CATALOGING RECORDS DONE FOR PH.D.--IDENTICALS, A-G
Subject: 0057575FA
<00>008-0 LN/ENG,CT/XXU,DAT/1953,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/055,ACC/_,MEBE0,TEC/L,TYF/M,FORM005006,PRC/NP,RTS/U,STE/N
<00>017-0 __$aMP4939$bU.S. Copyright Office
<00>245-0 00$aAll my babies :$ba midwife's own story /$cthe Georgia Department of Public Health presents ; written, directed and produced by George C. Stoney for the Medical Audio-Visual Institute of the Association of American Medical Colleges.
<00>260-0 __$aUnited States :$bDistributed by CMC, Center for Mass Communication of Columbia University Press,$cc1952, {i.e., c1953}
<00>500-1 __$aDocumentary.
<00>508-0 __$aFilmed under the technical supervision of certified nurse-midwives: Marian F. Cadwallader, R.N., B.S., and Hannah D. Mitchell, R.N., M.P.H.; introduced by Wm. A. Mason, M.D., M.P.H. Director of photography, Peaslee Bond; asst. cameraman, Robert Galbraith; sound engineer, Walter Winn; assistant, Jack Brown; chief electrician, Robert Downey; sound service, McGeary-Smith, inc. Edited by Sylvia K. Cummins; musical director, Louis Applebaum; music performed by the Musical Art Chorus, Othello C. Wilson, Director.
<00>520-1 __$a"All my babies is the best-known film by major film documentarian George Stoney, who also made You are on Indian land (1969) and Shepherd of the night flock (1978). It is a sensitive and direct film on effective midwife training, and it represented a breakthrough in candidness at the time it was made. The film centers on Miss Mary, a knowing and dedicated midwife in Albany, Georgia. It opens with a meeting in which the town's midwives are chastised for the recent death of a baby and prompted to review the fundamentals of their work. The film follows two parallel stories, one of an experienced and confident expectant mother and the other of a young woman who comes close to losing her child out of ignorance. Stoney juxtaposes scenes in a home that is dirty and unprepared with one that is properly set up for childbirth and postnatal care. Miss Mary's gentle narration carries the action and adds a reassuring touch ... cont.
<00>520-2 8_$aSummary continues ... An actual birth, which is both instructive
and moving, provides the film's dramatic climax. All my babies remains both a vital training film and an impressive example of a powerful yet very accessible documentary approach"--Circulating Film Library catalog / Museum of Modern Art. 1984.
<00>520-3 8_$a"This film was made in Albany, Georgia."
<00>590-1 __$aCopyright: State of Georgia Dept. of Health; 25Mar53 (in notice:
1952); MP4939.
<00>650-1 _0$aObstetrics.
<00>650-2 _0$aMidwives$xTraining of.
<00>650-3 _0$aAfro-American midwives.
<00>650-4 _0$aRural poor$zGeorgia.
<00>651-1 _0$aAlbany (Ga.)
<00>655-1 _7$aDocumentaries and factual films and video.$2mim
<00>655-2 _7$aInstruction.$2mim
<00>655-3 _7$aBlack films and programs.$2mim
<00>655-4 _7$aFeatures.$2mim
<00>700-1 11$aStoney, George C.$ewriting,$edirection,$eproduction
<00>700-2 11$aBond, Peaslee.$ecamera
<00>700-3 11$aWinn, Walter.$esound
<00>700-4 11$aCummins, Sylvia K.$eediting
<00>700-5 10$aApplebaum, Louis,$d1918-$emusic
<00>710-1 11$aGeorgia.$bDept. of Public Health.
<00>710-2 21$aAssociation of American Medical Colleges.$bMedical Audio-Visual Institute.
<00>710-3 20$aColumbia University.$bPress.$bCenter for Mass Communication.
<MP>089-1 DC103090,C//MY2,SX#VA1839 M,II/ECX,ID/890609
<MP>903-1 $a1 videocassette of 1 (VHS) (55 min.) :$bsd., b&w ;$c1/2 in.
<MP>905-1 RD______,ACQR,AVS/P,PB,SOU/0990,PHC/001
<MP>925-1 GMD/V,SMD/F,COL/B,PF/B,SOM/A,MFS/H,WOD/O,KOS/M,FDT/A,COM/C,FID/198906,STF/N
<MP>945-1 $rReproduction of 16 mm. safety print (M6422) made by UCLA Film and Television Archive for reference collection, 1989.
<MP>998-1 $bCopy added from inventory record without viewing or inspection.
<MP>089-2 DC103090,C//MY1,X#M6422,SX#A1-70-4,II/___,ID/820813
<MP>903-2 $a1 reel of 1 (55 min.) (1948 ft.) :$bopt sd., b&w ;$c16 mm.$3safety
print.
<MP>905-2 RD______,ACQD,AVS/R,PB,SOU/0331,PHC/001,FTG/020
<MP>925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/199010,STF/N
<MP>945-2 $bBooked 5/10/1995, 1409 (Goldovskaya).
<MP>998-2 $aProjection only; no individual viewing.$bOnce belonged to Pfizer Medical Film Library. "#19"--Leader, head.$qSome splices. Good condition (Melnitz Theater condition report, 5/10/1995).
<MP>089-3 DC103090,C//MY2,X#M6417,SX#A1-28-4,II/___,ID/820813
<MP>903-3 $a1 reel of 1 (55 min.) (ca. 1969 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-3 RD______,ACQG,AVS/N,PB,SOU/0543,PHC/001,FTG/020
<MP>925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
<MP>998-3 $aConservation copy.
Subject: 0021348FA
<00>008-0 LN/ENG,CT/XXU,DAT/1956,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/008,ACC/_,MEBE0,TEC/L,TYF/M,FORM005011,PRC/PN,RTS/U,STE/N
<00>017-0 __$aMP7604$bU.S. Copyright Office
<00>245-0 00$aAqua babes /$cproduced by RKO-Path|be ; produced by Earle Luby ; directed by Ernest Corts.
<00>260-0 __$aUnited States :$bDistributed by RKO Radio Pictures,$cc1956.
<00>440-1 _3$aAn RKO-Path|be sportscope
<00>500-1 __$aDocumentary short.
<00>508-0 __$aEdited by James Woolley; musical supervision by Herman Fuchs; recorded by Francis Woolley.
<00>511-1 0_$aNarrated by Lissa Bengston {i.e., Bengtson}, Royal Academy of Physical Education, Stockholm, Sweden.
<00>590-1 __$a"Recorded by RCA Sound System."
<00>590-2 __$a"MPAA, no. 05971."
<00>590-3 __$aCopyright: RKO Teleradio Pictures, Inc.; 2Aug56; MP7604.
<00>650-1 _0$aSwimming for children.
<00>655-1 _7$aDocumentaries and factual films and video.$2mim
<00>655-2 _7$aShorts.$2mim
<00>700-1 11$aLuby, Earle.$eproduction
<00>700-2 11$aCorts, Ernest.$edirection
<00>700-3 11$aWoolley, James.$eediting
<00>700-4 11$aFuchs, Herman.$emusic
<00>700-5 11$aWoolley, Francis.$esound
<00>700-6 11$aBengtson, Lissa.$enarration
<00>710-1 21$aRKO-Path|be.
<00>710-2 21$aRKO Radio Pictures, Inc.
<00>710-3 21$aRKO Teleradio Pictures, Inc.
<MP>089-1 DC061892,C//MY1,X#M36751,SX#FD0000028662,II/EJA,ID/871217
<MP>903-1 $a1 reel of 1 (8 min.) (286 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-1 RD______,ACQG,AVS/R,PB,SOU/0102,PHC/001,FTG/003
<MP>925-1 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198712,STF/N
<MP>998-1 $bShot by shot analysis done.
<MP>089-2 DC061892,C//MY2,X#M36752,SX#FD0000028886,II/EJA,ID/871217
<MP>903-2 $a1 reel of 1 (8 min.) (283 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-2 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/003
<MP>925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198712,STF/N
<MP>998-2 $aConservation copy.$bShot by shot analysis done.
<MP>089-3 DC061892,C//MY2,X#M38269,SX#A1-176-4,II/EJA,ID/880204
<MP>903-3 $a1 reel of 1 (1723 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-3 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/020
<MP>925-3 GMD/M,SMD/R,COL/B,PF/_,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/_,KCS/N,FDT/A,COM/C,FID/198802,STF/N
<MP>998-3 $aConservation copies.$bShot by shot analyses done.$cSix copies mounted on one 2000' reel.
<MP>089-4 X#M36678,SX#FA0000040212,II/EJA,ID/871201
<MP>903-4 $a1 reel of 1 (8 min.) (780 ft.) :$bopt sd., b&w ;$c35 mm.$3safety print.
<MP>905-4 RD______,ACQG,AVS/R,PB,SOU/0102,PHC/001,FTG/001
<MP>925-4 GMD/M,SMD/R,COL/B,PF/_,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/R,FB/T,KOS/_,KCS/N,FDT/A,COM/C,FID/198712,STF/N
<MP>945-4 $bBooked 3/8/1991, 1409 (Staff Screenings).
<MP>998-4 $aProjection only; no individual viewing.$b"74301"--Leader, tail. Shot by shot analysis done.$qFair condition (Melnitz Theater condition report, 3/8/1991).
<MP>089-5 DC061892,C//MY2,X#M36577,SX#A8-20-5X,II/EJA,ID/871104
<MP>903-5 $a1 reel of 1 (ca. 298 ft.) :$bb&w ;$c16 mm.$3safety pic neg.
<MP>905-5 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/003
<MP>925-5 GMD/M,SMD/R,COL/B,PF/_,SOM/B,MFS/A,WOD/D,RCC/N,FE/B,GS/O,FB/T,KOS/N,KCS/N,FDT/A,COM/C,FID/198711,STF/N
<MP>998-5 $bIn can with trk neg. Copy added from inventory record without viewing or inspection.
<MP>089-6 DC061892,C//MY2,X#M36577,SX#A8-20-5X,II/EJA,ID/871104
<MP>903-6 $a1 reel of 1 (ca. 298 ft.) :$bopt sd. ;$c16 mm.$3safety trk neg.
<MP>905-6 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/003
<MP>925-6 GMD/M,SMD/R,COL/N,PF/_,SOM/A,MFS/A,WOD/D,RCC/N,FE/B,GS/O,FB/T,KOS/_,KCS/N,FDT/A,COM/C,FID/198711,STF/N
<MP>998-6 $bIn can with pic neg. Copy added from inventory record without viewing or inspection.
<MP>089-7 DC061892,C//MY2,X#M36473,SX#FA0000251587,II/EJA,ID/871103
<MP>903-7 $a1 reel of 1 (ca. 1000 ft.) :$bb&w ;$c35 mm.$3safety pic neg.
<MP>905-7 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/001
<MP>925-7 GMD/M,SMD/R,COL/B,PF/_,SOM/B,MFS/A,WOD/F,RCC/N,FE/B,GS/O,FB/T,KOS/N,KCS/N,FDT/A,COM/C,FID/198711,STF/N
<MP>998-7 $bCopy added from inventory record without viewing or inspection.
<MP>089-8 DC061892,C//MY2,X#M36474,SX#FA0000251595,II/EJA,ID/871103
<MP>903-8 $a1 reel of 1 (ca. 1000 ft.) :$bopt sd. ;$c35 mm.$3safety trk neg.
<MP>905-8 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/001,FTG/001
<MP>925-8 GMD/M,SMD/R,COL/N,PF/_,SOM/A,MFS/A,WOD/F,RCC/N,FE/B,GS/O,FB/T,KOS/_,KCS/N,FDT/A,COM/C,FID/198711,STF/N
<MP>998-8 $bCopy added from inventory record without viewing or inspection.
Subject: 0032748FA
<00>008-0 LN/ENG,CT/XXU,DAT/1947,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/009,ACC/_,MEBE0,TEC/C,TYF/M,FORM001011,PRC/PN,RTS/U,STE/U
<00>017-0 __$aLP1077$bU.S. Copyright Office
<00>245-0 00$aAs our friends /$cParamount presents ; produced by Jerry Fairbanks ; directed by Lou Lilly ; animated by Anna Osborn ; written by Lou Lilly and Charles Shows.
<00>260-0 __$aUnited States :$bParamount Pictures, Inc.,$cc1947.
<00>440-1 _0$aSpeaking of animals ;$vY 6-6
<00>500-1 __$aLiveaction and animation comic short.
<00>508-0 __$aMusic by Edward Paul.
<00>511-1 0_$aNarrated by Ken Carpenter.
<00>590-1 __$a"RCA."
<00>590-2 __$a"Passed by the National Board of Review. Approved by MPAA, certificate no. 12284."
<00>590-3 __$aCopyright: Paramount Pictures, Inc.; 27Jun47; LP1077.
<00>655-1 _7$aNovelties.$2mim
<00>655-2 _7$aAnimation.$2mim
<00>655-3 _7$aShorts.$2mim
<00>700-1 11$aFairbanks, Jerry.$eproduction
<00>700-2 11$aLilly, Lou.$edirection,$ewriting
<00>700-3 11$aOsborn, Anna.$eanimation
<00>700-4 11$aShows, Charles,$d1912-$ewriting
<00>700-5 11$aPaul, Ed,$d1896-$emusic
<00>700-6 11$aCarpenter, Ken.$enarration
<00>710-1 21$aParamount Pictures, inc.
<MP>089-1 DC061892,C//MY1,X#M27980,SX#FD0000032664,II/DCX,ID/840615
<MP>903-1 $a1 reel of 1 (9 min.) (326 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-1 RD______,ACQD,AVS/R,PB,SOU/1375,PHC/001,FTG/003
<MP>925-1 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198406,STF/N
<MP>998-1 $bShot by shot analysis done.
<MP>089-2 DC061892,C//MY2,X#M27981,SX#FD0000032656,II/DCX,ID/840615
<MP>903-2 $a1 reel of 1 (9 min.) (327 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
<MP>905-2 RD______,ACQD,AVS/N,PB,SOU/1375,PHC/001,FTG/003
<MP>925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198406,STF/N
<MP>998-2 $aConservation copy.$bShot by shot analysis done.
<MP>089-3 DC061892,C//MY2,X#M2637,SX#F62-R4-4,II/JRS,ID/820825
<MP>903-3 $a1 reel of 1 (ca. 880 ft.) :$bopt sd., b&w ;$c35 mm.$3nitrate print.
<MP>905-3 RD______,ACQD,AVS/R,PB,SOU/1375,PHC/001,FTG/009
<MP>925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/R,FB/I,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
<MP>998-3 $bOld Archive location no.: 62 66-4. Shot by shot analysis done.
<MP>089-4 DC061892,C//MY2,X#M27501,SX#A3-588-5,II/AVX,ID/840328
<MP>903-4 $a1 reel of 1 (ca. 1000 ft.) :$bopt sd., b&w ;$c35 mm.$3safety comp masterpos.
<MP>905-4 RD______,ACQD,AVS/N,PB,SOU/1375,PHC/001,FTG/001
<MP>925-4 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/E,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198403,STF/N
<MP>998-4 $bCopy added from inventory record without viewing or inspection.
Subject: 0002035FA
<00>008-0 LN/ENG,CT/XXU,DAT/1978,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/091,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,STE/U
<00>245-0 00$aAvalanche /$cAvalanche Productions ; executive producer, Paul Rapp ; screenplay by Claude Pola and Corey Allen ; story by Frances Doel ; produced by Roger Corman ; directed by Corey Allen.
<00>260-0 __$aUnited States :$bNew World Pictures presents,$cc1978.
<00>500-1 __$aDisaster film; feature.
<00>508-0 __$aDirector of photography, Pierre-William Glenn. Editors, Stuart Schoolnik, Larry Bock. Music composed and conducted by William Kraft. Avalanche sequences directed and edited by Lewis Teague; associate producer, Michael Finnell; production manager, Paul Rapp; production supervisor, Steven Kov|bacs; 1st assistant director, Russell Vreeland; 2nd assistant director, Roger Carlton; production coordinator, John O'Connor; location manager, Neil Rapp; casting, Lawrence Cruikshank; production designer, Sharon Compton; art director, Phillip Thomas; wardrobe, Jane Ruhm; property master, William Hankins; make-up, Donald Mulderick; hair, Damon Charles; assistant editors, Russ Dvonch, Steve Grossman; sound mixer, David Schneiderman; sound effects editor, Dick Le Grand; gaffer, Ren|be Rochera; key grip, Scott Allen; assistant cameraman, Jean-Francis Gondre; second unit photography, Peter Smokler; script supervisors, Sandy King, Barbara Martinelli; location auditor, Gabrielle Safani; ..., cont.
<00>511-1 0_$aCast: Rock Hudson (David Shelby). Mia Farrow (Caroline Brace). Also starring Robert Forster (Nick Thorne). Jeanette Nolan (Florence Shelby). Rick
Moses (Bruce Scott). Steve Franken (Henry McDade). Barry Primus (Mark Elliott),
Cathey Paine (Tina Elliott), Jerry Douglas (Phil Prentiss), Tony Carbone (Leo the coach). Peggy Browne (Annette Rivers); Pat Egan (Cathy Jordan); Joby Baker (TV director); X Brands (Marty Brenner); Cindy Luedke (Susan Maxwell); John Cathey
(Ed the pilot); Angelo Lamonea (Bruce's coach).
<00>511-2 0_$aStunt players: Buzz Bundy, Bill Catching, Dottie Catching, Sandy
Gimpel, Fred Hice, Leslie Hoffman, Keith Lane Jensen, Dennis Madalone, Sandy Robertson, Jerry Summers, Chuck Tamburro, Allen Wyatt, Jr.
<00>520-1 8_$a"Filmed on location at Tamarron Resort in Durango, Colorado."
<00>562-1 __$c"Domestic version, recut 8-1-78"--Leader, head.
<00>590-1 __$aCredits continue ... stunt coordinator, Robert Bralver; special effects, Roger George, Frank De Marco, Mel Underwood; special visual effects, Excelsiori; titles and opticals, Jack Rabin & Associates, Inc.; sound, Ryder Sound
Service, Inc.; additional music arrangements: Difficult season, Mark Wilde; Right down at the bottom, Betsy Clark; performed by Paladin, Gary Nabors, Greg Weber, Curtis Johnson, Mark Wilde, Ray Loos; special thanks to: the Colorado Mountain Men; 3rd Platoon, Company C; 3rd Battallion, 87th Infantry; United States Army Reserve; National Ski Patrol Systems, Inc.; the United States Forest Service.
<00>590-2 __$a"Cindy Perpiche's appearance sanctioned by the United States Figure Skating Association."
<00>590-3 __$a"Ord # 49036; LO# 57986-B; prod. 907, New World"--Leaders, r1.
<00>590-4 __$aCopyright notice on film: c1978, Avalanche Productions.
<00>590-5 __$a"The Motion Picture Code and Rating Administration has rated this motion picture PG."
<00>610-1 20$aTamarron Resort (Durango, Colo.)
<00>650-1 _0$aSkis and skiing$xDrama.
<00>650-2 _0$aAvalanches$zColorado$xDrama.
<00>655-1 _7$aDisaster films and programs.$2mim
<00>655-2 _7$aFeatures.$2mim
<00>700-1 11$aRapp, Paul.$eproduction
<00>700-2 11$aPola, Claude.$ewriting
<00>700-3 11$aAllen, Corey.$ewriting,$edirection
<00>700-4 11$aDoel, Frances.$ewriting
<00>700-5 11$aCorman, Roger,$d1926-$eproduction
<00>700-6 11$aGlenn, Pierre-William.$ecamera
<00>700-7 11$aSchoolnik, Stuart.$eediting
<00>700-8 11$aBock, Larry.$eediting
<00>700-9 11$aKraft, William.$emusic
<00>700-10 11$aTeague, Lewis.$edirection,$eediting
<00>700-11 11$aCompton, Sharon.$eproduction design
<00>700-12 11$aThomas, Phillip.$eproduction design
<00>700-13 11$aRuhm, Jane.$eproduction design
<00>700-14 11$aHankins, William.$eproduction design
<00>700-15 11$aMulderick, Donald.$eproduction design
<00>700-16 11$aCharles, Damon.$eproduction design
<00>700-17 11$aSchneiderman, David.$esound
<00>700-18 11$aLe Grand, Dick.$esound
<00>700-19 11$aGeorge, Roger.$especial effects
<00>700-20 11$aDe Marco, Frank.$especial effects
<00>700-21 11$aUnderwood, Mel.$especial effects
<00>700-22 11$aHudson, Rock,$d1925-1985.$ecast
<00>700-23 11$aFarrow, Mia,$d1945-$ecast
<00>700-24 11$aForster, Robert,$d1942-$ecast
<00>700-25 11$aNolan, Jeanette,$d1911-$ecast
<00>700-26 11$aMoses, Rick.$ecast
<00>700-27 11$aFranken, Steve.$ecast
<00>700-28 11$aPrimus, Barry,$d1938-$ecast
<00>710-1 21$aAvalanche Productions.
<00>710-2 21$aNew World Pictures.
<00>710-3 21$aExcelsiori (Firm)
<MP>089-1 DC040392,C//MY1,X#M18205,SX#FB0000009464,II/___,ID/821011
<MP>903-1 $a5 reels of 5 (91 min.) (8220 ft.) :$bopt sd., Metrocolor ;$c35 mm.$3safety print.
<MP>905-1 RDUUUUUU,ACQD,AVS/R,PB,SOU/0242,PHC/005,FTG/008
<MP>925-1 GMD/M,SMD/R,COL/C,PF/_,SOM/A,MFS/A,WOD/F,RCC/A,FE/A,GS/R,FB/T,KOS/_,KCS/B,FDT/A,COM/C,FID/198210,STF/N
<MP>998-1 $b"50154"--Sticker on can. Shot by shot analysis done.
<MP>089-2 DC040392,C//MY2,X#M37450,SX#A7-273-2,II/BBX,ID/880229
<MP>903-2 $a5 reels of 5 (92 min.) (8280 ft.) :$bopt sd., Metrocolor ;$c35 mm.$3safety print.
<MP>905-2 RD______,ACQD,AVS/N,PB,SOU/0242,PHC/005,FTG/008
<MP>925-2 GMD/M,SMD/R,COL/C,PF/_,SOM/A,MFS/A,WOD/F,RCC/A,FE/A,GS/R,FB/T,KOS/_,KCS/B,FDT/A,COM/C,FID/198210,STF/N
<MP>998-2 $bShot by shot analysis done.$qSound track out of sync with picture (picture ahead of sound), r2.
<MP>089-3 DC040392,C//MY2,X#M18163,SX#A3-173-3,II/___,ID/821011
<MP>903-3 $a5 reels of 5 (91 min.) (8200 ft.) :$bopt sd., Metrocolor ;$c35 mm.$3safety print.
<MP>905-3 RDUUUUUU,ACQD,AVS/N,PB,SOU/0242,PHC/005,FTG/008
<MP>925-3 GMD/M,SMD/R,COL/C,PF/_,SOM/A,MFS/A,WOD/F,RCC/A,FE/A,GS/R,FB/T,KOS/_,KCS/B,FDT/A,COM/C,FID/198210,STF/N
<MP>998-3 $aConservation copy.$b"Print no. 2; 50199"--Tape on can. Shot by shot
analysis done.
Subject: 0020848FA
<00>008-0 LN/ENG,CT/XXU,DAT/1984,B/M,D/A,ELV_,M/_,RS/,S/D,T/G,DT2/____,DTP/S,LEN/120,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,STE/U
<00>245-0 00$aBeat Street /$can Orion Pictures release ; Harry Belafonte & David V. Picker present ; associate producer, Mel Howard ; story by Steve Hager ; screenplay by Andy David & David Gilbert & Paul Golding ; produced by David V. Picker & Harry Belafonte ; directed by Stan Lathan.
<00>260-0 __$aUnited States :$bORION Pictures Corp.,$cc1984.
<00>500-1 __$aMusical; feature.
<00>508-0 __$aDirector of photography, Tom Priestley, Jr. Costume designer, Kristi Zea. Production designer, Patrizia von Brandenstein. Editor, Dov Hoenig. Choreographer, Lester Wilson. Music produced by Harry Belafonte and Arthur Baker. The following lyricists and composers have contributed to the film: Afrika Bambaataa and the Soul Sonic Force + Shango, Robert Allen, Arthur Baker, Tina Baker, Katreese Barnes, Milton G. Barnes, Harry Belafonte, Ruben Blades, Andrew Bonafede, Allen Breeden, Donny Calvin, LaForrest Cope, Lisa Counts, Earl Deas, Eumir Deodato, Mohandas DeWese ... {etc.} Casting by Mary Colquhoun and Pat Golden. Co-editor, Bob Brady; supervising sound editor, Jess Soraci; supervising music editor, Thomas Drescher. Opening montage & titles designed by Dan Perri; original dramatic score, Webster Lewis; production associate, Alicia Adams. Production manager, Peter R. McIntosh; 1st asst. directors, Alan Hopkins, Dwight Williams; 2nd asst. director, Robert Warren. ..., cont.
<00>511-1 1_$aRae Dawn Chong (Tracy). Guy Davis (Kenny). Jon Chardiet (Ramon). Leon W. Grant (Chollie). Saundra Santiago (Carmen). And introducing Robert Taylor as Lee. Lee Chamberlin (Alicia), Mary Alice (Smith) (Cora), Shawn Elliot (Domingo). Jim Borrelli (Monte), Dean Elliott (Henry), Franc Reyes (Luis). And also starring, in alphabetical order, Afrika Bambaataa and the Soul Sonic Force + Shango. Tina B. Andy B. Bad. Fantastic Duo. Bernard Fowler. Grand Master Melle Mel and the Furious Five. Jazzy Jay (Roxy D.J.). Magnificent Force. New York City Breakers. Rock Steady Crew. Richard Sisco and Wanda Dee. Brenda Starr. The System. The Treacherous Three. Us Girls. Tonya Pinkins (Angela); Antonia Rey (Flora); Duane Jones (Robert); Hope Clarke (dancing instructor). Kool Herc (Clive Campbell) (himself); Gina Belafonte (Elizabeth); Kimry Smith (Erika); Douglas Davis (Douggie Fresh); Richard Thomsen (Paul); Kadeem Hardison (high school student). ..., cont.
<00>511-2 0_$aCast continues ... Tony Lopez (Pex) (Beat Street breaker); Lorenzo Soto (Kuriaki) (Bronx rocker); Dadi Pinero (young writer); Bill Anagnos (stunt player); Pedro B. Serrano (Pedro); Mervyn E. Griffith (student); Joseph Verhauz (transit policeman) ... {etc.}
<00>590-1 __$aCredits continue ... Camera operator, Fredric M. Abeles ... {et al.}; Steadicam operator, John Corso. Sound mixer, Chris Newman; recordist, Neil Fallon. ... Art director, Wynn P. Thomas; set decorator, George DeTitta, Jr.; set dressers, Morris Weinman ... {et al.}; Art Dept. prod. assistant, Karen Sloe.