THE ADSUM POEMS

“You do not ask for sacrifice and offerings,

but an open ear.

You do not ask for holocaust and victim.

Instead, here am I.”

Psalm 39 (40); 6-7

ADSUM, I: THE QUEEN OF VESPERS

Adsum: as much as I can say now:

here am I, my eyes and ears open.

I’ll be quiet; I’ve taken a vow

of attention—to look and listen

under the pasture’s kaleidoscope

dome, along the forbidding border

of trees through which I can see in hope

the path will become a corridor

to the court of the Queen of Vespers

who, arms outstretched, sings Magnificat

Anima Mea. She sequesters

herself in a verge, nubile wicca

same as afternoon sunlight beaming

through plane trees bordering Bear Creek’s banks.

Adsum: it’s only nature seeming

something more. Still, sufficient for thanks.

ADSUM, II: THE GUINEAS

Adsum: all I can say now. Guineas,

shrieking like Damned in THE INFERNO,

circle my cabin with no surcease.

Adsum, too: “Here we are!” crescendos

to a derisive chorus, their Bronx

cheer I take personally, harsh jeer

at my tepid position—rude honks

mocking my wish only a soft God hear

me. But the God of the guineas speaks

harshly, like a ceaseless desert wind

sandblasting a face, or the guineas’

mindless stridency on ears, then mind:

one horror among thousands the veil

displays. But I see how beautiful

the birds are: bright black eyes, pearls on pale

gray feathers. Together, sociable.

ADSUM III: THE GRAY COAT

Adsum: here am I—all I can say.

Where has the faith of my father gone?

He wore a gray goose-down parka the day

I last saw him alive—icy dawn

at the airport. “She can’t put a meal

on the table no more”—domestic

heresy, worse for him to reveal,

both unaware of the thoracic

cancer eating her while he waited

for dinner. His aorta ruptured—

broken heart, really. Strangulated,

she followed his lead three months later.

I wear his gray coat against icy

cold and the darkness of them gone, their

faith and schism a last legacy,

like a lost child’s threadbare teddy bear.

ADSUM, IV: FAHEY

All I can say is adsum: here am

I. Fahey, my drunk St. Paul friend, would

call late at night. “Going to goddam

daily Mass,” he’d say. ”Don’t know what good

it does. But I show up. I lace up

my shoes, if Coach Jesus ever wants

me to play. But I just take space up

on the bench.” Fahey’s dread dark night haunts

me. He raged at his impediment:

cleft palate. With a bottle he drove

away his sweet wife, his jobs, each friend,

for grandiose fantasies he wove

into fractured five string banjo reels.

Yet before his mysterious death,

his adsum surfaced, and Fahey steals

into the game with his final breath.

ADSUM, V: MOTHER CHURCH

“You do not ask for holocaust and

victim; instead, here am I.” Adsum!—

the answer given by ordinands

a bishop calls by name to the womb

of Mother Church. They agree to mid-

wife Jesus from the dark he came from

once, again and again, though still hid-

den. But their Mother Church has become

a painted lady servicing her

celibates. Jesus is weary of

holocaust and victim, lip-service,

clergy abuse of mysterium

and men. Enough abuse, Pharisees!

Let justice roll down like a river,

compassion abound for all lost sheep,

even those with miter and crosier.

ADSUM, VI: LISTENING

“You do not ask for sacrifice and

offerings, but an open ear.” My

consciousness is what I hear. I can’t

listen around its register, try

as I do. My whole skin is an ear.

There’s too much noise here in the country:

chainsaws, dogs, roosters, trucks, frogs. I fear

I’ll miss the words silence speaks subtly

under the din outside and in. I fear

silence for what it might say, soli-

tude for the silence it brings. I hear

darkness approaching. The owls call me

almost by name each night. I’m willing

to walk into black woods when they get

it right. Their who-who-whos are spilling

into morning. It’s just me I’ve met.

ADSUM, VII: THE FROZEN PUMP HANDLE

Adsum—here am I—is like standing

before the frozen pump handle at

thirty below with your tongue hanging

out. Lick me, it calls. But I know that

its voice is my own: my old serpent

self fascinated by forbidden

fruit until it tastes it, cemented

fast, my scaled eyes finally open.

Adsum. Here is the pump handle, here

am I. Lick it, I say; it calls me.

It is not what I expect to hear.

It says stick your tongue out; taste and see.

I had hoped for a less arduous

call: a lady love, long afternoons

of twilight loving, some sensuous

gift, not tongue-scalding, iron-cross wounds.

ADSUM, VIII: THE QUANTUM DIMENSION

Adsum means keeping my quantum state

quantum, deciding nothing except

not to decide prematurely, late

in life though I be. I expect

a completely unexpected surprise

worth waiting for. I play the waiting

game in the dark, searching the night skies

for falling stars illuminating

my fixed vision peripherally—

a brief streak of fire at the border

of looking, one possibility

given, gone, before I can corner

it. If I knew what I was looking

for, it would not be worth looking for.

Fire in the darkness keeps me searching

for what remains only possible.

ADSUM, IX: THE CHAMPAGNE CRUISE

Saying adsum is saying enough

if I am a fish in the ocean

I seek, swimming blithely in the stuff

I yearn for, yearning with its motion

inside me. Let it be a champagne

cruise! I am already where I want

to be, I be now the song I aim

for: the holy ocean’s holy descant

sung by my swimming dance. How simple,

to be blessed by being simply what

I am, as if again the single

fish in my mother’s womb, bibelot

under her heart. I love the bubbly

and intoxication, its slow blur

of separation. Incredibly,

I am awash in loving liquor.

ADSUM, X: BEING HOME

Saying adsum is saying enough

if I am a fish in the ocean

I seek, swimming blithely in the stuff

I yearn for, yearning by its motion

within me. I am already home

and have always been, though I’ve journeyed

back and forth, like a dumb palindrome

with me at its center. I just need

to let me go, replace it with be—

the way I am before I become

a man. Ad Deum qui laetifi-

cat juventutem meum. Rhythm

becomes me, drumming on the holy

ground with bare feet, young again. I laugh

without rhyme or reason, my roly-

poly shaking this warm ocean bath.

ADSUM, XI: THE DANCE KING

Adsum—here am I—says the wrought-iron

statuette, fixed in an exultant

high step. My head is a sunburst iron

crown. I feel like a madman of dance.

Where my heart should be, a star-shaped hole,

as if at my core I were powered

by stardust even iron can’t hold,

as you are, if your heart’s joy flowered

within you. You would lift your child high,

as I do, for we are the Dance King

together. She kicks her left leg sky-

ward, exultant too, celebrating

the holy matrix we crystallize

in our iron pose. I am her gift to

her father, who sings, before he dies:

adsum! I will forever lift you.

ADSUM, XII: LOLLYGAGGING

Saying adsum is saying enough

if I am a fish in the ocean

I seek. Being here now is enough.

I’ll do nothing useful; when I’m done,

I’ll do it again. I’ll try hard not

to make something of myself. I’ll doze

for the strength to lollygag, be caught

daydreaming, noodling, diddling. I’ll close

my eyes to big problems. I’ll play piss-

ing at the sun, the beast with two backs,

light flute-flavored stinkfarts. I’ll go miss-

ing daily, sing knick-knack, Paddy-whack,

give the dog a bone. It’s hard to do

nothing well. I’ll do a do-see-do,

doze, sigh, doze, then dance a little two

step and shuffle off to Buffalo.

ADSUM XIII: DOOMSDAY CLOCK

Adsum; here am I as the Doomsday

Clock ticks toward midnight. Let the midnight

special shine its light on me. To play

their harps of gold, upon a midnight

clear it came. In the pines, in the pines—

hickory dickory dock—I shiver

the whole night through. Baby Blue, the times

they are a-changin. It’s all over

now, where the sun never shines. Goodnight,

Irene, goodnight. It caused me to weep,

it caused me to moan. Let the midnight

special shine its light. Little Bo Peep

has lost her sheep. Glorious songs of old,

I’ll see you in my dreams. Irene, all

the good times are past and gone. The whole

night through a hard rain’s gonna fall.

P.S.

Goodnight, ladies. My grandfather’s clock

stopped short, never to run again, when

the mouse ran up the clock, up the clock.

Goodnight, moon. Good night, Irene. Adsum.