Sources

Secondary Sources

Books and Exhibition Catalogues

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Arts Council, Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, London, 1976

Arts Council, Edward Wright: graphic work & painting, London, 1985

Atkinson, P., Coffey, A., Delamont, S., Lofland, J. and Lofland, L. (Eds) Handbook of Ethnography, London, Sage Publications, 2001

Aynsley, J. and Atkinson, H. (Eds) The Banham Lectures: Essays on Designing the Future, Oxford, Berg, 2009

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Banham, M. (ed) A Tonic To The Nation, London, Thames and Hudson, 1977

Banham, R. Theory and Design in the First Machine Age, London, Architectural Press, 1966

Banham, R. The New Brutalism: Ethic of Aesthetic? , London, Architectural Press, 1966

Banham, R. Edited by Sparke, P. Design by Choice, London, Academy Editions, 1981

Banham, R. A Critic Writes Selected Essays by Reyner Banham, University of California Press, Berkley and Los Angeles, 1996.

Barker, M. A Haunt of Fears: The Strange History of the British Horror Comics Campaign, London, Pluto Press, 1984

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Clocktower Gallery, Modern Dreams: The Rise and Fall of Pop, Cambridge, Massachusetts and London, MIT Press, 1988.

Cohen, S. Folk Devils and Moral Panics, Adingdon, Routledge, 3rd edition 2002, 1st published 1972

Compton, M. Pop Art, London, Hamlyn, 1970

Crinson, M and Zimmerman, C (Eds) Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond, Studies in British Art 21, the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art, New Haven and London, 2010

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Dorfles, G. Kitsch: The World of Bad Taste, London, New York, Universe Books, 1969

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Flowers, Eduardo Paolozzi: Projects 1975-2000, London, Angela flowers Gallery, 2005

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Risselada, M. (Ed) Alison & Peter Smithson: A Critical Anthology, Barcelona, Ediciones Poligrafa, 2011

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Russell, J. and Gablik, S (Eds) Pop Art Re-Defined, London,Thames and Hudson, 1969

Ryan, D. S. The Ideal Home Through the 20th Century, London, Hazar Publishing, 1997

Schneede, U. M. Paolozzi, London, Thames and Hudson, 1971

Scott, R. Some of My Best Friends Are Blues, Northway Publications, London, 1st edition 1979, 2nd edition 2004.

Seago, A. Burning the Box of Beautiful Things: The Development of a Postmodern Sensibility, Oxford, Oxford University Press, 1995

Serpentine Gallery, Richard Hamilton: Modern Moral Matters, London, 2010

Sparke, P. A Century of Car Design, Mitchell Beazley, London, 2002

Spencer, R. (Ed), Eduardo Paolozzi: Writings and Interviews, Oxford University Press, Oxford, 2000

Stonehouse, R. Colin St John Wilson: Buildings and Projects, London, Black Dog Publishing, 2007

Strinati, D. And Wagg, S. (eds) Come On Down: Popular Media Culture, London, Routledge, 1992

Tate Gallery, Richard Hamilton, London, 1992

Tate Gallery, William Turnbull: Sculpture and Painting, London, 1973

Tate Liverpool, Making History: Art and Documentary in Britain from 1929 to Now, Liverpool, 2006

Thompson, D. (ed) Discrimination and Popular Culture, London, Penguin, 1964

Varnedoe, K. And Gopnik, A. (eds) Modern Art and Popular Culture: Readings in High and Low, New York, Museum of Modern Art, 1990

Vidler, A. James Frazer Stirling: Notes From the Archive, New Haven and London, Yale University Press, 2010

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Wallis, B. Modern Dreams: The Rise and Fall of Pop, New York, 1988

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Whiteley, N. Pop Design: Modernism to Mod, London, Design Council, 1987

Whiteley, N. Reyner Banham: Historian of the Immediate Future, Cambridge, Mass and London, Massachusetts Institute of Technology Press, 2002.

Whiteley, N. Art and Pluralism: Lawrence Alloway’s Cultural Criticism (Value, Art, Politics), Liverpool, Liverpool University Press, 2012.

Wilson, E. Adorned in Dreams: Fashion and Modernity, London, Virago, 1985

Wilson, E. And Taylor, L. Through the Looking Glass: A History of Dress From 1860 to the Present Day, London, BBC Books, 1989

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Secondary Sources

Articles

Berry, K. and Clair, R. P. ‘Reflecting on the Call to Ethnographic Reflexivity: A Collage of Responses to Questions of Contestation’, Cultural Studies –Critical Methodologies, 11 (2), 2011, pp199-2-9

Crinson, M. ‘Picturesque and Intransigent: “Creative Tension” and Collaboration in the Early House Projects of Stirling and Gowan’, Architectural History, Vol 50, 2007, pp267-295

Haraway, D. ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, Autumn 1988, pp575-599

Hebdige, D. ‘Towards a Cartography of Taste 1935-1962’, Block, No 4, 1981, pp39-56

Highmore, B. ‘Richard Hamilton at the Ideal Home Exhibition of 1958: Gallery for a Collector of Brutalist and Tachiste Art’, Art History, Volume 30, Issue 5, November 2007, pp712-737.

Massey, A. and Sparke, P. ‘The Myth of the Independent Group’, Block, 10, 1985, pp.48-56

Pillar, A. ‘Edward Wright’s “Written Volume” ‘, Forum: Journal of Letter Exchange, Issue 22, September 2011, pp8-13

Stanfield, P. ‘Maximum movies: Lawrence Alloway’s pop art film criticism’, Screen, Summer 2008, pp179-193

Stanfield, ‘Regular Novelties: Lawrence Alloway’s Film Criticism’, Tate Papers, Issue 16, Autumn 2011

Stonard, J P, ‘Pop in the Age of Boom: Richard Hamilton’s “Just what is it that makes today’s homes so different, so appealing?”, The Burlington Magazine, September 2007, pp607-620

Stonard, J P, ‘The “Bunk” collages of Eduardo Paolozzi’, The Burlington Magazine, April 2008, pp238-249

Vidler, A. ‘Whatever Happened to Ecology? John McHale and the Bucky Fuller Revival’, Log, Fall 2008, pp24-33

Websites

Films

Fathers of Pop, Arts Council, 1979. Directed by Julian Cooper, Research by Penny Sparke.

Beyond Time: William Turnbull, a film by Alex Turnbull and Pete Stern, narrated by Jude Law, 2011

Primary Sources

Books and Exhibition Catalogues

Alloway, L. Nine Abstract Artists, London, Alec Tiranti Ltd, 1954

Alloway, L. ‘The Development of British Pop’ in Lippard, L. Pop Art, London, Thames and Hudson, 3rd Edition, 1970, first published 1967, pp26-67

Alloway, L. Violent America: The Movies 1946-64, New York, Museum of Modern Art, 1971

Alloway, L. Topics in American Art Since 1945, New York, W. W. Norton & Company Inc, 1975

Cox, I. The South Bank Exhibition: A Guide to the Story it Tells, London, HMSO, 1951

Hamilton, R. Collected Words, London, Thames and Hudson, 1982

Hanover Gallery, Eduardo Paolozzi Sculpture and Graphics, London, 1967

Korzybski, A. C. Science and Sanity: An Introduction to Non-Aristotelean Systems and General Semantics, Lancaster, Pennsylvania, The International Non-Aristotelean Library Publishing Co., the Science Press Printing Co., 1933

Lambert, M. And Marx, E. English Popular Culture, London, Batsford, 1951

McHale, J. ‘The Plastic Parthenon’ in Dorfles, G. Kitsch: The World of Bad Taste, London, Studio Vista, 1969, pp98-110

McHale, J. The Future of the Future, New York, Braziller, 1969

Middleton, M. Eduardo Paolozzi, London, Methun, 1963

Packard, V. The Hidden Persuaders, London, Longman, 1957

Paolozzi, E with a commentary by Alloway, L. The Metallization of a Dream, London, Lion and Unicorn Press, 1963

Payne, R. Fabulous America, London, Victor Gollancz, 1949

Riesman, D. The Lonely Crowd, New Haven, Yale University Press, 1961, first published 1950

Smithson, A. A Portrait of the Female Mind as a Young Girl, London, Chatto & Windus, 1966

Smithson, A. AS IN DS: AN EYE ON THE ROAD, Baden, Switzerland, Lars Muller Publishers, 2001

Smithson, A & P, Urban Structuring, London, Studio Vista, 1967

Spectorsky, A. C., The Exurbanites, Philadelphia and New York, J. B. Lippincott & Co, 1955

Tate Gallery, Eduardo Paolozzi, London, 1971

Whitechapel Art Gallery, This is Tomorrow, London, 1956. Reprinted 2010

Articles

Alloway, L. ‘Re: Vision’, Art News and Review, Vol 6, January 22nd 1955, p5

Alloway, L. ‘Technology and Sex in Science Fiction, ARK, No 17, 1956, pp19-23

Alloway, L. ‘Personal Statement’, ARK, No 19, March 1957, p28

Alloway, L. ‘The Arts and the Mass Media’, Architectural Design, February 1958, pp.84-5

Alloway, L. ‘Notes on Abstract Art and the Mass Media’, Art News and Review, 27th February-12th March 1960, pp3 and 12.

L. Alloway, ‘Artists as Consumers’, Image, No 3, 1961, pp14-19

Alloway, L. ‘Architecture and the Modern Cinema’, The Listener, June 22nd 1961, p1085-6

Alloway, L. ‘ “Pop Art” Since 1949’, The Listener, 27th December 1962, pp1085-87

Alloway, L. ‘The Iconography of the Movies’, Movie, No 7, Feb-March 1963, pp4-6

Banham, R. ‘Vision in Motion’, Art, 5th January 1955, p4

Banham, R. ‘Industrial Design e arte popolare’, Civilta delle Macchine, November 1955

Banham, R. ‘The New Brutalism’, Architectural Review, 118, December 1955, pp355-361

Banham, R. ‘New Look in Cruiserwights’, ARK, No 16, Summer 1956, pp44-47.

Banham, R. ‘Alloway and After’, The Architects’ Journal, December 26th 1957, p941

Banham, R. ‘TOP POP BOFFIN’, Architects’ Journal, February 20th 1958, pp83-4

Banham, R. ‘Space, Fiction and Architecture’, The Architects’ Journal, April 17th 1958, pp557-559.

Banham, R. ‘Machine Aesthetes’, New Statesman, 16th August 1958, pp192-193

Banham, R. ‘Home of Taste’, New Statesman, October 11th 1958, pp488-9

Banham, R. ‘Corb Goes To Liverpool’, New Statesman, 20th December 1958, p882-3

Banham, R. ‘Lecturing at Ulm’, The Architects’ Journal, April 16th 1959, p587

Banham, R. ‘HM Fashion House’, New Statesman, January 27th 1961, pp151-2

R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, p?

Banham, R. ‘Who is this “Pop”?, Motif, No 10, Winter 1962/3, pp3-13

R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, pp91-7

Banham, R. ‘Softer Hardware’, Ark, Summer 1969, pp2-11

Banham, R. ‘Detroit Tin Re-visited’ in Faulkner, T. (Ed) Design 1900-1960: Studies in Design and Popular Culture of the 20th Century, Newcastle upon Tyne Polytechnic, Newcastle, 1976, pp120-140

del Renzio, T. ‘after a fashion...’, ICA publications, No 2, 1956

Hamilton, R. ‘Homage a Chrysler Corp’, Architectural Design, March 1958, pp120-2

R. Hamilton, ‘Persuading Image’, Design, February 1960, pp28-32

R. Hamilton, ‘Art and Design’, Popular Culture and Personal Responsibility, October 26-28, 1960, pp135-55.

McHale, J. ‘Buckminster Fuller’, Architectural Review, July 1956, pp12-20

McHale, J. ‘Technology and the Home’, ARK, 19 March 1957, pp24-27

McHale, J. ‘Marginalia’, Architectural Review, May 1957, p291

McHale, J. ‘The expendable ikon1’, Architectural Design, February 1959, pp82-3

J. McHale, ‘The expendable ikon 2’, Architectural Design, March 1959, pp116-7

McHale, J. ‘The Future of the Future’, Architectural Design, May 1967, pp65-6

Reichardt, J. ‘Pop Art and After’, Art International, 7, 2 ,25th February 1963, pp42-47.

Smithson, A. & P., ‘But Today we Collect Ads’, ARK, No 18, 1957, 49-50

Smithson, A. ‘The future of furniture’, Interior Design Supplement, Architectural Design, Vol XXVIII, April 1958, pp175-178

A. Smithson, ‘Caravan-embryo “Appliance House” P, Architectural Design, September 1959, p348

Smithson, P. ‘And now Dhamas are dying out in Japan’, Architectural Design, 36, September 1966, p448

Archive Sources

Getty Archive

The Getty holds the Alloway and Banham papers, but most material relates to their later work after moving to America

National Galleries Scotland

The Paolozzi Gift is held in Edinburgh at the Dean Gallery, including the artist’s studio

Tate

The Tate Archives holds the Nigel Henderson Archive, the ICA Archive, the Dorothy Morland Papers and various BBC Transcript materials.

Archive of Art and Design, V & A Museum

Paolozzi’s Krazy Kat Arkive

Whitechapel Gallery

This is Tomorrow Archive

Yale Center For British Art

Holds some material relating to John McHale, including original collages

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