Books and Exhibition Catalogues

Sources

Secondary Sources

Books and Exhibition Catalogues

Adams, H. Art of the Sixties, London,Phaidon, 1978

Amaya, M. Pop As Art: A Survey of the New Super-Realism, London, Studio Vista, 1965

Anstey, T., Grillner, K. And Hughes, R. (Eds) Architecture and Authorship, London, Black Dog Publishing, 2007

Arts Council, Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, London, 1976

Arts Council, Edward Wright: graphic work & painting, London, 1985

Atkinson, P., Coffey, A., Delamont, S., Lofland, J. and Lofland, L. (Eds) Handbook of Ethnography, London, Sage Publications, 2001

Aynsley, J. and Atkinson, H. (Eds) The Banham Lectures: Essays on Designing the Future, Oxford, Berg, 2009

Bal, M and Boer, I E (Eds) The Point of Theory: Practices of Cultural Analysis, New York, Continuum, 1994

Banham, M. (ed) A Tonic To The Nation, London, Thames and Hudson, 1977

Banham, R. Theory and Design in the First Machine Age, London, Architectural Press, 1966

Banham, R. The New Brutalism: Ethic of Aesthetic? , London, Architectural Press, 1966

Banham, R. Edited by Sparke, P. Design by Choice, London, Academy Editions, 1981

Banham, R. A Critic Writes Selected Essays by Reyner Banham, University of California Press, Berkley and Los Angeles, 1996.

Barker, M. A Haunt of Fears: The Strange History of the British Horror Comics Campaign, London, Pluto Press, 1984

Barker,M. Comics-Ideology, Power and the Critics, Manchester, Manchester University Press, 1989

Barthes, R. Mythologies, London, Paladin, 1973

Booker, C. The Neophiliacs, London, Collins, 1969

Boyle, A. A Climate of Treason, London, Coronet Books, 2nd edition, 1980

Bracewell, M. Re-make/Re-mould, London, Faber and Faber, 2007

Breward, C. Fashioning London, Oxford, Berg, 2004

Breward, C. and Evans, C. (Eds) Fashion and Modernity, Berg, Oxford, 2005

Breward, C. and Wood, G. (Eds) British Design from 1948: Innovation in the Modern Age, London, V & A Publishing, 2012

Brown, P., Gere, C., Lambert, N. and Mason, C. (Eds) White Heat, Cold Logic: British Computer Art 1960-1980, Cambridge, Massachusetts and London, The MIT Press, 2008

Carey, J. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880-1939, London, Faber and Faber, 1992

Church, R. The rise and decline of the British motor industry, Cambridge University Press, Cambridge, 1994

Clocktower Gallery, Modern Dreams: The Rise and Fall of Pop, Cambridge, Massachusetts and London, MIT Press, 1988.

Cohen, S. Folk Devils and Moral Panics, Adingdon, Routledge, 3rd edition 2002, 1st published 1972

Compton, M. Pop Art, London, Hamlyn, 1970

Crinson, M and Zimmerman, C (Eds) Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond, Studies in British Art 21, the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art, New Haven and London, 2010

Crinson, M. (Ed) James Stirling: Early Published Writings on Architecture, London, Routledge, 2010

Dorfles, G. Kitsch: The World of Bad Taste, London, New York, Universe Books, 1969

Eshun, E. How Soon Is Now: 60 Years of the Institute of Contemporary Arts, London, ICA, 2007

Finch, C. Image as Language: Aspects of British Art, London, Penguin, 1969

Fiske, J. Understanding Popular Culture, London, Unwin Hyman, 1989

Flowers, Eduardo Paolozzi: Projects 1975-2000, London, Angela flowers Gallery, 2005

Ford, H. These Were The Hours: Memoirs of My Hours Press, Reanville and Paris 1928-31, London, Fieffer and Simons, 1968

Foster, H (Ed) ‘Richard Hamilton’, October Files, No 10, MIT Press, Cambridge, Mass. and London, 2010

Foster, H. The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha , Princeton University Press, Princeton and Oxford, 2012

Friedman, A. T., American Glamour and the Evolution of Modern Architecture, Yale University Press, New Haven and London, 2010

Geraghty, C. British Cinema in the Fifties: Gender, Genre and the ‘New Look’, London, Routledge, 2000

Gere, C. Digital Culture, expanded 2nd edition, London, Reaktion, 2008

Gioia, T. The History of Jazz, 2nd Edition, Oxford, Oxford University Press, 2011

Girouard, M.Big Jim: The Life and Work of James Stirling, Chatto & Windus, London, 1998

Guggenheim, P. Out of this Century: Confessions of an Art Addict, London, Andre Deutsch, 1980

Hall, S. And Whannel, P. The Popular Arts, London, Hutchinson, 1964

Hamilton, R. Imaging Ulyssess, British Council, London, 2002

Harrison, T. Britain Revisited, London, Gollancz, 1961

Hebdige, D. Subculture: The Meaning of Style, London, Methuen, 1979

Heuvel, D. Van den and Risselada, M (Eds) Alison and Peter Smithson – from the House of the Future to a House of today, Rotterdam, 010 publishers, 2004

Heynen, H. Architecture and Modernity: A Critique, London and Massachusetts, MIT Press, 1999

Hewison, R. In Anger: Culture in the Cold War, 1945-60, London, Weidenfeld & Nicolson, 1981

Hillier, B. Austerity Binge: The Decorative Arts in the Forties and Fifties, London, Studio Vista, 1975

Hoggart, R. The Uses of Literacy, London, Penguin, 1973, first published 1957

Hornsey, R. The Spiv and the Architect: Unruly Life in Postwar London, Minneapolis and London, University of Minnesota Press, 2010

Horowitz, D. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World, Philadelphia, University of Pennsylvania Press, 2012

Huyssen, A. After the Great Divide: Modernism, Mass Culture, Postmodernism, Bloomington, NY, Indiana University Press, 1986

Kitnick, A.and Foster, H. (eds) ‘New Brutalism’, OctoberNo1, Volume 36, New York, Massachusetts Institute of Technology Press, Spring 2011

Kitnick, A. (Ed) The Expendable Reader, John McHale, New York, GSAPP BOOKS, 2011

Kynaston, D.Austerity Britain 1945-51, Bloomsbury, London, 2007

Kynaston, D. Family Britain 1951-57, London, Bloomsbury, 2009

Les Abattoirs, Blast to Freeze: L’Art Britannique au XXe Siecle, Toulouse, 2003

Lewis, P. The 50s, Heinemann, 1978

Lichtenstein, C. and Schregenberger, T. (Eds) As Found: The Discovery of the Ordinary, Zurich, Lars Muller Pubishers, 2001

Livingstone, M. Pop Art: A Continuing History, London, Thames and Hudson, 1990

MacCarthy, F. A History of British Design, London, George Allen and Unwin, Ltd., 1979

McGuigan, J. Cultural Populism, London, Routledge, 1992

Marwick, A. British Society Since 1945, London, Penguin, 1982

Marwick, A. Culture in Britain Since 1945, Oxford, Basil Blackwell, 1991

Mason, C. A Computer in the Art Room: The Origins of British Computer Arts 1950-80, Hindrigham, JJG Publishing, 2008

Massey, A. The Independent Group: Modernism and Mass Culture, 1945-59, Manchester, Manchester University Press, 1995

Massey, A. Hollywood Beyond the Screen: Design and Material Culture, Oxford, Berg, 2000

Mellor, D. The Sixties Art Scene in London, London, Phaidon, 1993

Melly, G. Revolt into Style: The Pop Arts in Britain, London, Penguin, 1970

Menin, S. and Kite, S. An Architecture of Invitation: Colin St John Wilson, Ashgate Publishing, Aldershot, 2005

Miles, B. London Calling: A Countercultural History of London Since 1945, Atlantic Books, London, 2010

Miller, D. Material Culture and Mass Consumption, London, Blackwell, 1987

Muncey, T. Creating Auto-Ethnographies, London, Sage, 2010

Norwich Gallery, Things: Assemblage, Collage and Photography Since 1935, Norwich, 2000

Obelkevich, J. and Catterall, P. (Eds) Understanding Post-War British Society, London, Routlege, 1994

Pallant House Gallery, Modern British Art at Pallant House Gallery, London, Scala, 2004

Penrose, R. Scrap Book, London, Thames and Hudson, 1981

Philadelphia Art Alliance, An Unnerving Romanticism: The Art of Sylvia Sleigh & Lawrence Alloway, Philadelphia, 2001

Powers, A. Britain: Modern Architecture in History, London, Reaktion, 2007

Reed, C. (Ed), Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames and Hudson, London, 1996,

Reed-Danahay, D. E. (Ed) Auto/Ethnography: Rewriting the Self and the Social, Oxford, Berg, 1997

Rendell, J. Art and Architecture: A Place Between, London, I B Tauris, 2006

Risselada, M. (Ed) Alison & Peter Smithson: A Critical Anthology, Barcelona, Ediciones Poligrafa, 2011

Robbins, D. (Ed) The Independent Group: Postwar Britain and the Aesthetics of Plenty, Cambridge, Massachusetts and London, 1990

Rose, B. American Art Since 1900, London, Thames and Hudson, 2nd edition, 1975

Russell, J. and Gablik, S (Eds) Pop Art Re-Defined, London,Thames and Hudson, 1969

Ryan, D. S. The Ideal Home Through the 20th Century, London, Hazar Publishing, 1997

Schneede, U. M. Paolozzi, London, Thames and Hudson, 1971

Scott, R. Some of My Best Friends Are Blues, Northway Publications, London, 1st edition 1979, 2nd edition 2004.

Seago, A. Burning the Box of Beautiful Things: The Development of a Postmodern Sensibility, Oxford, Oxford University Press, 1995

Serpentine Gallery, Richard Hamilton: Modern Moral Matters, London, 2010

Sparke, P. A Century of Car Design, Mitchell Beazley, London, 2002

Spencer, R. (Ed), Eduardo Paolozzi: Writings and Interviews, Oxford University Press, Oxford, 2000

Stonehouse, R. Colin St John Wilson: Buildings and Projects, London, Black Dog Publishing, 2007

Strinati, D. And Wagg, S. (eds) Come On Down: Popular Media Culture, London, Routledge, 1992

Tate Gallery, Richard Hamilton, London, 1992

Tate Gallery, William Turnbull: Sculpture and Painting, London, 1973

Tate Liverpool, Making History: Art and Documentary in Britain from 1929 to Now, Liverpool, 2006

Thompson, D. (ed) Discrimination and Popular Culture, London, Penguin, 1964

Varnedoe, K. And Gopnik, A. (eds) Modern Art and Popular Culture: Readings in High and Low, New York, Museum of Modern Art, 1990

Vidler, A. James Frazer Stirling: Notes From the Archive, New Haven and London, Yale University Press, 2010

Walker, J. A. Art in the Age of Mass Media, London, Pluto Press, 1983

Walker, J. A. Art Since Pop, New York, Woodbury, 1978

Wallis, B. Modern Dreams: The Rise and Fall of Pop, New York, 1988

Walsh, V. Nigel Henderson: Parallel of Life and Art, London, Thames & Hudson, 2001

Webster, D. Looka Yonder! The Imaginary America of Populist Culture, London, Routledge, 1988

Whiteley, N. Pop Design: Modernism to Mod, London, Design Council, 1987

Whiteley, N. Reyner Banham: Historian of the Immediate Future, Cambridge, Mass and London, Massachusetts Institute of Technology Press, 2002.

Whiteley, N. Art and Pluralism: Lawrence Alloway’s Cultural Criticism (Value, Art, Politics), Liverpool, Liverpool University Press, 2012.

Wilson, E. Adorned in Dreams: Fashion and Modernity, London, Virago, 1985

Wilson, E. And Taylor, L. Through the Looking Glass: A History of Dress From 1860 to the Present Day, London, BBC Books, 1989

Wilson, S. Pop, London, Thames and Hudson, 1974

Wollen, P. Raiding the Icebox: Reflections on Twentieth Century Culture, London, Verso, 1993

Wright Mills, C. ‘On Intellectual Craftmanship’, Appendix to The Sociological Imagination, Oxford, Oxford University Press, 1959

Secondary Sources

Articles

Berry, K. and Clair, R. P. ‘Reflecting on the Call to Ethnographic Reflexivity: A Collage of Responses to Questions of Contestation’, Cultural Studies –Critical Methodologies, 11 (2), 2011, pp199-2-9

Crinson, M. ‘Picturesque and Intransigent: “Creative Tension” and Collaboration in the Early House Projects of Stirling and Gowan’, Architectural History, Vol 50, 2007, pp267-295

Haraway, D. ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, Autumn 1988, pp575-599

Hebdige, D. ‘Towards a Cartography of Taste 1935-1962’, Block, No 4, 1981, pp39-56

Highmore, B. ‘Richard Hamilton at the Ideal Home Exhibition of 1958: Gallery for a Collector of Brutalist and Tachiste Art’, Art History, Volume 30, Issue 5, November 2007, pp712-737.

Massey, A. and Sparke, P. ‘The Myth of the Independent Group’, Block, 10, 1985, pp.48-56

Pillar, A. ‘Edward Wright’s “Written Volume” ‘, Forum: Journal of Letter Exchange, Issue 22, September 2011, pp8-13

Stanfield, P. ‘Maximum movies: Lawrence Alloway’s pop art film criticism’, Screen, Summer 2008, pp179-193

Stanfield, ‘Regular Novelties: Lawrence Alloway’s Film Criticism’, Tate Papers, Issue 16, Autumn 2011

Stonard, J P, ‘Pop in the Age of Boom: Richard Hamilton’s “Just what is it that makes today’s homes so different, so appealing?”, The Burlington Magazine, September 2007, pp607-620

Stonard, J P, ‘The “Bunk” collages of Eduardo Paolozzi’, The Burlington Magazine, April 2008, pp238-249

Vidler, A. ‘Whatever Happened to Ecology? John McHale and the Bucky Fuller Revival’, Log, Fall 2008, pp24-33

Websites

Films

Fathers of Pop, Arts Council, 1979. Directed by Julian Cooper, Research by Penny Sparke.

Beyond Time: William Turnbull, a film by Alex Turnbull and Pete Stern, narrated by Jude Law, 2011

Primary Sources

Books and Exhibition Catalogues

Alloway, L. Nine Abstract Artists, London, Alec Tiranti Ltd, 1954

Alloway, L. ‘The Development of British Pop’ in Lippard, L. Pop Art, London, Thames and Hudson, 3rd Edition, 1970, first published 1967, pp26-67

Alloway, L. Violent America: The Movies 1946-64, New York, Museum of Modern Art, 1971

Alloway, L. Topics in American Art Since 1945, New York, W. W. Norton & Company Inc, 1975

Cox, I. The South Bank Exhibition: A Guide to the Story it Tells, London, HMSO, 1951

Hamilton, R. Collected Words, London, Thames and Hudson, 1982

Hanover Gallery, Eduardo Paolozzi Sculpture and Graphics, London, 1967

Korzybski, A. C. Science and Sanity: An Introduction to Non-Aristotelean Systems and General Semantics, Lancaster, Pennsylvania, The International Non-Aristotelean Library Publishing Co., the Science Press Printing Co., 1933

Lambert, M. And Marx, E. English Popular Culture, London, Batsford, 1951

McHale, J. ‘The Plastic Parthenon’ in Dorfles, G. Kitsch: The World of Bad Taste, London, Studio Vista, 1969, pp98-110

McHale, J. The Future of the Future, New York, Braziller, 1969

Middleton, M. Eduardo Paolozzi, London, Methun, 1963

Packard, V. The Hidden Persuaders, London, Longman, 1957

Paolozzi, E with a commentary by Alloway, L. The Metallization of a Dream, London, Lion and Unicorn Press, 1963

Payne, R. Fabulous America, London, Victor Gollancz, 1949

Riesman, D. The Lonely Crowd, New Haven, Yale University Press, 1961, first published 1950

Smithson, A. A Portrait of the Female Mind as a Young Girl, London, Chatto & Windus, 1966

Smithson, A. AS IN DS: AN EYE ON THE ROAD, Baden, Switzerland, Lars Muller Publishers, 2001

Smithson, A & P, Urban Structuring, London, Studio Vista, 1967

Spectorsky, A. C., The Exurbanites, Philadelphia and New York, J. B. Lippincott & Co, 1955

Tate Gallery, Eduardo Paolozzi, London, 1971

Whitechapel Art Gallery, This is Tomorrow, London, 1956. Reprinted 2010

Articles

Alloway, L. ‘Re: Vision’, Art News and Review, Vol 6, January 22nd 1955, p5

Alloway, L. ‘Technology and Sex in Science Fiction, ARK, No 17, 1956, pp19-23

Alloway, L. ‘Personal Statement’, ARK, No 19, March 1957, p28

Alloway, L. ‘The Arts and the Mass Media’, Architectural Design, February 1958, pp.84-5

Alloway, L. ‘Notes on Abstract Art and the Mass Media’, Art News and Review, 27th February-12th March 1960, pp3 and 12.

L. Alloway, ‘Artists as Consumers’, Image, No 3, 1961, pp14-19

Alloway, L. ‘Architecture and the Modern Cinema’, The Listener, June 22nd 1961, p1085-6

Alloway, L. ‘ “Pop Art” Since 1949’, The Listener, 27th December 1962, pp1085-87

Alloway, L. ‘The Iconography of the Movies’, Movie, No 7, Feb-March 1963, pp4-6

Banham, R. ‘Vision in Motion’, Art, 5th January 1955, p4

Banham, R. ‘Industrial Design e arte popolare’, Civilta delle Macchine, November 1955

Banham, R. ‘The New Brutalism’, Architectural Review, 118, December 1955, pp355-361

Banham, R. ‘New Look in Cruiserwights’, ARK, No 16, Summer 1956, pp44-47.

Banham, R. ‘Alloway and After’, The Architects’ Journal, December 26th 1957, p941

Banham, R. ‘TOP POP BOFFIN’, Architects’ Journal, February 20th 1958, pp83-4

Banham, R. ‘Space, Fiction and Architecture’, The Architects’ Journal, April 17th 1958, pp557-559.

Banham, R. ‘Machine Aesthetes’, New Statesman, 16th August 1958, pp192-193

Banham, R. ‘Home of Taste’, New Statesman, October 11th 1958, pp488-9

Banham, R. ‘Corb Goes To Liverpool’, New Statesman, 20th December 1958, p882-3

Banham, R. ‘Lecturing at Ulm’, The Architects’ Journal, April 16th 1959, p587

Banham, R. ‘HM Fashion House’, New Statesman, January 27th 1961, pp151-2

R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, p?

Banham, R. ‘Who is this “Pop”?, Motif, No 10, Winter 1962/3, pp3-13

R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, pp91-7

Banham, R. ‘Softer Hardware’, Ark, Summer 1969, pp2-11

Banham, R. ‘Detroit Tin Re-visited’ in Faulkner, T. (Ed) Design 1900-1960: Studies in Design and Popular Culture of the 20th Century, Newcastle upon Tyne Polytechnic, Newcastle, 1976, pp120-140

del Renzio, T. ‘after a fashion...’, ICA publications, No 2, 1956

Hamilton, R. ‘Homage a Chrysler Corp’, Architectural Design, March 1958, pp120-2

R. Hamilton, ‘Persuading Image’, Design, February 1960, pp28-32

R. Hamilton, ‘Art and Design’, Popular Culture and Personal Responsibility, October 26-28, 1960, pp135-55.

McHale, J. ‘Buckminster Fuller’, Architectural Review, July 1956, pp12-20

McHale, J. ‘Technology and the Home’, ARK, 19 March 1957, pp24-27

McHale, J. ‘Marginalia’, Architectural Review, May 1957, p291

McHale, J. ‘The expendable ikon1’, Architectural Design, February 1959, pp82-3

J. McHale, ‘The expendable ikon 2’, Architectural Design, March 1959, pp116-7

McHale, J. ‘The Future of the Future’, Architectural Design, May 1967, pp65-6

Reichardt, J. ‘Pop Art and After’, Art International, 7, 2 ,25th February 1963, pp42-47.

Smithson, A. & P., ‘But Today we Collect Ads’, ARK, No 18, 1957, 49-50

Smithson, A. ‘The future of furniture’, Interior Design Supplement, Architectural Design, Vol XXVIII, April 1958, pp175-178

A. Smithson, ‘Caravan-embryo “Appliance House” P, Architectural Design, September 1959, p348

Smithson, P. ‘And now Dhamas are dying out in Japan’, Architectural Design, 36, September 1966, p448

Archive Sources

Getty Archive

The Getty holds the Alloway and Banham papers, but most material relates to their later work after moving to America

National Galleries Scotland

The Paolozzi Gift is held in Edinburgh at the Dean Gallery, including the artist’s studio

Tate

The Tate Archives holds the Nigel Henderson Archive, the ICA Archive, the Dorothy Morland Papers and various BBC Transcript materials.

Archive of Art and Design, V & A Museum

Paolozzi’s Krazy Kat Arkive

Whitechapel Gallery

This is Tomorrow Archive

Yale Center For British Art

Holds some material relating to John McHale, including original collages

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