AUTHOR INDEX TO NEWSLETTERS & JOURNALS (1964 - 2004)
AUTHOR(S)TITLEISSUE:PAGE(S) DATE
Abbott, D.See Segerman, E. issue 25:2426 5/76
See Segerman, E. issue 29:2933 5/78
Abbott, J. A.Mountain mahogany: A domestic alternate for ebony?48:3211/87
Abbott, J. A.The legacies of John Bolander: opportunities for bow research1.5:14 5/90
Abbott, W. M.
Abbott, J. A.Violin bow dynamics an initial response to John Bolander's plea (Note)1.5:3031 5/90
Doyle, E.
Abbott, W. M.See Abbott, J. A. issue 1.5:14 5/90
Abild, E. N.Cleaning a violin or bow38:1011/82
Ågren, C. H.A second look at the viol family10:611 11/68
Rebec resurrection, or appreciation of an ancient ancestor13:1114 5/70
Optical contouring of violin and viol plates14:1718 11/70
Electrooptical vibration probe using integrated circuits19:1012 5/73
Textile security or taming the elusive viol (Note)1.7:355/91
Fiddle after a viol player's heart (Note)2.4:2811/93
Fiddle after a violplayer's heart: monster progres report, part deux3.3:5859 5/97
Ågren, C. H.Measuring the wood resonances of treble viol plates by11:55/69
Stetson, K. A. hologram interferometry (abstract)
Akiyama, K.Spectral analysis of melody patterns by linear prediction:2.3:295/93
Matsuda, M. formant frequencies and spectral slopes (abstract)
Nakano, M.
Alf, G. T.Curtin & Alf's bass bar frame3.2:5153 11/96
Allen, J. B.Harmonic structure of an aging guitar string (abstract)22:2011/74
On the aging of steel guitar strings26:2728 11/76
Anderson, J. M.See Hanson, R. J. issue 2.4:45 11/93
Anderson, P.Tailpiece tests (Note)4.8:68 11/03
See Rodgers, O. E. issue 4.2:1319 11/00
See Rodgers, O. E. issue 4.4:1326 11/01
Ando, S.A sound field reproduction system for use in music training rooms (abstract)2.3:315/93
Ando, Y.On bore shape of a shakuhachi and its resonance characteristics47:2125 5/87
[Abstracted 46:40 11/86]
Linearized models of shakuhachi bore shape and the significance of its1.4:3911/89
configuration on musical properties (abstract)
Several peculiar structural devices of Japanese musical instruments and some2.4:4711/93
aspects of timbre taste in Japanese music common with western ones
[Repeat of ISMA '92 see 2.3:23 5/93] (abstract)
Andras, K.The subjective judgments of musicians and public in a2.3:315/93
reconstructed multipurpose theater (abstract)
Angster, JosephSee Angster, Judith issue 1.4:39 11/89
Angster, JudithThe investigation of the changes of the sound quality of an organ pipe during1.4:3911/89
Angster, Joseph the intonation process (abstract)
Milos, A.
Angster, JudithTransient sound spectra of a variable length organ pipe (abstract)2.3:305/93
Milos, A.
Aoyagi, R.See Kishi, K. issue 2.8:39 11/95
1
Apgar, V.See Bram, Marjorie issue 8:36 11/67
Ariyama, M.See Ueda, K. issue 2.3:26 5/93
Arruda, J. R. F.See Sando, R. issue 4.6:3742 11/02
Askenfelt, A.Eigenmodes and tone quality of the double bass38:3439 11/82
Study your bowing technique! (abstract)41:85/84
Minimeeting on the acoustics of the piano1.2:3211/88
The motion of the piano hammer during string contact (abstract)1.8:5211/91
Properties of violin bows (abstract)2.3:245/93
A look at violin bows (abstract)2.4:4611/93
Observations on the transient components of the piano tone (abstract)2.4:4811/93
Observations on the violin bow and the interaction with the string (abstract)2.8:3811/95
See Guettler, K. issue 2.8:38 11/95
See Guettler, K. issue 3.6:915 11/98
See Suzuki, H. issue 2.1:42 5/92
Askenfelt, A.The bouncing bow: an experimental study3.6:38 11/98
Guettler, K.
Askenfelt, A.Properties of piano hammers (abstract)1.4:4111/89
Hall, D.
Askenfelt, A.Piano touch, hammer action and string motion (abstract)41:85/84
Jansson, E. V.
Vibration levels and finger forces in string instrument playing (abstract)1.8:5011/91
Attal, J.See Bucur, V. issue 2.1:41 5/92
Atwood, W.Plate margins: the next frontier [refeatured in 4.1:9699 5/00]3.2:3639 11/96
A bridge collection examined3.4:3843 11/97
Atwood, W.A simple sound post cutting jig4.2:6163 11/00
Croen, T.
Auhagen, W.Experimental research in the perception of tonality (abstract)1.4:4611/89
Auld, L. E.See Priesing, D. issue 46:47 11/86
Bachman, W.Inharmonicity and linesplitting in piano sound spectra (abstract)1.4:4142 11/89
Bacon, R. A.A discrete string model (abstract)28:711/77
Baese, G. L.See Thompson, R. P. issue 1.2:29 11/88
Bailliet, H.Lip vibration and pressure recordings during french horn playing (abstract)2.8:4011/95
Pelorson, X.
Richardson, B.
Lallouache, T.
Bain, R.See Firth, I. M. issue 46:36 11/86
Banerjee, B. M.See Sengupta, R. issue 41:11 5/84
Bariska, M.Acoustics of Wood by Voichita Bucur Book review3.1:5152 5/96
Barkeshli, M.Un instrument traditionnel dans la musique Iranienne (abstract)46:4011/86
Barlow, C. Y.Microscopy of wood finishes1.1:915 5/88
Woodhouse, J.
Of old wood and varnish: Peering into the can of worms1.4:29 11/89
Investigating old varnish and ground layers (abstract)1.4:3738 11/89
Mechanical properties and microstructure of bent spruce (abstract)2.4:4711/93
Barnes, P.Analysis of sound spectra from bowed violins and violas40:2126 11/83
Chandler, P. F.
Cooke, L.
Fredin, S.
Hammel, G.
Townsend, P. D.
Whitlow, H. J.
Wilzen, L.
Bartram, S. F.Crystallinity of wood measured by Xray diffraction techniques7:85/67
1
Bazant, P.Measurement of material properties of wood for1.4:4311/89
Povolny, J. musical instrument construction (abstract)
Bazant, P.Predicting sound quality of a violin from its frequency response (abstract)2.4:4211/93
Stépánek, T.
Malka, A.
Beauchamp, J.Timevarying spectra of violin tones (abstract)11:55/69
Beauchamp, J.Investigation of timbre using spectral matching, modelling, and interpolation (abstract)2.3:255/93
Horner, A.
Gennaula, C.
Goudeseune, C.
Bedrane, G.See Doutaut, V. issue 2.8:44 11/95
Bein, J.Thanks to the luthiers!40:411/83
Beldie, I. P.Vibration and sound radiation of the violin at low frequencies22:1314 11/74
Letter to the editor: Answer to T. Cox's Question [4.7:7 5/03] & reply by T.Cox4.8:311/03
About the brigde hill mystery (Note)4.8:913 11/03
See Ghelmeziu, N. issue 17:1016 5/72
Bell, A. J.Vibrations of the harp soundboard and soundbox (abstract)41:125/84
The Helmholtz resonance and higher air modes of the harp sound box3.3:28 5/97
Bell, D. R.Modal analysis for the working luthier (Note)4.6:713 11/02
Letter to the editor: Additional refernces on modal analysis [see also 4.6:713 11.02]4.7:75/03
Benade, A. H.Response of a plate in the region of unresolved resonances as affected by damping4:1213 11/65
Spectrum measurements in a somewhat reverberant room (abstract)11:55/69
The wolf tone on violin family instruments24:2123 11/75
The path from string to ear (abstract)25:55/76
Fiddle acoustics: The summer of 197728:36 11/77
Violin stringing and Leopold Mozart's advice28:79 11/77
The room around the instrument28:910 11/77
John Schelleng in retrospect33:35/80
News from Cleveland33:65/80
News from Cleveland36:311/81
An essay on the interpretation of realtime analyzer data38:3033 11/82
News from Cleveland40:311/83
Musical acoustics today46:3036 11/86
See Field, C. W. issue 35:34 5/81
See Schelleng, J. C. issue 26:4 11/76
See Weinreich, G. issue 1.7:39 5/91
See Worman, W. E. issue 1.5:1722 5/90
Benade, A. H.Tape recorder transposition of standard violin to simulate the highest seven13:810 5/70
Roberts, E. members of C. M. Hutchins' family of true violins
Benade, M.A simple gauge for measuring purfling groove depth15:155/71
Benade, V.Arthur H. Benade The making of a musical acoustics1.2:2427 11/88
researcher, theorist and teacher
See Brownell, D. issue 3.4:59 11/97
Berendt, R. D.See Schelleng, J. C. issue 28:31 11/77
Bernot, F.See Besnainou, C. issue 1.4:42 11/89
Bernstein, R.Tuning the top of a New Family small bass35:1215 5/81
A tip for a perfect hollow grind37:265/82
Besainou, C.From the editors: Introduction to the use of composite materials in musical instruments4.2:910 11/00
Besnainou, C.Looking for the properties of ancient gut strings (abstract)1.4:4111/89
Composite materials versus musical instruments (abstract)2.4:4611/93
Modal stimulation: a sound synthesis approach (abstract)2.8:4311/95
See Vaiedelich, S. issue 1.4:38 11/89
1
See Vallete, C. issue 1.4:45 11/89
Besnainou, C.A new instrument: The Klanoun, which may be used as a1.4:4211/89
Bernot, F. small portable harpsichord (abstract)
Bessaraboff, N.Translation "Two main types of arching" by A. K. Leman8:911 11/67
See Boyden, D. D. issue 21:34 5/74
See Bram, Marjorie issue 8:36 11/67
BillaudSiefert, F.See Rocaboy, F. issue 1.8:41 11/91
Bishop, C. D.See Hanson, R. J. issue 46:39 11/86
Bissinger, G.The Science of Sound by Thomas D. Rossing Book review38:611/82
Violin Acoustics A New Look at Old Art by Augustus F. Mathews Book review 1.5:40 5/90
The Physics of Musical Instruments by Neville H. Fletcher and T. D. Rossing Book review 1.7:41 5/91
Violin cavity mode dependence on fhole shape, area and position (abstract)1.8:4911/91
Semiempirical relationships for A0 and A1 cavity mode frequencies for bowed string2.1:812 5/92
instruments of the violin, viola and cello family
Effect of fhole shape, area, and position on violin cavity modes below 2kHz2.2:1217 11/92
The effect of violin cavity volume (height) changes on the cavity modes below 2 kHz2.2:1821 11/92
The Absolute Tone The Secret of Stradivari by Solomon Budnick Book review 2.3:20 5/93
Bounce tests, modal analysis, and the playing qualities of the violin bow2.8:1722 11/95
Ambiguity in A1 B1 delta criterion for violin tone and quality3.1:1316 5/96
Modeling the sound of the violin: the VR model and the role of the soundpost3.5:2937 5/98
Toward a normalmode understanding of the violin3.6:2122 11/98
Modal analysis of assembled string instruments3.8:1923 11/99
From the editors: Viocadeas Th violin octet revisited4.3:34 5/01
From the editors: Simulating violin sounds may the (driving) force be with you!4.6:56 11/02
Bissinger, G.A standardized qualitative violin evaluation procedure?3.6:4445 11/98
Gearhart, F.
Bissinger, G.Relating normal mode properties of violins to overall qualty: Part I: Signature modes4.8:3745 11/03
Gregorian, A.
Relating normal mode properties of violins to overall quality: Part II: Modal averages/trends4.8:4652 11/03
Bissinger, G.Plate tuning project on (machine figured) violins (abstract)25:55/76
Hutchins, C. M.
Tuning the bassbar in a violin plate, I [refeatured in 4.1:6568 5/0]26:1012 11/76
Tuning the bassbar in a violin plate, II [refeatured in 4.1:6973 5/00]30:2327 11/78
"Q" measurements of mode #2 and mode #5 in a number of violin and35:57 5/81
viola top and back plates [refeatured in 4.1:7476 5/00]
Evidence for the coupling between plate and enclosed air vibrations in violins39:711 5/83
[refeatured in 4.3:3943 5/01]
Further evidence for coupling between plate and enclosed air vibrations in40:1819 11/83
string instruments [refeatured in 4.3:4446 5/01]
Tracking "enclosed air plate" coupling with interior gas exchange (abstract)41:135/84
Airplate > neck fingerboard coupling and the "feel" of a good violin44:1112 11/85
[refeatured in 4.3:5253 5/01]
A1 cavitymodeenhanced fundamental in bowed violin and viola sound1.2:1113 11/88
[refeatured in 4.3:5456 5/01]
Bixler, M.Software review: SCORE desktop music publishing system for the IBM PC1.4:3132 11/89
Sacksteder, R.
Bodley, N.Inharmonicities in the piano Report on lecturedemonstration by25:55/76
Dr. Albert E. Sanderson (abstract)
Bonamini, G.Anatomical features and anisotropy in spruce wood with identical rings1.8:1216 11/91
Chiesa, V.
Uzielli, L.
Bonta, S.Further thoughts on the history of strings26:2126 11/76
Compromises in the design of the bass violin, 15301700 (abstract)46:3911/86
Boomsliter, P. C.Research potentials in auditory characteristics of violin tone (abstract)11:55/69
Creel, W.
Prestimulus perceptual activity in perception of tone in musical sequences32:37 11/79
Bork, I.Modal analysis in musical acoustics (abstract)1.4:3711/89
1
Impulse measurements on violins (abstract)2.4:4311/93
See Meyer, J. issue 46:38 11/86
See Meyer, J. issue 2.8:43 11/95
Boullosa, R. RThe use of transient excitation for guitar frequency response testing36:1720 11/81
Boullosa, R. R.Admittance at the frets of a classical guitar4.4:3336 11/01
Boutillon, X.The piano hammer action (abstract)46:3738 11/86
On the duration of violin transients (abstract)2.4:4411/93
See David, B. issue 2.8:42 11/95
Boutillon, X.Hybrid synthesis (abstract)2.8:4311/95
Guerard, J.
Boutillon, X.Measuring the admittance of a violin bridge in three directions (abstract)1.4:4811/89
Weinreich, G.
Bower, V. E.Die Akustik der Gitarre in Einzeldarstellungen by Jürgen Meyer Book review46:4546 11/86
Manual of Guitar Technology by Franz Jahnel Book review48:3311/87
Bowie, J. C.Principles in bridge design (abstract)1.4:4811/89
Principles in acoustic bridge design (abstract)2.4:4611/93
Bowsher, J. M.Subjective assessment of musical instruments (abstract)25:155/76
Boyden, D. D.Nicholas Bessaraboff's Ancient European Musical Instruments reprinted from21:34 5/74
Notes Book review
Bram, MarjorieViol Family11:23 5/69
An interview with CarlHugo Aogren14:1215 11/70
The World of Baroque and Classical Instruments by Jeremy Montagu Book review32:2 11/79
The World of Romantic and Modern Musical Instruments by36:411/81
Jeremy Montagu Book review
Bram, MarjorieInterview with Nicholas Bessaraboff8:36 11/67
Apgar, V.
Hutchins, C. M.
Bram, MarvinRegarding viola tone25:89 5/76
Branning, H. P.Audition preferences of trained and untrained ears on hearing melodic and harmonic40:511/83
intervals when tuned in just intonation or Pythagorean ratios
Brelay, H.Vibrational modes and decay rates of solid and laminated piano soundboards (abstract)2.3:285/93
Hoejke, P.
Rossing, T. D.
Bresciani, J. F.See Caussé, R. issue 2.3:25 5/93
Bretos, J.Natural eigenmodes and random response of the violin box:2.8:3811/95
Santamaría, C. numerical and experimental study (abstract)
Ezcurra, A.
Moral, J. A.
Bretos, J.Effect of the bass bar on the free violin top plate studied by finite element analysis3.6:1620 11/98
Santamaría, C.
Moral, J. A.
BrockNannestad, G.The masking of characteristic spectra by the acousticomechanical 41:8 5/84
recording process (abstract)
Brown, D. E.See Rossing, T. D. issue 2.3:34 5/93
Brown, E.Letter to the editor: Reactions to the alto violin29:3,265/78
Brown, J. C.Fourier analysis of the bowed string (abstract)46:4211/86
Brownell, D.Research Papers in Violin Acoustics 19751993,3.4:5911/97
editted by C. M. Hutchins and V. Benade Book review
1
Bucur, V.Anatomical structure and some acoustical properties of resonance wood33:2429 5/80
Relationships between grain angle of wood specimens and ultrasonic velocity41:3035 5/84
Ultrasonic velocity, stiffness matrix and elastic constants of wood44:2328 11/85
Variability of resonance wood expressed by its elastic constants (abstract)46:4111/86
Varieties of resonance wood and their elastic constants47:4248 5/87
Wood stiffnesses determined by mode conversion technique (abstract)1.4:4311/89
Acoustic emission techniques in wood science (abstract)1.8:4811/91
The application of acoustic emission techniques in wood science and technology2.1:2831 5/92
Viscoelastic behavior of resonance wood expressed by ultrasonic measurements (abstract)2.3:245/93
See Bariska, M. issue 3.1:5152 5/96
See Rocaboy, F. issue 1.6:2128 11/90
Bucur, V.Relationships between the inorganic component of the cellular wall and4.2:3947 11/00
Clement, A. acoustic properties of wood for violins
Thomas, D.
Bucur, V.Identification of wood anatomical elements by acoustic microscopy (Note)2.1:415/92
Saied, A.
Attal, J.
Budnick, S.See Bissinger, G. issue 2.3:20 5/93
Buen, A.Differences of sound spectra in violins by Stradivar and Guaneri del Gesu (Note)4.8:1418 11/03
Burroughs, C. B.See Wang, L. M. issue 4.6:6572 11/02
See Wang, L. M. issue 3.7:917 5/99
Calder, J.Graphs and formulae for piano string design1.8:1711/91
Caldersmith, G. W.Low range guitar function and design27:1925 5/77
A new fiddle family The Almas32:1114 11/79
Alternative configurations for fiddles34:1114 11/80
Physics at the workbench of the luthier35:1518 5/81
Plate fundamental coupling and its musical importance36:2127 11/81
The guitar family Prospectus38:2223 11/82
Letter to the editor: Comment on J. Woodhouse's article "On recognizing violins"40:1920 11/83
[see 39:2224 5/83]
Alma, an experimental violin constructed on a simple physical model (abstract)41:95/84
Vibration theory and wood properties, I42:411 11/84
The violin quality debate: Subjective and objective parameters43:612 5/85
Vibration theory and wood properties, II1.2:710 11/88
Wood properties from sample plate measurements I1.5:812 5/90
Caldersmith, G. W.Ring modes, Xmodes and Poisson couplings39:1214 5/83
Rossing, T. D.
Campbell, D. M.See Sharp, D. B. issue 2.8:41 11/95
Camras, M.Letter to the editor: Response to request by N. E. Hannan for information on a27:315/77
rough patch of tone [see 21:10 5/74]
Canfield, G. H.Modes of vibration in hammered dulcimers (abstract)2.8:4411/95
Rossing, T. D.
Carruth, A.Loosening white glue joints (Note)1.7:355/91
An inexpensive air resonance mode tester (Note)2.5:2425 5/94
Great Guitars by Robert Shaw Book review3.4:6011/97
An experiment in wood substitution on the classical guitar3.5:2428 5/98
Carterette, E. C.Convergent methods of psychological and musical acoustics (abstract)1.8:5211/91
Kendall, R. A.
Psychoaoustics of the stretched octave of Javanese gamelans (abstract)2.8:4511/95
Castellengo, M.See Fabre, B. issue 1.4:39 11/89See Vallete, C. issue 1.4:45 11/89
Castellengo, M.Perception du vibrato vocal (abstract)1.4:4611/89
Richard, G.
d'Alessandro, C.
Caussé, R.Art Benade at the Institut de Recherche et Coordination Acoustique/Musique in Paris1.4:2630 11/89
See Eckel, G. issue 2.8:44 11/95
See Marandas, E. issue 2.8:41 11/95
1
See Weinreich, G. issue 1.4:36 11/89
Caussé, R.Radiation of musical instruments and control of reproduction with loudspeakers (abstract)2.3:255/93
Bresciani, J. F.
Warusfel, O.
Caussé, R.Study of several multiphonic sounds of the cello (abstract)41:1011 5/84
Chaintreuill, S.
Strauch, P.
Caussé, R.On the reproduction of directivity patterns using multiloudspeaker sources (abstract)2.8:4311/95
Wausfel, O.
Caussé, R.The influence of inharmonicity of a string on its vibrations: simulations and1.8:5011/91
Weinreich, G. observations with the digital bow (abstract)
Chafe, C.A comparison of timbres inherent in traditional violoncello playing29:1922 5/78
Chaigne, A.Numerical simulations of stringed instruments Today's situation and trends for the future4.5:1220 5/02
See Doutaut, V. issue 2.8:44 11/95
See Lambourg, C. issue 2.8:42 11/95
Chaigne, A. J.Viscoelastic properties of nylon violin strings [Abstacted 1.4:40 11/89]1.7:2127 5/91
Chaigne, A. J.Analysis of guitar tones3.8:2431 11/99
Rosen, M.
Chaintreuill, S.See Caussé, R. issue 41:1011 5/84
Chandler, P. F.See Barnes, P. issue 40:2126 11/83
Chang, NagyoungSee Haines, D. W. issue 23:1315 5/75
Chen, K. C.See Schwab, H. L. issue 25:1315 5/76
Chiang, C. J.A comparison between expensive and inexpensive violin strings38:810 11/82
Houtsma, A. J. M.
Chiesa, V.See Bonamini, G. issue 1.8:1216 11/91
Childers, R. L.An analytical expression for the shape of a guitar41:2829 5/84
Chowning, J. M.See Field, C. W. issue 35:34 5/81
Chrapkiewicz, D. L.Silicates "in violino": Stiffiening American topwoods2.8:3133 11/95
Chrien, R. E.Reflections on the development of a physicist1.3:813 5/89
Christensen, F.Some reflections regarding shortneck violin and viola21:165/74
Talking violin problems23:85/75
Christensen, O.Quantitative evaluation of guitar response (abstract)41:85/84
Chu, W. K.See Tove, P. A. issue 22:58 11/74
Cingolani, S.The Complete Luthier's Library by Roberto Regazzi Book review1.7:405/91
Claassen, C.See Hanson, R. J. issue 1.4:41 11/89
Clement, A.See Bucur, V. issue 4.2:3947 11/00
Coates, S. R.Analysis of tones from automatically bowed violins24:1617 11/75
Higgs, S. J. R.
Parsons, L. J.
Townsend, P. D.
Cohen, D.Normal modes of vibration in two mandolins4.2:4854 11/00
Rossing, T. D.
Coltman, J. W.Just noticeable difference in timbre of the flute3.1:2633 5/96
1
Compton, Jr. S. R.The Art of Drawing a Violin by Åke Ekwall Book review2.6:3411/94
Further commentary and related thoughts on review of Ekwall's book [2.6:34 11/94] (Note)2.6:3536 11/94
Condax, L.The soundpost of the violin2:67 11/64
Violin varnishes created by two prominent authors, George Fry and6:711 11/66
Joseph Michelman: Their comparison to the Old Masters
Report on my European trip10:1112 11/68
Examination of the ground layer of the Italian violin varnish10:1213 11/68
Italian violin varnish and dichroism12:1012 11/69
Final summary report of violin varnish research project37:3136 5/82
The soundpost of the violin [reprinted from 2:67 11/64]1.2:2811/88
Condax, L.The CondaxKimball cello podium (including drawing)16:711/71
Kimball, M.
Cook, P. R.Spherical radiation from stringed instruments3.8:814 11/99
Trueman, D.
Cooke, L.See Barnes, P. issue 40:2126 11/83
Copley, D. C.Stroboscopic sequences of lip vibrations in a trombone (abstract)2.8:4111/95
Strong, W. J.
Corliss, E. L. R.Review of concert by the Violin Octet at ASA meeting, San Diego, 9 November 198341:25/84
Efforts to study near field patterns of directivity in musical instruments (abstract)1.8:5111/91
See Schelleng, J. C. issue 28:31 11/77
Cowell, E.The importance of violin design39:1518 5/83
See Hancock, M. issue 1.3:62 5/89
Cox, S.An equivalentcircuit approach to the coupling between the Helmholtz and33:3035 5/80
topplate modes in a stringed instrument
Cox, T. M.A note on tonewood selection3.2:4546 11/96
Letter to the editor: A1 B1 Question4.7:75/03
Wood testing by taptone (Note)4.7:1719 5/03
Craighill, L.Letter to the editor: Reconstruction of a king's lyre4.7:45/03
Letter to the editor: Reflections on making a 21st century rebec4.7:56 5/03
Creel, W.Sounds of Music by Charles A. Taylor Book review26:311/76
Musical intonation for fiddlers26:710 11/76
See Boomsliter, P. C. issue 11:5 5/69
See Boomsliter, P. C. issue 32:37 11/79
Creel, W.Focus on stringed instrument research and development [refeatured in 4.1:1618 5/00]14:912 11/70
Rogers, C. P.
Hutchins, C. M.
Creitz, L.How to play the tenor violin now: A brief compendium of resources28:1711/77
The new and the old violin families An organological comparison30:1822 11/78
Cremer, L.The influence of "bow pressure" on the movement of a bowed string, part I18:1319 11/72
The influence of "bow pressure" on the movement of a bowed string, part II19:2125 5/73
Hermann Meinel28:1112 11/77
The absorption of "secondary correction waves" in the excitation of31:1216 5/79
a string by bowing (I)
The absorption of "secondary correction waves" in the excitation of32:2732 11/79
a string by bowing (II)
Consideration of the duration of transients in bowed instruments38:1318 11/82
Remarks on the prediction of the eigenvibrations of the body of a violin (abstract)1.4:3637 11/89
Remarks on the prediction of eigenmodes of violins1.6:15 11/90
See Tubis, A. issue 44:2 11/85
See Weinreich, G. issue 37:4 5/82
Croen, T.See Atwood, W. issue 4.2:6163 11/00
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Cuesta, C.See Vallete, C. issue 1.4:45 11/89
Curtin, J.The reciprocal bow as a workshop tool3.3:1518 5/97
Innovation in violin making3.7:1822 5/99
Tap tones an update5.1:67 5/04
d'Alessandro, C.See Castellengo, M. issue 1.4:46 11/89
Dalmont, J. P.See Nederveen, C. J. issue 2.8:41 11/95
Dane, H.See Hirschberg, A. issue 1.4:40 11/89
Dane, H. J.See Nederveen, C. J. issue 2.8:41 11/95
David, B.Using vacuum to measure the acoustical efficiency (abstract)2.8:4211/95
Boutillon, X.
Davis, E. B.A design guide for steel core, bronzewound musical instrument strings38:4011/82
Guitar acoustics3.8:3943 11/99
Day, R. K.Vibration modes of neck, scroll and fingerboard2.4:1014 11/93
Jansson, E. V.
de Jong, W. C.See van Zoest, W. H. issue 23:910 5/75
Decker, J. A.A composite materials classical guitar (abstract)1.5:425/90
Commercial graphic acoustic guitars (abstract)1.8:4811/91
Dettloff, J. A.Statistical relationships between acoustic parameters of violin tonewoods43:1315 5/85
DeVilbiss, E. L.Earplugs for classical musicians (Note)1.7:335/91
DiBella, A.Violin top wood qualification:4.6:2225 11/02
Piasentini, F. Influence of growth ring distance on acoustical properties of red spruce
Zecchin, R.
Dickens, E. D.See Hutchins, M. A. issue 41:9 5/84
Dickens, F. T.Tuning of guitar plates26:1920 11/76