Fourth Mode (Legetos) - Papadic
Byzantine Music Formulae
Fourth Mode (Legetos) - Papadic
Contents
Prelude Melodies
A) Initial Syllable 1696
Medial Cadences on Nee
B) Accented on Last Syllable 1697
C) Accented on Second to Last Syllable 1698
D) Accented on Third to Last Syllable 1698
Medial Cadences on Pa
E) Accented on Third to Last Syllable 1699
Medial Cadences on Vou
F) Accented on Last Syllable 1700
G) Accented on Second to Last Syllable 1704
H) Accented on Third to Last Syllable 1707
Medial Cadences on Di
I) Accented on Last Syllable 1713
J) Accented on Second to Last Syllable 1715
K) Accented on Third to Last Syllable 1717
Medial Cadences on High Zo
L) Accented on Last Syllable 1718
M) Accented on Second to Last Syllable 1719
N) Accented on Third to Last Syllable 1721
Other Medial Cadences
O) Medial Cadences on High Nee 1722
P) Medial Cadences on Low Di 1722
Q) Medial Cadences on High Vou 1722
R) Medial Cadences on High Pa 1722
Final Cadences
S) Accented on Third to Last Syllable 1723
Sources[*]
All formulae found in the following list of sources have been included in this compilation:
Χερουβικὸν Γρηογρίου Πρωτοψάλτου, (Φωναῖς Αἰσίαις, τ. Γʹ, σελ. 182)
Χερουβικὸν Γαβριὴλ Κουντιάδου (Πεντηκοστάριον, σελ. )
Ρουμανικὸν Χερουβικὸν Iosif Monahul (Biblioteca Mănăstirii Neamţ mr001, φ. 369)
Χερουβικὸν Γρηγορίου Σιμωνοπετρίτου (Ἀγγελικὸς Χορὸς Δʹ, σελ. 221)
«Ταῖς ἀγγελικαῖς» Χρυσάνθου Θεοδοσοπούλου
Χερουβικὸν Εὐθυμίου Κωστοπούλου
Χερουβικὸν Ἀθανασίου Πέττα
From the following source, however, only all its brief and medium-sized formulae have been included in this compilation. Formulae in it that are very long (i.e., more than four lines long) have been omitted from this compilation.
Χερουβικὸν Λυκούργου Πετρίδη
Ρουμανικὸν Χερουβικὸν Iosif Monahul (Biblioteca Mănăstirii Neamţ mr001, φ. 369)
Prelude Melodies for Initial Syllable[*]
A) Initial Syllable
- ò
- ò
0 ¤
Ò
0 ¤
0 ¤
0 ¤
Ô
Medial Cadences on Nee
B) Accented on Last Syllable
X01 á¥
¦¢
X01 á
¥à¢Ó
X01 ¥
¥¤°Ó
C) Accented on Second to Last Syllable
Vou - Nee
10 ¢à
High Zo - Nee
010100001 ¤¢àà¢
¤à¤à¢
D) Accented on Third to Last Syllable
Vou - Nee
00100 à¤Þàà
Medial Cadences on Pa
E) Accented on Third to Last Syllable
Nee - Pa
100100 ¢¦à¢
Ǥަ°
¦¦
Vou - Pa
0100 ¤¤ÞÓ
à¤
Medial Cadences on Vou
F) Accented on Last Syllable
Nee - Vou
0 ¤
001 ¤¤¤à¦
¢
Vou - Vou
001 ¤¤¢
001 ¤¤
¤¦¢
001 ¤¦
°Ó
00001 ¤¤
¦Ó¤¤¤¦
¢
00001 ¤¤
¤¤¤¤à¢
00001 ¦¤à
ÓÒÓÔÒÓ¦¦¢
0X001 ¦¥
¤àÓÓ¤¤¢
X0001 ¥¦¤¤¢
X0101 ¥¦¢à
ढ¦¢
X00001 ¥à
»¦¦¤àÓ¥¦¤¦¦¢
100001 ¢à¤
ÔÔÇद¦¢
100X01 ¢¤¤¥¤
¢
Di - Vou
001 à¤
¢
G) Accented on Second to Last Syllable
Vou - Vou
10 ¢¦
10 ¢¦
X00010 ¥¤¦¤¢
Ô
¦¦¢¤
X00010 ¥¦¦¤¢
ÇÓ¤¤¢¤
1000010 ¢à¤¤¤¢
Ó¤¤¤¢¤
Di - Vou
0
010 àÞ¦¢
¤
010 ¤¢
¤
010 à¢
¤
010 ¤¢
Ǥ¢¤
High Zo - Vou
00 à¤
010 ¤¢
¤¢¤
H) Accented on Third to Last Syllable
Nee - Vou
00100 ¤¤¢Ó
¤¤¢¦¤
00100 ¤¤¢
ÒÓढ¦¤
Vou - Vou
100 ¢¦¤
100 ¢à¤ ¤
0100 ¤¢¦¤
0100 ¤¢à¤
00100 ¤¤¢¤¢¦¤
00100 ¤¤¢¦¤
00100 ¤¤¢¤¤¢
à¤
00100 ढ
দ¢à¤
00100100 ¤¦
°Ó¤¤¢¦¤
Di - Vou
100 ¢¦¤
0100 ¤¢¤à
0100 ¤¢¤à
0100 ¤¢à¤
0100 ࢤ¦¢à¤
(10)0100 ¤Þàޤࢦ
¤
(10)0100 à¢Ó
à¢àࢦ¤
0100100 ¤¢¤à¢¦¤
0100100 ¤¢¤à
°¢¦¤
00100100 ¤¤Þ¤à¢¦¤
00100100 ¤¤¢¦à¢
¦¤
00100100 ¤¤Þ¦¤°¦¦
¢à¤°¦
¤
High Zo - Vou
100 Þà¤
100 Þà¢
¤Ó°¦¤
100100 ¢¦¦¢
¤¢à¤
High Nee - Vou
0
000100 ¦¤¤¢¤¤
0100100 ¤¢¦¤Þ¦¤
Medial Cadences on Di
I) Accented on Last Syllable
Vou - Di
00001 ¤¤
¤¤¢
X0001 ¥¦¦¤¢
X0001 ᦤ¤¦¤¤¢
000001 ¤Ó¤
¦¤à¦¤¤¢
X00001 ¥à
¦¤¢
X00001 ¥¤¦¤
ত¤¢
X00001 ¥¤
¦¤¤¦¤¥¦¦¤¤¢
Di - Di
0
00001 àत¢
00001 ¤¦¤¤¢
High Zo - Di
0 à
High Pa - Di
0 à
J) Accented on Second to Last Syllable
Pa - Di
10 Þ¤
Vou - Di
0
00 ¤¤
10 ¢¤
10 ¢¦
10 ¢à
10 ¢¦
10 ¢Ò
ÒÇÒ¦
X0010 ¥¦¤¢
¦
Di - Di
0010 ढÔ
à¤
010010 ¤¢¦¦Þ¤
010010 ¤¢¤àÞà
High Zo - Di
10 ¢à
000110 त¢¢
ढ°¤
K) Accented on Third to Last Syllable
Di - Di
0100 ¤¢¤à
Medial Cadences on High Zo
L) Accented on Last Syllable
Vou - High Zo
X001 ¥à¤¢
X0001 ¥¦¦¤¢
X00001 ¥¤
¦¤à¤¦¦¢
Di - High Zo
00001 ¤à¤¤Þ
M) Accented on Second to Last Syllable
Nee - High Zo
0 ¢¤
Vou - High Zo
10 ¢¦
10 ¢¤
010 ¤¢
¦
00010 ¤¤¤¢¤
Di - High Zo
10 ¢¤
010 ¤¢à
010 ¤¢
ÒÔò¦Þ¤
010 ¤¢Ó
Óò¦Þ¤
N) Accented on Third to Last Syllable
High Zo - High Zo
0100 ¤¢¦¢
Other Medial Cadences
O) Medial Cadences on High Nee
Di - High Nee
10
0 ¢¦
P) Medial Cadences on Low Di
010 ¤¢Òà¢
¤
Q) Medial Cadences on High Vou
0010 ¤¤Þà
1000001 ¢¤¤¤¤¤¢
R) Medial Cadences on High Pa
001 ¤¤¢
00001 ¦à¤¤¢
Final Cadences
S) Accented on Third to Last Syllable
Vou - Vou
0
0100 ¤¢à¦
00100 ¤¤¢àà
00100 ¤¤¢¤à
00100 ¤¤¢¦¤
1694
[*] Due to the scarcity of sources in this mode, this collection of formulae is necessarily incomplete. In the event that more formulae are needed for a composition, we suggest borrowing formulae from papadic fourth mode and papadic plagal fourth mode.
[*] Some composers wrote brief preludes for the first syllable of papadic hymns. Immediately following this prelude, the hymn proper would start, beginning with the first syllable.