors.
Stages:
I can name the three basic types of stages.
I can explain good points and bad points to each type of stage.
Acting Positions:
I can demonstrate or label all 8 acting positions.
I can tell others when you would use each acting position.
I understand and can demonstrate shared, give and take acting positions.
I can explain the concept of being open or “cheating out” on stage.
I can explain “upstaging” and give examples.
I can demonstrate or explain shared scenes
I can tell or demonstrate how an actor can go from a give or take acting position in a scene
Special Movement Issues on Stage:
I can give the basic rules to………
crossing, sitting, slapping, eating, falling, kneeling…..
Audience Behavior:
I can identify bad audience behavior in myself and others.
I can give reasons why it is important to have good audience behavior.
I could generate a list of bad behaviors that are not welcome in theater.
Vocal Production:
I can name the body parts that make vocal production happen.
I can describe how the vocal process works.
I can give reasons why vocal warm up is important.
I can discuss different vocal aspects such as rate, pitch, volume…..
I can demonstrate a couple of vocal warm ups.
I can tell you if a sound if voiced or non-voiced.
Physical Warm Ups:
I can name two physical warm ups and demonstrate them to others.
History of Theater:
I can put at least 9 of the periods in Theater History in order.
I can match the 12 periods up with information about each period.
I can compare and contrast periods in a discussion.
I can tell you why each period was important in the development of theater.
Playwrights:
I can stack my flash cards in basic order of early to more modern playwrights.
I can connect playwrights with famous works.
I can share a few other facts about the playwrights in my stack of cards.
Playwrights:
Sophocles
Moliere
Shakespeare
Chekhov
Beckett
Wilson
Simon
Eugene O’Neil
Arthur Miller
Tennessee Williams
Key Vocab:
Character analysisProjection
Personality traitsBreath control
MannerismsBlocking
SubtestLevels
MotivationsCharacter development
ObjectivesBelievability
Back story4th Wall
EmpathySensory/Memory Recall
AestheticEnsemble
Off book
Dialog
Aside
Soliloquy
Cute
Monologue
Duet
Ensemble
Proscenium
History Vocab:
Primitive TheaterCatharsis
Greek TheaterCommedia del’ arte
Roman TheaterMelodrama
Middle Ages TheaterBroadway Musical
Elizabethan Theater
Renaissance Theater
Modern Theater
Tragedy
Comedy
Chorus
Skene
Ritualistic
Dionysus
Kabuki
Noh