Escape the ordinary
and join us for a Festival of mischief, magic and mistaken identity.

This year sees the return of four Glyndebourne classics and two

new productions. All six offer comic moments, compelling drama

and captivating music. With diverse operas by Wagner, Rossini,

Janaček, Mozart, Berlioz and Britten, Festival 2016 promises to be

an unforgettable season.

We are also marking the Shakespeare400 anniversary with operas

based on two of the Bard’s best loved comedies.


Corporate Members Employees’ Priority booking for Glyndebourne Festival 2016 opens Monday 29 February at 10am

Through your company’s Glyndebourne Corporate Membership, Glyndebourne is delighted to offer you priority access to tickets ahead of public booking.

You will be able to book Glyndebourne tickets online from 10am Monday 29 February until Sunday 6 March.

Win dinner for two

Book using your company email address and all orders of two or more tickets will be entered into a prize draw to win a complimentary three course dinner for two in the Mildmay Restaurant at Glyndebourne during your Festival 2016 visit.

How to book

To take advantage of your priority booking period all you need to do is enter the code ‘13117’' into the 'Promotion Code' box when you login or register on the website.

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A summer’s day spent at Glyndebourne

goes beyond the world-class action on stage

Our location in the heart of the Sussex Downs makes for

a truly unique experience.

One of the joys of Glyndebourne is the opportunity to unwind and enjoy

a picnic in our 12 acres of gardens, or dine at one of our three on-site restaurants.

Leith’s at Glyndebourne offer a range of dining options, from relaxed afternoon

tea to sumptuous fine dining. You can bring your own picnic or order one to pick up when you arrive.

Visit diningatglyndebourne.com for picnic and restaurant options.

Dressing the part

Our audiences enjoy the thrill of dressing up and the chance to be different for a day. From

formal and vintage attire to the height of contemporary fashion, our audiences relish the

opportunity to dress to impress.

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WAGNER

Die Meistersinger von Nurnberg

21 May to 27 June. Tickets £20 – £300

ALSO IN CINEMAS TUESDAY 12 JULY (RECORDED LIVE IN 2011)

SUNG IN GERMAN WITH ENGLISH SUPERTITLES

GRIPPINGLY ORIGINAL, WAGNER PUTS SINGING AND SONGWRITING CENTRE

STAGE IN GLYNDEBOURNE’S BIGGEST PRODUCTION EVER

Hans Sachs is the most celebrated of the Mastersingers, a group of poets and musicians

who have created complex rules for composing and performing their songs. Their world is

turned upside down by free-thinking Walther who enters their singing competition to win

his beloved Eva. But can this inspired rule-breaker win the hand of the woman he loves?

‘Glyndebourne thinks big with a Wagner staging to treasure’
The Sunday Telegraph

‘Gerald Finley is glorious: vocally right back to his volatile best’
The Times

David McVicar’s production is revived in Festival 2016 for the first time, with Music

Director Robin Ticciati conducting his first Wagner opera. With the London Philharmonic

Orchestra and the Glyndebourne Chorus.

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ROSSINI

New Production

Il barbiere di Siviglia

22 May to 17 July. Tickets £20 – £260

ALSO BROADCAST LIVE IN CINEMAS TUESDAY 21 JUNE

SUNG IN ITALIAN WITH ENGLISH SUPERTITLES

MISCHIEF AND MAYHEM RUN RIOT IN

ROSSINI’S MOST POPULAR COMEDY

Figaro, the renowned Barber of Seville,uses every trick he can muster to outwit

Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the

would-be-bride Rosina who has schemes of her own. Madcap disguises accompany

twists and turns in a whirlwind plot, whilst Figaro’s cunning knows no bounds.

Directed by Annabel Arden with sparkling wit and playful energy springing directly

from Rossini’s joyous music, and conducted by Enrique Mazzola, this new production

heralds the welcome return of a masterpiece not seen at Glyndebourne for 33 years.

With the London Philharmonic Orchestra and the Glyndebourne Chorus.

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JANÁČEK

The Cunning Little Vixen

12 June to 31 July. Tickets £10 – £230

SUNG IN CZECH WITH ENGLISH SUPERTITLES

JANÁČEK

ALL THE COLOURS AND CREATURES OF THE FOREST COME TO LIFE IN A FOX’S TALE

OF LOVE, LIFE AND LOSS

Young, playful and mischievous Vixen Sharp Ears disturbs the napping Forester as she chases

a frog near the woods. Thinking she will amuse his children, he bundles her up and carries

her home. Wilful and independent, she wreaks havoc and refuses to stay captive for long.

Inspired by a newspaper comic strip, Janaček takes an enchanting tale and turns it into a

colourful reflection on the highs and lows of life and death in nature’s constant cycle of

renewal. Entwining dance, mime and orchestral interludes into the storytelling, he blends

folk-derived melodies with sophisticated, lushly orchestrated harmonies to create a personal

and modern musical style.

‘Colourful and joyous’

Wall Street Journal

‘A small miracle of theatrical trickery’

Daily Telegraph

Conducted by Jakub Hrůša and directed by Melly Still, this visually stunning production

makes a welcome return to the Glyndebourne stage. With the London Philharmonic

Orchestra, the Glyndebourne Chorus and members of Glyndebourne Youth Opera.

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MOZART

Le nozze di Figaro

3 July to 24 August. Tickets £10 – £230

SUNG IN ITALIAN WITH ENGLISH SUPERTITLES

THIS FRESH TAKE ON A MOZART CLASSIC RADIATES 60s STYLE

All the action takes place on one incredible day, in an upstairs-downstairs world populated by

servants who aren’t servile and the masters they outsmart. Described by many as the world’s

greatest opera, this comedy is also the perfect introduction for those new to the artform.

Figaro and Susanna are determined to get married. But before they can make it down the

aisle, plots and promises are made and broken, hopes are raised and dashed, and disguises

are donned and exposed – all to the strains of some of Mozart’s most sublime music.

Jonathan Cohen conducts Michael Grandage’s hilarious production set in 1960s Spain.

‘Pure joy... a Figaro of rare grace, naturalness and charm’

Daily Telegraph

‘Grandage’s production is full of wonderful touches and... fluent timing’

Evening Standard

With the Orchestra of the Age of Enlightenment and the Glyndebourne Chorus.

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BERLIOZ

New Production

Beatrice et Benedict

23 July to 27 August. Tickets £10 – £230

ALSO BROADCAST LIVE IN CINEMAS TUESDAY 9 AUGUST

SUNG IN FRENCH WITH ENGLISH SUPERTITLES

LOVE CONQUERS ALL IN BERLIOZ’S SPARKLING

TAKE ON MUCH ADO ABOUT NOTHING

From Elizabeth and Darcy in Pride and Prejudice, to Hermione and Ron in the Harry Potter series,

the age-old premise of verbal sparring to mask true feelings of love or passion is employed to

magnificent effect in Berlioz’s Béatrice et Bénédict.

Berlioz selected the sunniest and funniest elements of Shakespeare’s Much Ado About

Nothing and set them to ravishing music to create this witty love-hate duel. The opera’s overture

explodes with a buoyant sense of fun and elegant wit and there are several splendid numbers for

the female characters, especially the sublime Act I duet-nocturne, described by one critic as ‘a marvel

of indescribable lyrical beauty’.

Conducted by Robin Ticciati and seen through the unique vision of director Laurent Pelly, Berlioz’s

comic gem makes its long-awaited Glyndebourne premiere in Festival 2016. With the London Philharmonic Orchestra

and the Glyndebourne Chorus.

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BRITTEN

A Midsummer Night’s Dream

11 to 28 August. Tickets £15 – £230

SUNG IN ENGLISH WITH SUPERTITLES

PETER HALL’S SPELLBINDING PRODUCTION

Step into a dreamworld where calamitous love potions are used to devastating effect on

a mad midsummer’s night. Spells are cast, flowers come alive, trees whisper and dance as

a huge cast of lovers, fairies and folk-like rustics find their worlds colliding with riotous

consequences.

Britten uses beguiling music in this classic retelling of Shakespeare’s comic masterpiece.

Ethereally beautiful, lyrical and romantic, with moments of magical hilarity, this opera has

always been a Glyndebourne favourite.

‘One of the great operatic events of our time’

Mail on Sunday

‘If you haven’t seen this production, I urge you to catch it now’

Financial Times

Conducted by Kazushi Ono with the London Philharmonic Orchestra and the Trinity Boys Choir.